I thought woke goes broke?
What happened to that theory? Lol
shareIs this film woke? I haven't heard that about it. Barbie was super-woke, and it made a boatload last year, so it's not like anything that pushes a leftist agenda is going to automatically fail.
Even if it is woke, it has every built-in advantage a film could possibly have, so it seems "go broke proof." Some of those advantages include,
1. It's a musical, and musicals tend to dominate the box office.
2. It's based on the 2nd highest grossing Broadway musical of all time. 65 million people saw the musical.
3. It's a kid's movie, and those tend to do very well at the box office.
4. It's also a grown-up's movie.
5. It's a date movie, too.
6. It's based on The Wizard of Oz, one of the most beloved films in the history of cinema.
The thing about Barbie is that it went so woke that it became a parody of itself, lacking any self-awareness and showing exactly what's wrong with the ideology. Ken ended up saving it. Watch Barbie 2 fail the same way The Marvels and Joker 2 did.
shareBarbie and Oppenheimer both earned over a billion because of the Barbenheimer push.
Neither film would have made near that much if not for the internet hyping it.
https://en.m.wikipedia.org/wiki/Barbenheimer
Apart from the green/black actress making a huge fuss about poster alteration I don't see any woke "negative anti-hype" about this movie.
The trailer looks like a kinda Harry Potter-style movie, with some nice visuals, no wonder the younger audience's parents bought the ticket.
The black chick looked stupid insulting that fan made poster of her but that's really it. I have no interest in seeing it but I'm happy a blockbuster level hit is out to bring in money for movie theaters.
shareDidnt know this, what a fragile ego she has my pretty. Lame.
shareShe thought it was racist when a fan made a poster of her like the one for the Broadway Musical.🤣
https://deadline.com/2024/10/cynthia-erivo-reflects-blasting-fan-made-wicked-poster-1236161563/
What a pampered, privileged moron.
shareIt's still true, lol
shareNope. It's actually not. Barbie, Everything Everywhere all at once, the Batman, Wicked, Moonlight, Arcane as well as many others do well financially. That's a bunch of bullshit incels feed themselves by cherry picking. Fuck yourself bitch boy.
sharelol None of those are woke, except maybe Barbie which only did well because of Ken.
Another loss for you. You’re like an ex-girlfriend who keeps coming back, begging for more. Thanks for the laugh, I needed that.
The Batman not woke? Race swapped catwoman and Gordon? And a line about white privilege. That's woke. You failed again buddy.
shareThey still needed a straight white rich dude to save them and their shit-hole city. You failed again, wench. Back to the streets where you belong, and take your emo Batman with you.
shareIt also had a young black woman telling him what to do. You are now cherry picking like a typical incel. Oh I will gladly. As it stands it got a show penguin which was received well and it's getting a sequel. Get back to watching your piece of shit warcraft film and I will enjoy the brilliance of Reeves Batman universe. Just because it has a straight rich white dude does it mean it wasn't woke. You had no retort about Gordon or Catwoman. You got knocked the fuck out.
shareIt's worth noting that "woke" doesn't have an entirely consistent definition, but as I've seen it most commonly used, "woke" seems to mean the pushing of leftist politics at the cost of quality. Aside from Barbie, which was protected by its toy brand appeal, two massive lead actors, target audience and unprecedented marketing campaign, none of the other films on your list pushed leftist politics at the cost of quality (though I haven't seen the recent season of Arcane, so I can't comment on that). When that does happen, such as the Borderlands movie, The Acolyte, or in the video game world, Dragon Age: Veilguard, it typically does appear to significantly impact the product's financial success.
But I don't think anyone would argue that merely having leftist politics in your movie will automatically lead to it going broke, that would encompass far too many films and it wouldn't even make sense. "Going woke" tends to signify that you've prioritised your political messaging over everything else, which leads to quality suffering, which leads to people being less likely to consume your media. Do you disagree with that assessment?
You are correct, but don't bother having genuine discussions with moviefanatic505, you'll notice soon enough that he has a sullied reputation on this site. He can't handle anyone disagreeing with him on anything, especially when it comes to his favorite movies. He reverts to a petulant child who stalks you and posts juvenile comments with bad-faith arguments.
Case in point, see comment below.
