Welcome and thank you!!
In putting together the story and characters for this film, Aaron and I had a lot we wanted to discuss. We each had topics and characters that were important for us to address so we created one big list and kept adding to it - religion, various inequalities, racism, gay marriage - until we had far more than could ever go in one film. Then we took all of these scenes and characters and ideas and sat down and just worked through them, one by, deciding what would go where, what was the most important things to talk about for each of us.
We knew in writing this that we would be pushing some buttons. You cannot talk about these issues without doing that. But that's what was interesting to us. That's what made the story feel relevant. The moments and characters we were developing were all inspired by real life experiences and events, so the interactions all had precedence, but it was certainly tricky to try to handle these things in a way that felt adult and sharp without going too far into shock value or actual offensiveness to someone watching.
We were very careful to be aware of what we were saying and how we were saying it. Some words and slurs we never even considered using. You can have characters participate in a conversation about racism without using the N-word, for example. Stuff like that felt distracting and gratuitous. We also were aware of our own politics and strove to represent even points of view that we disagreed with personally in a fair way. Even then, there are undeniable villains, but even those people have points of view that are reflected in the real world.
Because we had so little time to present these characters, we did ultimately end up with archetypes and stereotypes, something even commented on by the characters throughout the film-- "of course it's the guy in the sweater vest to start this class *beep* This was both on purpose and a byproduct of the format. Sometimes we affirm stereotypes, sometimes we subvert them.
The reality is: we all know people like the characters in the film. We wanted them to feel quickly understandable in some small way, even if their points of view were distasteful. Many characters like the racist cop or the blowhard anti-immigrant lawyer took on even more significance AFTER the film was shot due to certain people and movements that happened to explode in the news. These characters of course existed long before our film, but in recent months, many of these issues have come back with a vengeance.
This has honestly been really interesting to us as filmmakers, to see these issues we filmed a couple years ago be even more relevant today. Gratifying in a way to know that we were really focusing on big issues, but also sad that some of this stuff still happens.
I personally happen to be a very political person. I try to stay really on top of what's going on in our country and the world. Not only do I think it's important to stay informed from a "citizen" point of view, but it's also a really good way to learn about people. The different types of people, the reasons why they fight, what matters to them. As someone who wants to have a career telling stories about people and why they do things, I think taking a long, hard, frequent look at society and politics can only help me do that in a better, more realistic way.
As for the ending, thank you! The response has been very interesting and very varied. I go into the how and whys of the ending elsewhere in the thread but I will say that I think ultimately, we ended the film exactly how we should have.
If you're looking for something else of ours to check out, may I humbly suggest our webseries, the Vault (www.youtube.com/VaultShow... start from the prologues!). It's a whole different beast from Circle, but it is something we're both really proud of.
Thanks again,
Mario
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