I found this movie to be overflowing with hokum, and also full of scientific and factual errors. The fractured moon hanging in the sky? Idiotic; its gravity would pull it back together again. The inscriptions on the rocks being sharply carved and visible after 800,000 years? Carvings like that fade after a few centuries, and after 800,000 years would be sand. Plus the idea of the computer being fully operational after 800,000 years pushes suspension of disbelief to the limit.
Plus the Eloi speaking perfect English, the contrived reason for him inventing time travel (Why is it ALWAYS a lost love? Why? Why is EVERYTHING motivated by lost love?), the equally contrived love story in the future, the psuedophilosophical meanderings, etc.
Even on those terms, this was little more than a B movie. When you compare it to the novel, it's a trainwreck. Wells was very much a social satirist, and his novel pokes at the Victorian notion that they were the pinnacle of science and civilization by showing a world that had fallen into ruin and decay. It also turned the class system on its head, with the seeming haves (the Eloi, who live lives of pleasure and idleness in an Edenlike earth) and the seeming have-nots (the Morlocks, who live underground and tend vast machines that they no longer understand and that no longer serve a purpose) and turning them on its head, with the Haves being the cattle of the Have-Nots.
Read Wells with an eye toward satire and commentary, and you may be surprised. He was a Socialist and radical who thought little of Victorian attitudes and morals. WAR OF THE WORLDS pokes at Victorian complacency and assumptions of military superiority, for instance.
But this movie is a tired, third-rate rehash of familiar material, and it has the rating it deserves.
Facts need to come before certainty.
reply
share