Nope I just don't like people with condescending attitudes who think the whole world needs their approval. Newsflash others don't need your approval to consider a film great. Also I'm glad you admit that woke doesn't have a consistent definition. You know that literally is a contradiction right? If I lookup the definition of the word violence it doesn't change, it always generally means the same thing. This proves that it means whatever you fucking clown's want it to mean when it suits your bullshit narrative.
shareNope I just don't like people with condescending attitudes who think the whole world needs their approval.
Also I'm glad you admit that woke doesn't have a consistent definition. You know that literally is a contradiction right?
Nope the minute you found out i liked the batman you acted like a condescending prick. You are in the minority in thinking it's a bad film. I give what I get. You act like a prick you get treated like one. You think anyone who doesn't agree with your view doesn't know cinema. I put no stock in your view. You have shit taste. Had you been nice I would be civil. You were not.
That's the dictionary definition. You have no authority over the dictionary definition. You have adopted what chuds use as a buzzword. I will go with what it actually means as opposed to what chuds use it as. Fuck yourself.
No I didn’t, you did. Don’t bother lying, your post history is public.
The dictionary supports the definition I use as well, the modern definition, look it up.
I’m moving on now, feel free to skulk around.
Oh no I know it is. You will see what a prick you were upon our post history. I love that it's there it exposes you. No use in lying your post history is there. https://moviechat.org/tt1877830/The-Batman/61cacc734622f95f764a2bc5/The-female-love-interest-isnt-attractive?reply=61cb1d894622f95f764a2d1c
Oops! That's you lobbing and accusation at me about supporting black washing historical figures when I never supported that. Dispute that! Checkmate bitch! You even had to walk it back once you realized I didn't support that. You are a fool get off this board.
Nope I just looked it up in the dictionary. You failed again. Anyways kicking your ass is too easy I'm moving on now. Live with your defeat fuckboy.
No I don't agree actually. If your movie is badly made it's badly made. Are woke movies immune from bad quality? Nope nothing is. Thing is anytime you take narrative shortcuts and don't properly structure your film and politics are THE ONLY thing you think about then It's a poor product. This applies to right wing films as well. Ladyballers is right wing. That actually had the potential to be funny. As it turns out it was an unfunny piece of shit. See that's just it the definition is cherry picked. Notice when a movie such as Barbie or let's even go to Moonlight. A movie about a gay black couple does well financially they go radio silent. However they find one thing woke which fails and they are crowing like a bunch of braindead hyenas.
The Northman which was an all white cast film got out grossed by plenty of woke films. Why don't they point that out? Oh yeah it doesn't suit their bullshit narrative so they ignore it conveniently.
I'm confused, you said you disagreed but then you went on to affirm everything I said. I agree that it also applies to right-wing films, there just aren't many modern right-wing films anymore so we don't see it very often. I haven't seen Ladyballers so I can't comment on it, but it's entirely possible for a movie to include hamfisted politics that are right-wing, which causes the film to suffer, but it happens so little with right-wing films (because there are hardly any out there now), that a term doesn't exist to describe it.
The statement "if a movie is badly made it's badly made" is accurate, but it can also be badly made because of the way its politics are handled, or because there was a greater focus on the political message than other more important aspects of the film. People don't point out that The Northman was outgrossed by some woke films because I don't believe the claim is that simply having an all-white cast means your movie will perform well, or that having a diverse cast will mean it'll perform poorly.
There aren't as many right wing films but they still exist. Movies like Ladyballers and God's not dead are right wing films which are hamfisted.
Ok what constitutes woke then? In the batman people screamed woke the minute Zoe Kravitz was cast as Catwoman. This was before a trailer, a set pic or even a plot point was released. So is that what constitutes woke the mere sight of a mixed race person in a prominent role?
I agree, although I can't remember if God's Not Dead was right-wing, it might've just been Christian propaganda which isn't necessarily the same thing.
I think for some people, it's bothersome that diverse casts exist today because they know there's a decent chance that certain minorities were chosen at least partially because of their skin colour rather than entirely merit, which demonstrates a prioritisation of politics over quality even if the performance ends up being adequate. The argument there would be that if they were chosen based on merit, the eventual performance might've been even better, but we'll never know because that's no longer how casting works. So it's not so much the mere sight of the minority, but what their casting represents.
