I thought it was a bit messy at times, but overall I quite enjoyed it--there were so many incidental pleasures in the film, so many invigorating, genuinely cinematic moments, that I was able to overlook the flaws and really enjoy the film. Certainly, the splendid art direction and costume design made the film a visually sumptuous feast for the eyes, and Dario Marianelli's score is quite possibly the finest one I've heard so far this year.
I was also quite taken with Heath Ledger's performance here--I use to think of him as just a lightweight, though his charm was certainly evident in films like 10 Things I Hate About You and A Knight's Tale, and he demonstrated an admirable depth in Monster's Ball. But this year, he's really begun to demonstrate a range and skill that is quite impressive. First up was his marvelous turn in Lords of Dogtown--there's a moment at the end of that film, which only lasts a minute or so, but he conveys so much emotion--frustration combined with resignation and ultimately joy--with such subtlety, it was shocking to me. Here, in The Brothers Grimm, he gives a performance of such joy and wonder it's quite intoxicating--his Jacob is a manchild dancing with the wonder of life AND folklore--and his line readings are so spot on perfect, and his chemistry with Matt Damon such a delight, Heath rises above the film's more extravagant transgressions and makes it quite magnificent. I can't wait to see what he does with Brokeback Mountain.
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