Pleasantville = liberal?
Check out this blog post. Is Pleasantville the most liberal movie ever?
http://reelchange.net/2012/04/22/the-most-liberal-movie-of-all-time-pleasantville/
Check out this blog post. Is Pleasantville the most liberal movie ever?
http://reelchange.net/2012/04/22/the-most-liberal-movie-of-all-time-pleasantville/
[deleted]
yes, but only if you define "conservatism" to mean xenophobic, jingoist, intolerant fear and hatred of anything that isn't just like you
shareThat's pretty much what social conservatism is.
"So no need to call others a dumbass, you hypocritical dumbass."
That's pretty much what social conservatism is.
Ah. Such tolerance. That lets people know you really don't know what conservatism is. Conservatism is about individual liberty and personal responsibility rather than blindly believing what government tells you. Among a zillion different other things. I bet you also think Abe Lincoln was a Democrat.
sharecarrie_713 do you speak only in republican buzz words? Because everything you just wrote is basically nonsense.
sharePersonal liberty huh? And you mention Lincoln who is the only President to suspend Habeas Corpus. No, Lincoln would not be a Republican today. He was a progressive after all.
shareNo, Lincoln would not be a Republican today. He was a progressive after all.
He was a progressive after all.
[Citations Needed]
Presidents Abraham Lincoln and Ulysses Grant suspended habeas corpus during the Civil War and Reconstruction for some places or types of cases.[46][47] During World War II, President Franklin D. Roosevelt suspended habeas corpus. Following the September 11 attacks, President George W. Bush attempted to place Guantanamo Bay detainees outside of the jurisdiction of habeas corpus, but the Supreme Court of the United States overturned this action in Boumediene v. Bush.
Social Conservatism is literally none of those things. And Lincoln was a leader of the Union. So yes, now he would have been a democrat.
shareRight, because YOU don't have individual liberty unless you take away other people's liberty, destroy the environment, control women, oppress minorities, censor opposing political views, & pay your employees starvation wages.
shareConservatism is about individual liberty and personal responsibility rather than blindly believing what government tells you.
We're from the planet Duplon. We are here to destroy you.share
In today's world he would be. So would Eisenhower, who was a liberal republican. Those are as rare today as hens teeth. Democrats used to be more conservative and Republicans used to be more liberal. The change started around 1964 when LBJ signed the Civil Rights Act.
shareHilarious that you can get away with saying this and call conservatives bigots.
Communism was just a Red herring!
I guess it can't be the most liberal movie then, because "hatred of anything that isn't just like you" is the liberal mantra.
shareThat's funny, because homophobia, racism and sexism are all conservative ideas.
sharethat must be why conservative parts of America are such culturally diverse, immigrant-friendly places where people love to tell stories about their overseas vacations, and a typical Saturday night involves a non-English language movie, a Lebanese or Pakistani restaurant, and a café where multi-ethnic groups of friends gather to sip cappuccino whilst questioning the veracity of fundamentalist Christian dogma
Czech(oslovak) Cinema: http://www.imdb.com/list/7Fxr9DriTes/
[deleted]
Yes...10 years of living in a very conservative part of Arizona, two years living in logging country in the pacific northwest, and extensive travel throughout much of the continental US
I'm quite familiar with conservative America
He was so crooked, he could eat soup with a corkscrew.
[deleted]
But that is American Conservatism
share
that's a common form of American Conservatism anyway
there are conservative Americans who actually know what "conservative" means, and believe in that general ideology, which is mostly about minimizing the cost of government, eliminating unnecessary government intrusion into citizens' lives, and avoiding military engagement as much as reasonably possible
but we don't hear from that kind of conservative nearly as often as we hear from Americans who use "conservative" as a brand name meant to represent whatever it is they happen to think at any given time, which lately tends to be mostly about social control, culture clashes, and class warfare
Czech(oslovak) Cinema: http://www.imdb.com/list/7Fxr9DriTes/
Well that's the extreme, but yeah, pretty much. Historically, that's the mentality to which unchecked conservatism and right-wing thinking leads. That being said, I think the film's greatest flaw was its own bias. I have no sympathy for intolerance or any "ism" that produces it, but a very simple and legitimate argument remains at the core of this film: Yes, they were ignorant. No, they had no sense of the bigger world around them or their place in it. But… they were happy. And happiness, for those who have lost it, remains the most precious commodity in human existence. "Pleasantville" asserts that more colors -- that is to say, more excitement, more life, more emotion, more freedom, et cetera -- is something that is worth sacrificing a little happiness for. I could easily disagree. What's the point in all those colors if we can't stay away from each other's throats all the time? I'll take a happy, black-and-white, ignorant world over an enlightened world of misery and suffering any day. Of course, as a depressed individual, this attitude is a result of my own emphasis on personal happiness. After all, we all long for the things we've lost. I acknowledge, however, that for those who are conventionally "happy", but spiritually unfulfilled in a dull, monochromatic existence, the opposite argument could easily be made. There's no right or wrong answer here. And