Yes, that would have been cool. When the whole premise is "mobile homes" it does seem like it should come back in the end with a metropolis v. metropolis juggernaut slugfest. "Oh, no! ...Berlin!"
Overall, though, I think the film mixed up its plot priorities. It was about a megalomaniac and the people who try to stop him, which is fine, I guess, but in the middle of it was the story of Shrike and Hester and that was - I thought - waaaay more compelling than the other stuff.
I'd also have liked more of the world and the culture. We got to see a bunch of characters who seem nice but are (largely) inactive or nonchalant about the gobbling up of other cities. The movie has mere glimpses of other populations. The upper tier people who crowd the railings and cheer during fights. Are they that bored and inured to the horrors of their world? What's it like to meet one of those people? (Missed opportunity for socio-political satire, too) How about the gut people who just feed the beast? More of those. How about the immigrants who are "welcomed" from the gobbled-up villages? Do you think they resent London and Londoners? Or what about the Londoners: are they just okay with welcoming potential grudge-harbourers into their midst? Do they wind up fitting in? Resentment? What?
That's not even getting into the sky balloon town, the Lazarus Brigade, the raider-slaver villages of the south, and the anti-traction people who live behind the wall (that apparently gets assaulted on the regular). Even individuals like Pandora: who was she? What was she doing out in the middle of nowhere by herself?
Mortal Engines wasn't as big a disappointment as reviews would have you believe, but I think it was its own worst enemy, self-consuming all the story fuel it lays out and just burning it all for a few decent action scenes.
Also, the dialogue was rubbish.
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