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Your Theories Why Classical Music (Fans) Is Respected, But Pop Isn't


I'm guessing people have snap judgements in relation to the music and the fan. I love classical music, but can't say I listen to a lot of it. Part of that is because I haven't discovered much, and I'm usually expanding my 60/70s (even after almost 30 years).

I think it's because of the people's perception of the fans. We seem to communicate mostly online now, so this is the only context we have - text.. If someone reads, "I love classical music", people don't think "I bet that guy is poor and ignorant".

Also, I think people get this aristocratic image of clothes from the 18th century, the wigs, an image of "proper" society, so even those who don't listen to classical music might have better judgement when they read someone who does. If someone said "Rock and Roll", some might think of ripped up jeans, rebellion (although that image seems to have disappeared)

I was reading something a week ago or so, and the reviewer kept talking about the "maturity" in the music, and the melodies, as if there isn't music from Pink Floyd that might be aesthetically more pleasing to the ears, maybe even those who listen to both. I think music has more objectivity when it comes to the arts. If you hear a wonderful melody, everything outside of it would be irrelevant. Unfortunately in the social-media era, a lot of the music talk seems to be everything except the music.

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This is the pinnacle of all music:

https://youtu.be/I52SWfrLvHo

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The merits of each genre aside, I can think of two reasons.

First, most people are into popular music when young, but don't get interested in classical until later, if ever. You don't see many teens chatting excitedly about the Vivaldi concerto they just discovered. I got bored with pop in my early to mid twenties. It wasn't a deliberate decision, it just started getting stale to me. The way I described it to a friend later was, "I just got sick of hearing the same song, over and over, about some sixteen year old losing his virginity." Actually, now that I write that, I realize there's not a single reason #1 but a #1a and a #1b.

And, pop music is marketed to adolescents more than other groups, and the songs tend to be about adolescents. For every pop song that even mentions marriage there are a dozen "Jack and Dianes."[*] So reason #1a is that because for most people pop music is something they were into as kids but they got into classical as adults, there's a natural tendency to regard classical music itself as a more mature art form, not in terms of how long it's been around but rather its complexity and sophistication. Reason #1b is that pop itself fosters this impression by adolescence being its primary topic matter.

Reason #2 is the class issue you referred to. In the old days, before radio or phonographs, appreciation of the arts was something that went along with being in the upper classes. Poor people were generally too busy working their asses off to have time to attend symphonies, and those out in the country didn't have the opportunity anyway. (Because of high illiteracy rates, these things were probably even more true of written works.) That's not to say the lower classes didn't have their music. Bluegrass is popular here in Kentucky, and it's an art form primarily originated by poor and working class people. And -- again, without commenting on the merits of the music itself -- this probably is part of the reason classical is perceived as more sophisticated than bluegrass.

[*] I've said it before and I'll say it again -- two American kids I don't give a rat's ass about!

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I come from an odd position - I never listened to contemporary music (same with movies, I've never had anything to look forward to)... My first favorite band was The Doors, when I was in middle school, and since then, I've only grown my love for the 60/70s, expanding even to the 1860/70s.. I still love both kinds of music, but have been listening to more classical (and especially jazz) mostly because there isn't much untapped greatness I haven't checked out, at least not as much as before.

I still think today if someone wants to sound "smart" they can say "I listen to classical music".

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> there isn't much untapped greatness I haven't checked out, at least not as much as before.

For quite a while I've listened to less classic rock than I used to, just because I've grown weary of it. I don't mean songs I never liked, such as the aforementioned Jack and Diane. I mean the songs I did like or even loved when I first heard them, but now I've heard a thousand times each.

By contrast, finding something new can spark my interest. A few years ago I saw a performance of Das Rheingold, the first opera in Richard Wagner's Ring Cycle. I didn't know what to expect. Opera? -- oh, of course it would be ponderous, bloated, pretentious! To my surprise the first scene was quite comical. I liked it and ended up buying the four operas on DVD: https://www.amazon.com/Wagner-Nibelungen-Complete-Levine-Metropolitan/dp/B00006L9ZT/

Those are good ones to see, if anyone's interested. They stick closely to the original material, at least as far as I can tell. Some other performances "adapt" or "modernize" Wagner in ways that can be quite grotesque, e.g., valkyries on bicycles; and some seem to me to quite intentionally ridicule the works.

Opera does require some suspension of disbelief. From what I can tell -- and I'm certainly a novice -- vocal performance ability seems to override all other considerations in casting. The third opera in the cycle, Siegfried, had the title character, a teenager, played by a fifty year old man. Watching the character act in hormonal and adolescent frustration, I had to continually remind myself that I wasn't watching a mature asshole but a passionate youth. (I suppose that part of the "problem" with that role is the same as with Hamlet; by the time a performer is good enough to play the part he's too old for it.)