There's an issue with that too, which is that every time a minority delivers an average or poor performance, it's attributed to them being a diversity hire rather than the writing or directing or some other cause which could also explain it. This is why I believe diversity hiring does more harm than good, because while it may result in greater representation for minorities, it'll also fundamentally create a permanent sense of inadequacy in them and if anything make racism far more likely. When Morgan Freeman is cast in a role, nobody ever calls it "woke", because Freeman's an actor who established himself in an era where people were mostly cast based on merit.
But I understand the counter-arguments too; it's nice for minorities to see themselves represented on screen and in a merit-based approach there would be far fewer because there's a much smaller pool of minorities to choose from. However, when I discuss art I'm more interested in what makes for the best art rather than what's best for society. If I cared about the latter, I'd be in favour of placing endless restrictions on what can and cannot be depicted in media, but that would likely make for terrible art.
Either way it's propaganda. Typically conservatives tend to lean into that type of propaganda.
See but that is an issue. Since that has happened before they feel they have a scapegoat to always make that assumption. People not being chosen by merit isn't just a race thing. A casting couch exists for a reason. You know how many actors have little to no acting range but are good looking therefore they get the role? Or even they get a role not because of merit but because of their starpower. It's stupid to assume that just because you see a different interpretation that it means the person wasn't chosen on merit. It's up to the artist on how they want to interpret the character . Catwoman's race isn't essential to her character. Eartha Kitt portrayed her in the past and she wasn't white in the year one comic. Kravitz is a spitting image of the year one Selina Kyle.
See but people have become accustomed to Catwoman being white. I find that dumb because that's so limiting as an artist. There are many ways to interpret these comic book characters. Even different comics interpret them differently. Pattinson Batman is emo and Kurt Cobain like who is socially awkward and a recluse. Bale's Batman is a Playboy suave billionaire. Both great interpretations. I can see your pont to an extent. However allow me to interject something. Ok in the live action Disney case. Arial bring Black right. The issue isn't necessarily the race. It's the fact that it's telling the same story beat for beat but live action. That leaves you trapped and unable to make your own mark since it's derivative of the previous adaption. Changing Arial's race didn't change the story. It's a palette swap. That is lazy representation. However look though beauty and the beast live action still sucked and Belle was white. What's the problem? Is it race? No it's that it's beat for beat the same thing but less good.
Kravitz Catwoman is excellent representation. Why? Her Catwoman carved it's own path.
It can be stupid to necessarily assume that someone's chosen for reasons other than merit, but when things like diversity initiatives exist it's reasonable to consider the high likelihood. The reality is that if the casting was merit-based, you just wouldn't end up with a perfectly diverse cast every time, like you frequently see in media today, simply because minorities are minorities. This is what was happening before when casting was more merit-based, minorities didn't make the cut anywhere near as often because there was a significantly smaller pool of them to choose from, thus the likelihood of finding someone right for the part was lower.
I agree that non-merit-based casting can exist in other forms too like only getting roles because of your looks or name, but I oppose those methods as well, two wrongs don't make a right. At the very least, however, if you get a role because of your star power it tends to suggest you've at least enough merit to have earned the name.
I agree that Catwoman is perhaps one of the silliest examples of woke outrage, but in the case of Ariel in The Little Mermaid that actually was a problem, mainly because the actress had virtually no chemistry with the male lead (which happens often, with a few exceptions interracial couples seem to have less chemistry, and I think I know why), didn't have much acting talent, and really only had singing ability. All of her mermaid sisters were of different races, which made no sense, and they even had to awkwardly shoehorn in an explanation for why the Prince's parents were multiracial and he was white. Top it all off with Javier Bardem's bizarre casting and the whole thing felt forced and strange. The Beauty and the Beast remake sucked, but it had nothing to do with the cast, that was fine.
We don't even have many new movie stars anymore, why do you think that is?
I'm not totally buying that either. Yes diversity quotas exist. Thing is though of course the world is going to change. The world is more diverse than before. Therefore there are going to be more races to choose from than back in the 60s or 70s.
No getting role because of star power isn't merit based. Chris Pratt wasn't the best choice for Mario, he got that off his big name not on merit. Becoming a star also doesn't necessarily mean you are all that talented. You just happened to become a star. Sometimes does it mean you got it off merit? Yes but not always.
