"Baby", and "Holiday" (a very different Hepburn and Grant film) are considered to be two of her finest films!
I do love this film, but if pressed, I'd almost say Grant was the one just a bit over-the-top with his character (Be with you in a minute, Mr. Peabody!). I thought Hepburn nailed it perfectly with hers, though. And it was so well directed, and so many details were done so well to reinforce what was happening in the action for such an early film.
Take for instance Susan's formal attire early in the film at the country club bar--the scene where the bartender was teaching her to pop olives into her mouth. That head wear, the two thin pieces of wired ribbon that kind of radiated outward (scattered?) in different directions from her head (the bends in the ribbon making it slightly reminiscent of radiating lightning bolts), was a perfect representation of her seemingly scatter-brained personality! That wardrobe detail was a small stroke of genius, IMHO.
I do think that Grant's David, being constantly on-edge with nervous energy, can sort of wear you out by the middle of the film, and when it lags a bit here and there, you're about ready to collapse from exhaustion yourself! So, I guess I can see how it could be annoying to some.
But it's one of my favorite early screwball comedies, nonetheless.
Ron H
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