I'm going to have to agree to disagree.
As flawed as Poltergeist II is, I found it to be a decent-enough film and a fun sequel on the whole. Yes, it's pacing is uneven, and it doesn't quite capture that feeling of magic that the original had, but I found it's horror set-pieces to generally be quite effective, and I appreciated the attempt to do something that expanded the mythology and do something slightly different with the material, through the whole spiritual-warrior and clairvoyant angles.
In comparison, I found Poltergeist III to be an extremely poor mess of a film. I don't want to speak ill too much, due to the tragedies surrounding the film, but I just didn't see anything redeeming in the content.
I thought the writing was quite poor. The structure was messy. And the characters extremely unlikable. Carol Anne comes off as a bit of a brat at times, which lessened my ability to care. Nancy Allen started off decently, but the writing gradually made her more and more unlikable as the film progressed. (Even becoming a flat-out jerk in several key moments.) Tom Skerrit was alright, but I felt he was a bit, well... creepy. And other characters just feel flat and felt like one-dimensional cliches. Outside of Heather O'Rourke, I also felt that the actors weren't really thrilled with the material. They didn't seem to be giving it their all.
A lot of concepts brought up were laughable. The whole idea of the doctor obsessed with the "mass hypnosis" theory was just ludicrous, and made it impossible to take him (or any scene that he's in) seriously. There is also no attempt made to construct an internal logic or set of rules within the context of the film, which is problematic, as the movie is obviously operating on its own agenda, and not playing by the established rules of either of the two films.
The attempts at creating mood and fear fall flat. The idea of the mirrors was a fascinating one. But this film makes a tragic mistake in assuming that repeating the same scare tactics over and over somehow makes something more frightening. And it backfires, because those tactics instead become humorous. Because the concepts and scares early on are repeated far too often. To the point of being beyond predictable. You know that it's coming. And the haphazzard execution of many of the scares couples with this to make it more amusing than scary. The same can be said for other scare tactics (Such as Kane incessantly being heard calling for Carol Anne), which are repeated to the point of amusement and then frustration. It's almost like that amusing little scene from Spies Like Us, where everyone is greeting eachother by saying "Doctor" over and over... the repetition creates a certain degree of humor. Except while it works in a comedic film, here it betrays the intended sense of dread.
Nothing else seems to work. The effects are shoddy. (The young man covered in "ice" that you can see is really just a light foam that doesn't resemble ice at all, for instance.) The execution of key scenes fall flat (or becomes insanely laughable), such as the "Kane driving cars that roar-like lions" action sequence. The film becomes lazy and relies on cheap tactics to manipulate false thrills, being the only entry in the series to contain what comes off as more-or-less a cheap slasher-film type murder with the elevator shaft sequence. Etc.
This is probably one of the most disappointing horror sequels of all time, if I'm to be honest.
And FURTHERMORE, this is my signature! SERIOUSLY! Did you think I was still talking about my point?
reply
share