The messages about most black people and the majority of the non-white characters in the movies are negative and extremely stereotypical. It made me think how little Hollywood has changed over the past 70 years. The only difference is that black performers may be paid more, seen more frequently in films,or rewarded with awards, but still, more often than not, are used to reinforce negative misrepresentations.
The movie is racist because it's basically what every racist white person fantasizes as an explanation for their frustration towards black people calling them racist all the time.
The racist finger is pointed too often - but for a reason - racism is still everywhere, and white people feel uncomfortable about it, and annoyed at the same time by some of the backlash.
But this is simply not how things really happen - the characters in the movie are over the top clowns and not realistically acted. The shots and scenes are too long and pointless.
AND it's sexist more than it's racist!
All of the women in the film are powerless morons or awful or unimportant.
And everyone is a *beep*
It's a piece of crap film trying to say it's brilliant because it makes everyone the enemy. It justifies its blatent racism by making the white people seem bad - but it gives big excuses for the main character - so you feel bad for him and how the bad black people who are from the jungle and all stupid and crazy - ganged up on him.
The idiot character should have just talked to the police. Even the guy who recently killed a woman on Clinton street in nyc (horrible true story) went to the police right after.
Bonfire of the Vanities is a racist person's fantasy and explanation for certain events in the world, and a justification for massive generalizations.
The problem with most people's perception of this story is that the directorial version leaves out the main issue of Tom Wolfe's utterly brilliant novel. The book truly deals with perception; mainly of the three protagonists - Sherman McCoy, Peter Fallow, and Larry Kramer. The actual story shows the views and ideals of self vs. others and what the percepted others' view of the three actually is. Oh, sure, there is a seemingly racist content, but it goes both ways, in that the black and latino view of the Wall Street and prosecutorial "whites" are pathetic and to be used and that the "whites" idea is that many of the projects' residents are criminals in but a more petty fashion.
I'm rereading the book at this moment, and I have to say that the title is completely accurate. The "bonfire" is the breakdown and personal revelations of Sherman McCoy, as well as the outsider's view of how flat out wrong the internal views of pretty much all of the characters self-image is.
Thomas Wolfe is a much more philosophical author than he is given credit for, and although the movie horribly mistrues what the book is about, I'd suggest devouring (an accurate word for what will most likely happen should you pick it up) this wonderfully written novel before dismissing the central tenets as actually racist in any one direction. (I'd also recommend "The Right Stuff" by Mr. Wolfe for anyone interested in the history of the race to space.)
Lastly, it is pretty much apolitical, in case my handle should leave someone to believe its typical conservative tripe.
Liberals think conservatives are evil; Conservatives think liberals are stupid...
This can be a really heated subject (proved by all the deleted posts early in this thread), and I certainly don't want to invalidate anyone's opinion or point of view. I think a lot of people have said a lot of intelligent things in this thread, and I don't have a lot to add. But I just had the thought that in the movie a lot of people are portrayed poorly. A lot of people come off badly. But just because people of a certain color are portrayed badly, does that make a work of art racist? I don't think so. Is the Godfather a racist movie because most of the Italians in it are criminals? I am trying to think of an actual racist work of art that I have encountered in the last 30 years, and I can't really think of one (other than Leni Riefenstahl's propaganda movies). I mean, here is a definition of the word "racist:" "a person who believes in racism, the doctrine that a certain human race is superior to any or all others." I find it really hard to believe than anyone could watch BOTV and come away with that as a message in the movie. Everyone, of all races, is portrayed as opportunistic, and willing to exploit circumstances to their benefit. It's a satire about the foibles of humankind.
I think a better word might be shocking--it is probably shocking for younger people to see Sherman's reaction to the black youths in the beginning. Yes, he was a white guy scared just because two black kids approach him in a dark secluded place--I think a fear much more commonly held by a certain segment of society in 1987 when the book was written. The presentation is a bit coarse by today's standards--similar themes were explored with more subtly and finesse in a movie like Crash. But the point of the movie is not to suggest that black guys are dangerous; the point was to illuminate that this is the reaction that someone like Sherman would have. It was shining the light on the stereotype held by Sherman, brilliantly. It doesn't say that the stereotype is true or accurate. In fact, Sherman's reaction is possibly what leads to all the trouble. Possibly he could have said, "Yes, I need help with this tire," and they would have helped him--that ambivalence exists in the movie (as it does in the book). Just because a character in a movie believes in a certain stereotype doesn't mean the work of art is racist.
Least anyone call me racist, I am black woman who grew up in Alabama in the 70s, and I have encountered real racism. I can tell you the world has changed dramatically in the last 40 years in terms of racial attitudes in America. Things have definitely gotten better, so much so that a person seeing this movie for the first time today who is say 25 or younger may really be shocked at Sherman's attitude, and it may look racist to them, whereas when it came out, it was just taken for granted that a man like Sherman might be likely to react that way in that situation.
I think it's a good movie and a brilliant book, and I don't think it's racist,
as8008, you're so right, "just because people are portrayed badly, does that make a work of art racist? I don't think so."
If you're a cheer leader for the Politically Correct, sure, the slightest reference, no matter what the context is racist. Forget the fact that all the people in this satire (get it, satire) are distorted to some extent; no one is made to look particularly good!
When I encounter anything that smacks of Political Correctness, I take it as my duty to attack. For such a mind numbing notion - like changing words will erase attitudes - are simply another kind of fascism.
I'm a liberal but I love Tom Wolfe's books irrespective of his political sympathies, and to be fair, he usually portrays his liberal characters with as much understanding and sympathy as his conservative ones. The difference is that most liberal authors would be inclined to present the conservatives, whose views they fins abhorrent, as terrible two-dimensional individuals.
I do think the novel does take a fascinating alternative perspective to the typical politically-correct one. Like you state, it's apolitical. A staunchly liberal perspective wouldn't allow room for the possibility of a WASP being innocent of a hit and run involving a black youth, whereas a staunchly conservative perspective would present McCoy as a more unambiguously heroic character/martyr.
However, I do have to take some exception to your signature. Many liberals think conservatives are 'stupid' (many conservatives are associated with being anti-science and anti-Rule of Law).
Another "RACIST" thread... Y A W N. The worst of it is, It's usually White Liberals who start these threads. (BTW, I'm a White Liberal when it comes to MOST issues but as a rule, I tow no party lines)