Nope the cast in beauty and the beast wasn't good either. Emma Watson wasn't a good Belle. It's not due to her acting ability she's got some acting talent. The best qualified person would be someone who can act and sing. It's the fact that you kneecap yourself because you are going beat for beat the same. Therefore hard to leave your own mark. Case in point the Disney Star wars. Adam Driver is a talented actor. Kylo Ren is a poor man's Vader. They gave him nothing to work with. I could make the argument about her the other way. Yes the chick who played Aerial singing was the selling pont over acting. Emma Watson couldn't sing whatsoever. The auto tune made that clear. So she wasn't the best choice for her role either yet no one complains.
It's a different era. You no longer need a big name to sell your film. Advertising exists everywhere with the Internet, where as back in the day only prole who went to movies or watched TV saw ads. Now people see it all on their phones. I personally prefer it. Ledger wasn't the star Nicholson was. He was a more inspired Joker because it wasn't coasting off starpower. Nicholson was good but Ledger was better in my book.
An increase in diversity doesn't change the fact that minorities are still minorities (for now), the pool will necessarily be significantly smaller which means the chances of a diverse cast having as much merit as a merit-based cast is always going to be much, much lower. Especially when you factor in the different races/sexualities/identities, now it's not even PC to hire a non-trans person to play a trans person, so you're left with a choice of like three trans actors who might barely make the cut of an acceptable performer for your film/show.
Why wasn't Pratt the best choice for Mario? If not him, who? The voice actor who essentially voiced what today would be considered an offensive Italian stereotype? I agree that being a star doesn't always mean you earned it, but the vast majority of the time it does. How many actual movie stars in recent history do you believe didn't earn the name, can you point to a few?
Emma Watson was fine as Belle, her singing wasn't great but how many solo performances did she have to deliver? One? The most important parts were her acting, her beauty, and her chemistry with the Beast, all of which were adequate. Adam Driver had plenty to work with, his character was probably the best thing about the sequel trilogy. The worst part was, once again, the diversity hiring. They hired a token black guy they had no future plans for, they didn't know what to do with him in TLJ, so they hired a token Asian girl he had no chemistry with and forced them together.
Advertising exists everywhere because companies are forced to increase their advertising budget to compensate for a lack of big stars and DVD sales they can no longer rely on. Even then, movies that reach cinemas are not doing as well as they used to, which is why people are talking about the death of cinema. Companies are taking fewer chances because of this and relying on sequels and franchises, ironically feeding into the problem.
It doesn't but you are going to see more diversity than back in the 60 or 70s. That's unavoidable. Lots of people are angry and bitch and moan that Hollywood isn't like it was in the 70s.
Pratt wasn't the right choice for many reasons. Why blow so much money on getting a huge name like him? Mario is a brand and big regardless of who is voicing him. Why not cast more so based on who you think has an inspired voice that you could hire cheaper and spend more money on the project? He got hired because of his name period. He's also hot right now. Pay attention to when someone gets hot. They place them everywhere because they are a hot ticket. Tom Holland was casted as Nathan Drake because of his trend of being many places due to Spiderman. Do I think Holland was a great pick for Drake? Not at all. One too young, second his build is far too lean and scrawny. You want someone along the lines of Glen Powell. The rock is a star do I think he earned it? No I do not. What's a role he did that you are like man only he could play that role? Arnold had the terminator. Sly had Rambo and Rocky. Jessica Alba was one also. Hot? Yes, that talented of actress? No.
I disagree on Emma Watson as Belle. Her acting was fine but you could find just as talented of an actress who could sing much better. It doesn't matter if it was one song, that's part of the performance. And there are other performers who could could have done it better. I disagree completely about Adam Driver being the best thing in the sequel trilogy. Everything about the character was derivative of Vader. Finn actually had the most potential in the entire cast. His story was original. A storm trooper turned good. What character is that ripping off? Rey is a great value Luke and Kylo is a great value Vader. They did nothing with Finn but he's a better character than both Rey and Kylo full stop. Much more story potential since he's original. Disney had no vision. They kept pulling it in too many directions.
