MovieChat Forums > Crash (2005) Discussion > In defense of "Crash"

In defense of "Crash"


"Crash" features an involved tale with several interwoven story lines; it ain't no mindless popcorn 'blockbuster.' A casual viewing won't cut it. It's not that type of movie. Most of the negative criticisms about the film are by people who didn't watch closely and then lambaste it with criticisms that aren't even legitimate, which I'll provide examples of below.

For one thing, the film is about more than racism; it addresses stereotypes, hypocrites, abuse of power, the capacity for good and bad in every human soul, second chances, passive correction and shame, self-sacrifice, redemption, forgiveness, the last straw, manhood & emasculation, giving someone a break, true friendship, misunderstandings, favoritism and more.

*** SPOILER ALERT ***

Furthermore, not every character is racist as some critics claim. Brendan Fraser's character never shows any racism and the only reason his wife (Bullock) blows up with racially-charged statements concerning the locksmith is because she just got robbed and shoved to the pavement at gunpoint by two young black guys. How would you or I react after such an experience? Also, the young cop partner (Ryan Phillipe) never displays racism in the truest sense; why else would he radically come to the defense of the director who has a fit or pick up a young black male hitchhiking? (What happens later is a misunderstanding not racism). What about the detectives Graham & Ria and Ria's housemaid mother? (Yes, Graham makes one derogatory statement about Hispanics, but that's it; he's hardly racist). These are all main characters.

Then there's the criticism that all the protagonists are "essentially one-dimensional racial stereotypes." This is also untrue. Graham and Ria (black and Latino) are big city detectives; Cameron is a successful black TV director; and the Hispanic locksmith is a family-oriented working man, not a criminal or gangbanger.

Yes, there are some people who fit the stereotypes, like the two young black male thieves and the racist/abusive white cop, but one of the thieves becomes shamed for his lifestyle & hypocrisy and the racist cop is willing to risk his life for a woman of color, thus redeeming himself (from the guilt he felt over abusing his power the night before), besides his white partner is anything but a white racist who abuses his authority.

One critic criticized the film with this multiple-choice question:

You are involved in a car accident on a busy street. The other driver is Asian. Do you:

(a) Wait for the police to arrive and see if the other driver is okay.
(b) Exchange insurance information with the other driver.
(c) Scream and yell, "damn chinks don't know how to drive!"

If you picked C, you'd love Crash.


This car-crash scenario DOES take place in the story, but he's leaving out some important details -- A woman & man are rear-ended by an Asian lady. Why don't they call the cops? Because they ARE cops and there are other cops on the scene. Why does the lady detective talk back to the Asian woman? Because the Asian woman is having a fit and throwing racial slurs (the detective's Hispanic). This is WHY she talks back to the Asian woman, not to mention she's a cop and therefore in a position of authority. Why does the Asian woman have a fit anyway? Because she's rushing to the hospital to see if her husband's alive or not. So, you see, the witty little multiple-choice question doesn't actually fit the reality of the film.

*** END SPOILER ***

Another criticism is that the racism in the story is not subtle like it is in real life. Well, haven't you ever seen anyone blow up as seen in the movie? I have. In a city as big as L.A. how many such blow ups happen over any 36-hour period?

Yes, there's a lot of raw emotion and hard-to-watch scenes, but there are undeniable glimpses of love, hope, redemption and forgiveness as well. If you're in the mood for a well-made psychological drama with numerous insights to the human condition, "Crash" fills the bill.

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What did you think of one scene where very obvious display of racism was shown between Don Cheadle's character and the white man in the office who said several times in front of him the phrase "F****** black people, huh" and got away with it?

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It led to Cheadle's meltdown later (that is, his character, Cameron).

In my original post I was just saying that the film is about way more than just racism.

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Fair enough, but did you think that scene was quite ridiculous and racist in itself (and thus logical as to why a lot of people disliked this movie) especially with how openly racist that character was at an important job meeting, and was that scene a bit unrealistic in a sense too?

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Yes, I agree. While not as unconvincing, it reminds me of the key crime at the beginning of the 2000 version of "Shaft" in regards to Bale's character wherein the scriptwriters tried too hard to concoct a racist whitey villain when subtlety was in order.

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But I see, and you're welcome, that it didn't ruin this movie too much for you, right?

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That scene I mentioned in "Shaft" pretty much ruined that film for me because it was the set-up of the whole movie and was obviously contrived to fit the eye-rolling agenda. The scene in "Crash," by contrast, wasn't as pivotal to the story and, besides, as I pointed out, the film is more balanced and honest. For instance, the two young black male robbers in the opening. Let's give credit where credit's due.

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For one thing, the film is about more than racism; it addresses stereotypes, hypocrites, abuse of power, the capacity for good and bad in every human soul, second chances, passive correction and shame, self-sacrifice, redemption, forgiveness, the last straw, manhood & emasculation, giving someone a break, true friendship, misunderstandings, favoritism and more.

or ... as the moviechat militant wing call it :

"That some Woke shit"

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Nah, wokeness is an eye-rolling Leftist religion. This is deeper and applies to every human soul, regardless of skin-color, culture or creed.

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Very well said!

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