Chiming in to say I agree with you, and that I find it a little disheartening that your post praising the film has attracted so many blowhards who hate it. Yes, it's campy and everybody overacts, but that's just the kind of film Sam Raimi makes. He isn't Richard Donner or Tim Burton. He'd directed mostly cult movies, as has been pointed out, so he approached Darkman with this mindset, for better or worse. There even exist examples of him splurging; I read somewhere the helicopter scene was written in simply because they could afford to get them. The entire movie plays from beginning to end like a kid having fun with all the great new toys his parents gave him. "Wow, I get to play with helicopters?!" And I enjoy it all the way.
The movie's only real flaw for me (apart from Neeson's scenery-chewing) is that it is slow and short on action scenes, however, this is made up for by the helicopter chase and the fight on the building at the end. In fact, the relative lack of action up 'till then makes those sequences all the more welcome and thrusts the story into a whole new frantic level. The halfway-built skyscraper was a great setting for the final fight with Strack, and Raimi must've thought so, too, as he totally recycled it in Spider-Man 3, just with more "oomph" and better special effects.
But, to me, although it's a bit on the clunky side in terms of stunts and effects, Darkman's finale is infinitely superior to Spider-Man 3's. Kind of a shame that Darkman fistfighting the main villain and one random henchman is a more satisfying ending to me than Spider-Man fighting *two* main villains, one of whom is a giant freakin' sand monster. I guess Darkman's ending (and the movie as a whole) is a good example of "less is more" school of screenwriting, despite Raimi's aforementioned splurging with the helicopters.
If one were to say they don't make superhero movies like Darkman anymore they'd be right. Ever since the first X-Men, I think, superhero movies haven't been allowed to be "fun" anymore. They all now have to be serious and "mean" something. Which is why we have movies like Superman Returns, Batman Begins and The Dark Knight. Of those three, I could only really stomach Superman Returns. The Nolan Batman films just bore me to tears, though, in that same way Darkman does to many here.
Of course, superhero movies shouldn't be all comedy, either, which is what gave us crap like Batman & Robin. So, I think, superhero movies need to find that happy middle ground between deadly serious and goofy that the older ones like Darkman (and, yes, even Donner's Superman and Burton's Batman) found.
"I mean, really, how many times will you look under Jabba's manboobs?"
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