I like how you reference Albert Camus. I believe Steven Spielberg took his concept of absurdist reality to its logical conclusion with Minority Report. In Albert Camus’ absurdist reality, he writes, “the literal meaning of life is whatever you're doing that prevents you from killing yourself.” If the ends justify those means, then a life of endless temporal pleasure aligns with that notion.
Up in the Air seems to showcase a similar degrading trend, albeit in a more realistic tone, wherein the loss of identity is presented as a type of schizophrenia. Fredric Jameson stated that within capitalism, there exists a type of schizophrenia, where the individual has no self-identity. The identity can be filled, at a moments notice, through advertising.
Ryan has no preserving identity, it is always changing, he lives for nothing but his own enjoyment and subjective experience. As he showcases his miles card, we see the embodiment of our current zeitgeist—mainly of accumulating experience. Today's trend is about the sensory exposure, about accumulating more and more "points" as a token of living. Life, then, is seen as an endless ride functioning to accumulate those points. Social media, traveling, trying different foods, consuming different products are a function of this proliferating trend.
The issue, as is seen with Ryan, is that his accumulation of experience is ultimately empty. He does not internalize his life because it is vacuous. Each moment of his life exists on the same spectrum of meaningless hedonism.
The question here, as with Minority Report, is "what becomes of humanity when meaninglessness and nothingness replaces the narratives of civilization?"
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