that's why I say that "Pleasantville" was a disappointment in this regard. It was a clever, entertaining, thematically profound film with far more strengths than weaknesses, but ultimately it's own liberal prejudices kept it from addressing an important issue with the objectivity and honesty that such an issue demands. The movie's final statement seems to be, "Okay, we don't know where we're going anymore -- freedom means uncertainty -- but that freedom, and therefore that uncertainty, are paramount to our spiritual wellbeing as individuals. Ultimately, they have to be prioritized over provincial issues like personal happiness." Well, I, for one, don't need that freedom. I need a modicum of tranquility, some comfort, and a basic peace of mind, and I will gladly sacrifice all the colors in my life to get it. I can make this statement because I've experienced both ends of the spectrum, and I can speak from my own experience (and only my own experience, to be fair) that uncertainty, doubt, and misery are always worse, no matter how colorful they are. People who feel otherwise generally tend to be people who haven't yet experienced the full power of uncertainty, doubt, and misery. But I digress. My point, in fact, is that there's an argument to be made both ways. A legitimate argument. And "Pleasantville", instead of posing a dialectic on these very questions and issues, and exploring both sides of the argument without offering a definitive solution or "right answer", ultimately does nothing more or less than states an opinion. This was disappointing for me, given the foundation and premise of a film with so much thematic potential. It is certainly a liberal film. I like a film to be more concerned with exploring truth, and less concerned with professing specific ideologies, be they liberal, conservative, right-wing, left-wing, communist, socialist, or Marxist. Human thought runs deeper than any ideological platform, and to limit a film's ideas to the advocation of such an ideology is therefore to limit its depth, and therefore its impact, and therefore its value. I'm being critical, I know. "Pleasantville", believe it or not, is a film I really like. In the world of post-1980 American cinema, this was one of the most refreshing films I've seen in a very long time. It's quite a good film. And I suppose it's because of that fact that I wanted it to be so much more. I wanted it to be, well, perfect. Then again, both history and "Pleasantville" speak to us the same fundamental truth: Perfection is tyrannical and fascistic by nature.
shareThis film is about speaking out against censoring or refuting people who want to repress language or innocent actions in any way. In the 50's, yes, they were conservatives, but now, on college campuses in the US and Britain, it is the far left Liberal people who are the antagonists. This film is critical of a viewpoint, not a class or political party.
It says that EVERYONE has this ability to emote and be free inside of them, which means that everyone has the potential to deny others their rights, and these repressive morons can equally be on the left or right.
Anyone who attempts to deny someone else their rights isn't actually a liberal, no matter what they claim they are. A Liberal by definition, is one thing. Many folks who claim to be Liberal are something else entirely.
While it was ultimately about several different things, this film largely was about the Liberation of human passion, something that was suppressed in previous decades and centuries. "Liberty" means "freedom." The people in color were liberated. The ones in grey were conforming and simpleminded and willing to sacrifice freedom for totalitarian, stifling structure and order.
Despite this, it also was about a few other things, all of which overlap or intertwine together in some way or another. The most glaring part was when the girl had the protagonist in the field look over at an apple on a tree. She went to pluck the fruit, brought back to him and had him take a bite. Later on, the elderly wizard with the magic remote reminded the protagonist of this moment and threw it back in his face, as if he had taken a bite of a forbidden fruit of some sort. Sound familiar..?
The people in grey and their entire ways of thinking and repressing themselves were identical to that of religious peoples'. The colored folks and the fact that the modernized freedoms of passion that they were one-by-one falling into, were identical to that of nonreligious people, and the fact that, sooner or later, all religions become outdated, and more and more people in each generation are discovering that, which leads to more and more freedoms in the 20th and 21st Centuries.
I'm not a control freak, I just like things my way
I think that it's a thing of beauty that you, a viewer who understood and appreciated the message of the movie, have an avatar in color, but the person you are responding to, who doesn't get it, has an avatar in black and white. It fits perfectly.
share"No Coloreds allowed" That lines sums up this liberal trash of a movie.
shareThat now describes the left, interestingly enough.
shareIT IS NOT INTERESTING...AT ALL.
shareTHAT'S BECAUSE YOU'RE NOT A THINKER. YOU'RE A FOLLOWER. YOU ARE EXACTLY LIKE THE MAYOR OF PLEASANTVILLE. AND YOU KNOW THIS. AND IT MAKES YOU ANGRY. THAT'S WHY YOU TYPE IN ALL CAPS. SOTHEREEMOJI
share[–] desertsinger 11 years ago
I disagree. It is a movie about awakening in various forms. Mental, physical, spiritual. Liberalism and conservatism have nothing to do with any of those ideas. It's a movie about moving forward in life and all aspects of life. We can't, as an actual society, stick to the same old same old things. We grow, mature, see things differently. If we don't, we become stagnate and we lose the chance to learn more about ourselves and the world around us.
YOUR INTERPRETATION IS WRONG AND STUPID.