Well mcu bud. That's the decline of cinema. Once studios saw that the connected universe thing was a thing they saw it was more about quantity than quality. The dark knight being what we aspired to do was much better. Aspire to be a fresh unique film rather than a corporate toy commerical. The Batman is going back to basics by being awesome. A unique vision and style, no sequel baiting with great cinematography, music and characters. The penguin only furthers this also. Reeves gets Batman like no other film director has before. No MCU film matches the cinematography, music or how much was done in camera. No overuse of cgi. You know kind of like why dark knight was so good... The Batman gets the fundamentals missed by the MCU. MCU needs to be bland. Why? So they can churn them out in droves. Dark knight or the batman are meticulously crafted. They aren't cookie cutter.
Let me continue by saying this also. Kravitz Catwoman doesn't repeat any storylines from the past. It makes it's own mark. However what makes me angry is chuds and incels go in with a closed mind. You know damn well no mater how good she is they will not even think about putting her among Hathaway or Pfeiffer. Simply because she's held to an impossible standard. Personally I think she's a great Catwoman and her and Pattinson have terrific chemistry. The minute they know she isn't white, their brains immediately shut off. I judge it fairly where as most others don't. If it triggers their politics they dismiss it.
In my book Matt Reeves Batman not in all but in many areas surpasses all live action Batman films in many areas.
To be fair, nobody liked Hathaway at first either, she was disliked even before she took on the role for other reasons, people found her too fake, much like Jennifer Lawrence eventually lost her appeal. There was even a backlash to Heath Ledger's casting as The Joker, before the first set photos were revealed people were mocking the choice because Ledger had only done Brokeback Mountain at that point and some stereotypical heartthrob roles. When his name was released you had countless gay jokes and people saying it was gonna flop hard until the first photo surfaced and it gave a lot of people pause.
Even if you're not a minority, you're always going into battle if you're taking a part that was already made famous by someone else and done extremely well, the only antidote for that is time. Over time people tend to appreciate the performance (assuming it is actually good) more as they adjust to the change.
Yes people were against her but for your normal reasons. Ledger, Keaton, Hathaway all were not well received upon casting. Not for race reasons though. In the end afterwards people liked them. Kravitz was excellent but you have the chud incels still talking about her woke casting. That is never going to stop.
Of course. However you see how Ledger overtook Nicholson? I don't care how good Kravitz did, no one would ever prefer her to Hathaway or Pfeiffer because they are not giving her a fair shake.
People were against Kravitz for normal reasons too, only a small handful of people complained about her race and it was mainly people who had no idea the character had a multiracial history. Kravitz was fine, but her performance wasn't preferred because she didn't really do anything truly special, she was just okay. I literally can't even remember it, I think the same is largely true of Hathaway who was completely overshadowed by Tom Hardy. Pfieffer's performance was the best because she oozed charisma, was incredibly memorable, was more villainous and had the most chemistry with her co-star compared to the others. Even her costume was the coolest.
Batman Returns was also a more memorable film than The Batman in my view, namely because of its flamboyant but dark art style, legendary cast, costume design and overall tone which was more adult than the previous entries. The Batman had a more adult tone too but it was par for the course at that point, when Burton did it people only had the Adam West series as a reference - it was completely fresh.
Nope you aren't going to bullshit me on that sorry. I saw with my own eyes countless threads about people complaining that she wasn't white. Also I disagree with her just being fine. I personally think she's the best Catwoman. Pfeiffer was in fact memorable but in the end I like a more nuanced take and not the cartoonist trope of being a bumbling nerd turned into an angry femme fatale. It's a more theatrical performance but I prefer more nuanced and grounded.
The Batman has a better understanding of it's character than Burton's vision. The Batman has a gothic vision with beautiful cinematography and a blazing soundtrack. I'm sorry but Batman killing people so willingly in Burton's is a fundamental misunderstanding of the character. You are going off of what was more ground breaking. You can make that point with Returns. However in the end the batman was a better received film by critics and the mass majority of people. That stands.
I agree with others this movie isn't really that woke. All I can think of is that there is a black female lead, and Michelle Yeoh is Asian. That shouldn't matter. And Bowen Yang's character is obviously gay, but there is more gay/bisexual content in the original novel than there is here or in the musical. So not that woke.
shareThere is absolutely no "gay/bisexual content" in either the original Baum novel, or the 1939 movie. You're seeing what you want to see.
shareHow is this woke?
Female led films aren’t automatically woke, even when played by diverse actresses.