Carousel Shootout


That was pretty bad TV.

To crush your enemies, see them driven before you, and to hear the lamentation of their women.

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Actually, the people who wrote the Fast and furious airport scene wrote this so it should be pretty good.

"Nothing in this movie makes sense." said the narcoleptic.

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No one mentioned yet that Teague did stand on the ground and shoot one of the hitters. So why would he jump on the ride after that. Why not just wait a couple more beats and the other 2 would have come around as equally easy targets.




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[deleted]

Wow, 30+ people in a row thought it was ridiculous for a variety of reasons. Thank you for setting us all straight.

You know, If all the people you meet all day are a-holes you're the a-hole

"Affleck, You da bomb in Phantoms Yo"

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Wow, 30+ people in a row thought it was ridiculous for a variety of reasons. Thank you for setting us all straight.

You know, If all the people you meet all day are *beep* you're the *beep*

"Affleck, You da bomb in Phantoms Yo"

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Just caught it on VOD and came here to post the same thing. Hate to parrot, but it seriously was one the the most awful action sequences put to film. I nearly turned it off during it (it was close to 10 minutes long!), but I'm glad I didn't of I would have missed Sid lurking behind a tree smoking a cigarette that 20 police officers didn't notice in the dark 100 feet away. Nice canvassing, boys! I also love how every single police officer is walking away from the carousel and the three dead bodies on it after collecting the busboy. "Well, we got our witness! Let's go grab a bite to eat!" I like to imagine no one returned to tape off the scene, and a mob of small children find the bodies when the carousel opens the next day.

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I like to imagine no one returned to tape off the scene, and a mob of small children find the bodies when the carousel opens the next day.




Morbid, but I cannot stop laughing!







"You want to investigate my courage? Do you? Find out! Find out!" (Robert Ford)

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You know, I do tire of people that don't understand that they're not the target audience; and will fight tooth and nail to claim they're just as competent a "reviewer for the target audience" as the rest of them.



In every movie/series dealing with a villain and a hero, should the hero ever be captured he will invariably be put in a poorly constructed and guarded jail-house and hence escape to foil said villain's plans.

Why doesn't the villain just shoot the guy?
Why doesn't the villain just hurtle grenades while "the guy" is fighting his minions?
Why does the villain need to come up with a NEW plan each time instead of just patching the 'small weakness', in his plan?
I mean, Star Wars would have gone much better if they just had a small grate outside the tailpipe. Patch the hole, and the plan works.
Why this, why that... but it makes for "good tv."



* HEH. I'd also like to point out that "Technobabble" has gotten MUCH MUCH worse in these days and that too many people actually BELIEVE some of the nonsense. Writers feel the need to "make up" technology, even when dealing with a show that sets in the current time; and since writers are uneducated they don't bother thinking about the implications.

I mean, technobabble is added in all the time, even when it isn't really needed... and what they say is just so... asinine. If only you, the masses, had a degree that extended beyond "what wikipedia says."

Most of the complaints here are about the IMAGERY of all things. Leaving the headlights on is just a play between the darkness and the light. If the inane stories of EVERY "made for consumption" series / movie don't bother you, then something as simple as that bothering you is impossible.

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Really well said. +1

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Thank goodness for rationality!

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