If you think the movie is taking aim at middle America's past or "conservatism", you are precisely the people the movie takes aim at. There never was an innocent 1950s middle America. That's the point of the film. Look beneath the surface of Reagan's rosey recollections and find the racism, xenophobia and rape culture that was there. And expose the hidden values of those who want to return to those fictional days. That's was the message.
shareI disagree. It is a movie about awakening in various forms. Mental, physical, spiritual. Liberalism and conservatism have nothing to do with any of those ideas. It's a movie about moving forward in life and all aspects of life. We can't, as an actual society, stick to the same old same old things. We grow, mature, see things differently. If we don't, we become stagnate and we lose the chance to learn more about ourselves and the world around us.
shareWell said desertsinger.
share"It is a movie about awakening in various forms."
Absolutely!
If anything Jennifer's stay in Pleasantville caused her to become a more conservative person, less wanting to stand out in the crowd and more awakened to the studious, academic side of her nature, which beforehand had lain fairly undiscovered.
Agree. It was about stepping outside one's norm and looking at different sides of life.
shareWell, to be fair, Gary Ross the film's director and writer said, "This movie is about the fact that personal repression gives rise to larger political oppression...That when we're afraid of certain things in ourselves or we're afraid of change, we project those fears onto other things, and a lot of very ugly social situations can develop."
So that would seem to indicate that politics do indeed play a part in what the film is about.
Yeah but not the parties.
shareIt's just so sad that everything has to be about politics. Sure, it's liberal just like New Testament! Jesus was anti-religion, anti-establishment, defending adulterers, consorting with whores and rejects, preaching change from traditional views and freedom from the Roman Empire.
For every lie I unlearn I learn something new - Ani Difranco
The point of the film is that although pure chaos is awful anarchy, we need it, because pure order negates free will.
In other words both conservative and liberal are too 'black and white', we need a compromise.
Great blog post! It's very obviously accurate, and exactly how I see "Pleasantville", as well.
From the blog post:
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"And this is the point. The filmmakers take us back to the ‘50s to dispel the fantasy propagated by the Republican party – that it was an era of innocence. According to “Pleasantville,” what lurked beneath the idyllic vision of suburbia was pain and oppression. Republicans forget that during that great post-war period, women were confined to the household or held up as sex objects (and nothing in between), many blacks couldn’t vote, and artists were branded as Communists and black-listed.
"Gary Ross shows us that this vision of the American dream, so revered by the GOP, is a subtle and insidious form of fascism, in which conformity quashed individuality – and prejudice and fear consumed our democracy. In “Pleasantville,” Ross shows us how far we have come and suggests that the last thing we need is a return to the past."
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It's really just about impossible to deny the validity of this analysis.
It's really just about impossible to deny the validity of this analysis.
Personal growth can be different for many.
Guess there really are people who act worse than 12 year olds.
Conservative Theory is about taking change slowly and really hesitating to change. We are "standing on the shoulders of giants." In other words, we can see far only because of what our forefathers built.
This film is about change; that change is human, inevitable. It is very much an anti-conservative movie. And it is a masterpiece.
No it's not. Conservative change has been radical & fast. Look how quickly they put an end to upward mobility in America, look how fast they redistributed the wealth to the upper class. Look how quick they were to goose step into two wars. Look how quick they were to label anyone that questioned the reasons for war as a traitor.
There is nothing slow about modern conservatism. They have moved very quickly from the "Big Tent" party of Eisenhower to the Tea Party.
It's a movie about humanity, not political ideology.
shareIndeed, but there are those to whom all art is subversive.
Save me from the people who would save me from myself
How "pleasant" to find an interesting discussion of this film just as I was thinking about how it can be taken as both an awakening film AND as a film that harshly exposes the political agenda of those who have created the various myths we seem to gravitate to: the Puritan Ethic, the Southern Myth, the Commie Myth, the Hippie Myth, and so forth.
If one were to review political speeches from the last 50 or so years, one would, I believe, be able to chart a course through that period in which both parties evoked these myths when it suited their purposes. Let us not forget that the original Dixiecrats morphed into today's far right, and that President Reagan was a Democrat before he was a Republican.
Anyway, I would also postulate that Ross was, indeed, satirizing modern conservative values, but one might also make a case for this being nothing more than a swipe at the '50s suburb myth, etc.
Most myths have some roots in truth. To me, Pleasantville offers many paths of inquiry, which I believe is an attribute of accomplished art. Pleasantville entertains and challenges me each time I see it. Most other films don't, so I very much appreciate what all these artists accomplished.
Cheers!
richopp
A most interesting and astute comment, yours, a delight to see. Yes, the 'various myths' and 'many paths of inquiry' certainly fit. Thanks.
I approached those 50s of Homo corporatis from the other end with an OMG feeling. So this movie resonates on many levels -- the superb casting, the music, the subtle manifestations of color as the plot develops.
One aspect of many, how David and Jennifer respond initaly and how their attitudes have changed when we reach the denouement. This film is a delight that will reveal more points to contemplate on each viewing.
I thought it was simply a critique of the nostalgic view people have of 'the good ole days' '50s America, and how it was more repressive than people think.
I didn't think it took up any particular ideology. I thought the overall message was to accept the virtues that modern life brings and stop looking to the past through rose-tinted glasses. Midnight in Paris reminded me of it a bit in terms of that message.