MovieChat Forums > Attack the Block (2011) Discussion > Unsympathetic Protagonists = Good

Unsympathetic Protagonists = Good


Are people really so desperate to be spoon fed blank, anodyne, cookie-cutter heroes in their films? Would this film have been much better if we had a bunch of likeable, good-looking high school kids fighting off the aliens? We could even have the jock, the hot girl and the nerdy guy who pulls through in the end to save the day and any other cliche you can think of.

Don't get me wrong, the mugging scene at the beginning of the film hardly endears you to the characters. That was the writer's intention, hence why he included the knife in it. They're not likeable characters at this point in the film. They're a bunch of kids who think they're bad-ass and all display a mix of cockiness and cluelessness and they're certainly not meant to be admired at the start. It's what they do throughout the course of the film that redeems them. They do save Sam (and she of course saves Moses at one point) and at the end, Moses realises that it was his actions that brought the aliens to the block and he risks his life to save everyone else.

I know I'm probably going to get a load of replies saying I'm a thick as hell liberal but I really don't think of myself as one. I don't think we're supposed to instantly forgive the characters for the mugging just because they were as scared as she was, it was still a horrible thing to do. But the events of the film show that they can change if given the chance to and that they can realise the mistakes they made, as Moses explicitly acknowledges when in the Weed Room.

One of the best moments in the film (for me) was the one where Sam notices Moses's Spider-man duvet and asks if he has a little brother. It just reinforces that these guys are just kids. That in and of itself doesn't excuse their actions and it's not enough to say "I had bad role models like Hi-Hatz" as a defence to mugging someone but when someone is living by himself in a rough part of town with his only adult influence being his uncle occasionally dropping by, you can understand how he'd gravitate towards those people who are seen as cool and powerful in that microcosm of the block. In any case, I think it's much more interesting to watch a film where you start off disliking the main characters and then realise that they do in fact have the capacity to change, they've always had the capacity to change and do in fact realise this potential when faced with a greater danger that makes them realise they're not gangsters, they're just a bunch of kids who think they're tough.

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I didn't like any of the characters in the movie besides the nurse and Moses after his redemption. I love Nick Frost and I couldn't even like his character based solely on the fact that he was Nick Frost. I will say though that by the end of the film I completely sympathized with Moses. I was warming up to the white thug but then he got annoying again in the scene where they're in the weed room.

They were annoying and unlikeable all throughout. When I watch a movie, I have to like the characters at least a little bit. Why else would I care about them or what they do? Why would I waste my time following a bunch of *beep* that I don't care about? I understand the redemption story and I saw how it played out. But the characters I'm watching have to have something that makes me care about them. And in this case, most of the kids didn't. Sure, Moses redeemed himself at the end and that made him likeable, but he was the only one.

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"Ram this in your clambake, bitchcakes!"

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Have you met teenage boys? Were you and if so do you remember teenage boys? They're intensely unlikable for the most part. Especially, poor, insecure ones who have to act tough to get by.
Good lord, if I met my teenage self I'd punch myself in the nads so hard my son would retroactively disappear.

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I liked the fact that the protagonists weren't the salt of the earth; it gave this film an interesting and provocative edge that most alien invasion pictures tend to lack.

I'm a totally bitchin' bio writer from Mars!

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Damn right! John Carpenter style.

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I completely agree with you!! .. I don't understand why people are delving so deep and nit picking so hard over these characters.. I mean I was upset with them in the beginning, cause they seem like little neighbourhood roaming, bike riding c&*k suckers who think they could do whatever they want... but after you realise that they are just trying to be cool, and that they wouldn't have even hurt Sam (the kid even explains that the knife was just so she would hurry up and give them her things).. you start to realize they aren't total a$$holes.. they are just kids on the wrong path.. Moses was only 15... I mean how old were the rest of them?
Not to mention most of them were pretty funny and sweet halfway down the line.. Only Moses stayed hard and kept up a barrier; he didn't want to seem vulnerable.. The others gave in easily over Sam.. geez most of the characters were likeable, and out of the 5 that weren't, 2 or 3 of them died... so what's the big deal? I totally fell for these characters by the end. The movie left me feeling very pleased.. its sad that people are writing off this movie because the characters were unlikeable for like a half an hour at the most.

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It didn't work well because I kind of wanted to see them all get killed even in the end. I'd prefer untraditional protagonists that have some depth to themselves but, there has to be a redeeming factor about them though.

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You can't make a film like this and have the protagonists be likable. Gang members are only nice to people they perceive as 'family'. If they were welcoming towards outsiders, they wouldn't be in a gang, in the first place.

So yeah, they weren't virtuous characters, but if people knew anything about the story beforehand, that should have been expected. Making them well-meaning heroes would destroy the whole idea for the film, because it wouldn't be true to the reality of their lives. The speech was annoying, too, but that is how some street kids talk, so if you commit to showing something, it's better to do it justice.

They got close to Sam because they'd just been through an intense experience with her. That's enough of a balance to make them slightly redeeming, and yet still seem convincing.






Born when she kissed me, died when she left me, lived whilst she loved me

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When the characters are unlikable, you don't actually care whether they live or die. Maybe that's some deep social commentary. However I doubt it.

If the characters were written with a little more depth, or a little more likability then it'd be different. I didn't like them. It was a barrier to enjoying the film. Or enjoying the scenes with them. You actively disliked them, and the way they talked and acted. Their attitudes through out did nothing to change that.

The whole "redepmtion" of Moses seemed forced. Oh they were different around their family? They were still horrible to the nurse through out. Even at the very end, one didn't even want to giver her the ring back. WTF?

It just detracted from the film a lot. I had heard such good things, but the characters were just horrible people. Saving the block? There was no higher purpose beyond self preservation and living out their thug fantasy of being hard.

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The kids rub viewers up the wrong way in the mugging scene because the situation was perceived as unfair.

In most movies where violence occurs opponents are somewhat evenly matched, in a situation where they knew this could happen (war, crime etc) or have at least a chance of overcoming their foes.

When 5-6 teenagers target a woman at knife point, for many it says things about their character that cannot be redeemed or forgiven.

Making a film where the hero repeatedly beats his wife and child, but saves the world would be called bad writing, so is this.

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