It's called a different perspective. I found it to be very funny, intriguing, visually exciting, silly, engaging and just plain fun; something I don't see in many movies these days. For one thing, it doesn't take itself so seriously, which is one of the things that doomed the Star Wars prequels and later era Star Trek. Also, it has far more in common with the work of its conceptual designers, Moebius and Jean-Claude Mezieres, than Lucas and American pulp sci-fi/space opera. I suggest you check out Mezieres' (and Pierre Christin's) Valerian series, to see what I mean (3 volumes now available from Cinebook, with a handful of other stories previously reprinted by Dargaud USA and iBooks). Valerian mixes sci-fi adventure with liberal doses of humor and wild imagination, especially in the alien races. ILM ripped it off heavily, both in the 70s and in the prequels (Valerian began in the late 60s). Then, check out Moebius and Alejandro Jodorowsky's Incal for the other key element (the more mystical elements). Then you'll see where Besson got his inspiration. Franco-Belgian bande desinee were doing this kind of stuff long before George. Without creators like Moebius, Mezieres, Druillet, Caza, Dionnet, and others, there is no Metal Hurlant, which means no American Heavy Metal.
"Fortunately, Ah keep mah feathers numbered for just such an emergency!"
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