I haven't seen that many others, my interest was something of a passing fancy. Here's another one I did check out: https://www.earbox.com/nixon-in-china/

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I definitely know about getting burnt out on certain songs you've heard a thousand times.. The great stuff will always be interesting for me, but its usually those ones played on the radio to death... I never liked "Jack and Diane" and found it very annoying. Radio operates knowing that the more FAMILIAR you are with a song the less likely you are to switch the dial, so they play the same shit over and over.. I created a post here asking people what they did hear on their radios, and it was pretty much the same all over.. "Radar Love" is probably playing right now in over 1,000 stations.

I don't know anything about opera, but I wonder if its something you need to see to appreciate, and then listen. On average, anyway.

Lately, I either re-visit a discography, or check out bands I like who's discography I had never gone through, which I just did with Grand Funk Railroad, and found some good songs. For me to avoid hearing the same songs, I need to increase my list of songs. I'm currently at 5,223, and lately, and for reasons I can't think of, I've been interested in 70s prog-rock with female vocalists. For a while, it was Japanese music, before that, Eastern European.. A big reason I stay with the 60/70s is production. My ears can't tolerated manufactured noise (drum machines, computer stuff, auto-tune) and considering it's a task to listen and observe, I go with the probability. Similar with movies, unless something really interests me, chances are I'll be watching a movie from the 60/70s. Previously, I would have said the 30-70s, but those early movies aren't unique enough, again, the same problem I have with music.

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Yeah, definitely burned out. Not just the songs I never liked. I was neutral on Queen's "We Are The Champions" but got weary of it pretty quickly when it seemed every sports team in the country started playing it at games. But even the stuff I used to like, I'm burned out on now. If "My Generation" or "I Can't Get No Satisfaction" comes on the car radio I instantly flip the channel or hit the mute button.

Opera is something that needs to be seen. It's not just the music, but the story, costumes, setting, et cetera. I know some people buy CDs of opera music and I suppose that's good, as far as it goes. But to me that makes as much sense as listening to only the audio from Star Wars, with no video.

I've never been to a live performance, only DVDs and streaming. The Metropolitan Opera has a pretty good catalog and you can either get a subscription ($15/mo) or rent individual operas. I just rented Macbeth, $5 for 24 hours. I suppose watching in person would be an experience, but DVDs and streaming have an advantage -- English language subtitles.

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"Satisfaction" is one I can't change -- just has a great riff, and energy overall.. Pretty different for 1965.

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I think that the majority of what we listen to now as classical music was the best of the best. It is what survived. It's just like when we go back through the decades of popular music there is so much that has been forgotten about because it just wasn't as good, or that it just wasn't well received at the time. Some of those songs do make it popular later, but those are pretty rare.

There are a lot of pop/rock songs these days that are well received and respected. Give this music 300 years and see what is still around and studied. I think there will be a lot more, because of the recordings we have and not just sheet music.

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Good point. For example, when people talk about how great the original cast of SNL was, they are thinking of the classic skits and characters. But if you watch the full shows, a lot was just ok, or, god forbid saying, not terribly funny. All we remember is the best of the best.

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Good point indeed.. I was just having a conversation with someone, how documentaries or even books on history focus on the huge events, where I prefer archives, or ways to get the zeitgeist; to be a "fly on the wall".

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same with Monty Python

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> I think that the majority of what we listen to now as classical music was the best of the best. It is what survived.

That's an excellent point!

> Some of those [unpopular] songs do make it popular later, but those are pretty rare.

Here's one from the 1940s that languished in obscurity until it suddenly became a hit in the mid-1970s: https://www.youtube.com/watch?v=DSsgis6XEsw

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I think a good deal of it is outlined somewhat by Bull below but I'll also put out there that the people I know who are serious about classical are also very technical about their music. This is like comparing the respectability of someone who really gets under the hood of their cars and can tell you, from the engineering side, about the modifications they're made versus the kids who are zipping around in their spiffy Hondas outfitted with Glasspacks and the 80 dollar AutoZone spoiler.

Jazz seems to be a better genre to examine in the aspect of serious fans to casual listeners. And trust me, there is a very noticeable culture within defined as the Jazz Snob that is much like your perception of classical fans.

As for pop? Most of the reason the genre exists is to suck in money from impressionable kids working out their hormones. Now you've also mentioned Pink Floyd. Far from pop. I guess the early works were pop of the day but they were also part of the target demographics of the music they were producing. Once I got out of high school and away from The Wall crowd I found that most people who were left were more technical in their fandom for Floyd. There's a bit of Prog that seems to have this threshold of fandom, not too unlike the Jazz Snobs but seemingly a bit less technical and a bit more open to general fans.

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In a nutshell classical music is for adults and pop music is for kids.

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I'd be more interested why anyone respects rap music. I mean we are told to be offended by the lyrics in Baby It's Cold Outside but there are hundreds of rap sons with lyrics much more offensive.

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I think there is a lot of pop music respected.

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When I think of pop music I think of plastic shit like KPop and Lady Gaga, techno and rap etc

I think it's obvious those types of music are purely mass produced commercial ventures and I doubt it means anything to the people who listen to it.

One comment I always get a lot from people who like that stuff when they listen to what I like they always say "your music is so real".

That's because it is (I mostly like rock, metal,blues, country).

So it is the same for classical music it's real, it has depth. The people who like it take it seriously it means something to them.

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