A prime example of the 'good' moviemaking.
This is just one of the most extremely pushed ahead of their time films that it seems very easy today proclaiming that we're just talking about the new example of the essentially good moviemaking 10-15 years from now. Everything, and i mean every the most imponderable thing here is a cynicism of the highest order, up to the breaking point of metaphysical symbolism, conceptual philosophy and self-parody. From the editing, characters, dialogues, action, camera angles to the movie title, plot logic, everything is probably the most distinctive, boldest cliché ever known to man or put on celluloid, which systematically makes this movie a great "comedy" and immensely funny. The film just makes fun of every known obsolete trend or the human preconception and conviction of the good moviemaking. Paradoxically, it actually seriously shows the marginal direction of the world cinema in general - lots of artistic aspects in the cinema are constantly becoming very trite and cliché, and ironically the artists are losing any new ideas and the overall originality -- what is the obvious attempt of "this" film is to radically show us the mirror of ourselves, or our society and ever-changing mentality - that's what's so extremely funny in this film: that how self-delusional our modern civilization seems to be. The films are not just about certain originality as so many people think so today; in this case, Knock Off is also probably the best (hilarious) example for young filmmakers how to make an enjoyable film even out of the most obsolete aspects of the modern cinema.