And about noir films.....
How many Films Noir have you actually seen? Because with what follows it reads like you have only seen 'Sin City' and think it is the elephant's ear's of Noir...
this is far from being in that league, not for not be a noir film, but for being in some points CHILDISH in his plot.
This is nowhere near the best Noir, I'll give you that, as I'd not think of comparing it to films like 'The Maltese Falcon', 'Out of The Past', 'The Glass Key', 'Double Indemnity', 'White Heat', 'The Big Combo'... et cetera. I wouldn't say the plot of this film was childish (it was largely from Elroy's novel after all) but it was a bit too unfocused (though not confusing).
The first you have to get in a film noir is a huge villain
Although Sydney Greenstreet's Kasper Gutman (a figurative and literal "huge villain") was one of the best villains in Film Noir, many (if not most) lack a "huge villain". Where were the huge villains in 'In A Lonely Place', 'D.O.A' or 'Blue Dahlia'? In these films the villain was low key and revealed late.
(those who kill, stink, say bad words, hairy balls, and slap their girlfriends, who then help the good guy cos they say they made a mistake, and fall in love for him for being soo good)
Ah yes, a pattern followed by only a few Films Noir and in some of those aspects only by films that are post-Classic Noir; how many 1940s films have you seen with "bad words"? You'd also more often have a woman pretend to (or fall in love with the hero only to turn out to be a villain. I also can't remember many "hairy balls" in them. The closest think of one film 'The Big Combo' which roughly corresponds to your view of a Noir sans the villain saying "bad words" all the time... Mr. Brown was quite cultured.
Here, the villain is........dont know who.....the old crazy wife?..the old husband? their retarded son who wanted to have sex with the victim?.....WHO??
Yeah I guess it is like in films like 'The Maltese Falcon' which doesn't have one victim or 'Farewell My Lovely'... The fact Noir often has multiple villains and even victims could be villains and vice versa. Films Noir are iconic for not being morally black and white, in the same way monochrome is not, the morality is shades of grey and black. It is ambiguous.
This film may have failed as a film and as a Noir but not for the reasons you have stated.
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