1. Pink Panther Strikes Again - This is not only my fav of the PP films, but my favorite screen comedy ever, including "Sideways" and "Dirty Rotten Scoundrels." Dreyfus is amazing, and the rest of the cast is terrific. I think Lesley-Anne Down is the most gorgeous spy never to appear in a Bond film, and Tom Jones' "Come To Me" should be on everyone's honeymoon playlist. I could go on and on about this great film.
2. Return Of The Pink Panther - This film comes in a bellBOY but comes out a bellMAN. The best title sequence, the best cold opening (with Clouseau, the organ grinder, and the bank robber who drops his money bag), and some fine ambience around Sir Charles' pool which breathes upper-class 70s sun-dappled luxury to me. The negative is Catherine Schell, and her annoying giggling, but at least she seems to have cooked Simone's goose in Sir Charles' life, and brings out the Guy Gidot in Clouseau.
3. Shot In The Dark - It's not really a Pink Panther movie, but another farce with Clouseau beamed in. Still, it started the series proper, has Sellers' best performance, and a plot that holds together. It's actually better than the "Return" though not as good as "Strikes Again," but since this list is my favorite Panther films, I have to put it second, because I do enjoy it so, and my top three Panthers are all classics in my book on a par with the best of Hitchcock, Abbott & Costello, Errol Flynn, etc.
4. Pink Panther - It doesn't have a lot to do with the rest of the series, and the handling of the Clouseau character is not apt. But Mancini's score is the best in the series (I like the title song's arrangement on "Return" better, but there's nothing else in the series quite like "It Had Better Be Tonight.") Claudia Cardinale isn't all that bad to look at, either. If they had thought up a better ending that didn't leave the inspector so high and dry, this would have been a classic, too, despite its slow start.
5. Revenge Of The Pink Panther - Just a long, sad dropoff from the rest of the series, with no excuse since Sellers was still alive and in good form, making "Being There" a year later. Dyan Cannon and Robert Webber are terrible as the romantic interest and the villain, respectively, and the handling of Cato and Dreyfus throughout screams desperation. There's a couple of good laughs and a lot of tedium in this one for me. It's almost as bad as "Trail Of The Pink Panther") except of course, there never was such a film (There never was a "Trail Of The Pink Panther," there never was a "Trail Of The Pink Panther," there never was a "Trail Of The Pink Panther"... well, it almost worked for Dreyfus...)
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