Disappointing


This movie has a big reputation as an 80's teen flick, but I was wholly disappointed. Most of the discussions between the five students from different cliques -- the popular girl, the jock, the Brainiac nerd, the dope-smoking rebel and the neurotic misfit -- come across contrived and unconvincing. Some of the dialogue is actually cringe-inducing.

The hoodlum (Judd Nelson) could've worked as a character, like the Fonz or Vinnie Barbarino, but he's such an annoying, loud-mouthed jerk that he loses all sympathy, particularly when he verbally rapes the redhead on multiple occasions for no ostensible reason. The fact that the two end up together at the end adds insult to injury. Not to mention two others that unrealistically couple up.

It's strange that "The Breakfast Club" is billed as a comedy because there's very little that's funny, although it's occasionally entertaining, like some of the music sequences. Unfortunately, writer/director John Hughes wasn't into the heavier side of rock and so the soundtrack consists solely of bland 80's new wave bands, like his other 80's teen flicks (e.g. “Sixteen Candles,” “Pretty in Pink” and “Ferris Bueller’s Day Off”). Don't get me wrong, there are a couple of quality songs, like “We Are Not Alone” by Karla DeVito, but where are the heavier popular bands of 1984, like Van Halen, Scorpions, Judas Priest, Ratt, Dokken, Queensryche, Def Leppard, AC/DC, Twisted Sister or Motley Crue? Is it asking too much to have ONE song that actually rocks?

But the music is the least of the movie's problems (and isn’t really a problem at all, except that there aren't any heavy tracks). The actors are fine, but Hughes' dialogue is unconvincing. The script needed a serious rewrite.

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I watched some of this on tv the other day and it got me wondering if this movie still resonates with new generations of young people, or cultures of people that aren't suburban white kids. I don't see how it could. I think this masterpiece is gonna end up too tied to the times it was made and end up largely forgotten.

I see the movie more as a stage play and less a glimpse into a fictional reality that mirrored our own. That's why they went with such cliche archetypes, when really people are much more a mishmash of all sorts of things. And so the dialog is more to serve as an examination of different philosophies about life and what not, rather than how kids would really talk. The whole movie is just Hughes' social commentary. And the happy endings for the characters straight up diverges into his fantasies.

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Wow, good stuff. Next time I watch it I'll try to appreciate it from this perspective.

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Completely agree.

What this film was missing was a real bad boy to put them all to shame.

and the redhead was hot az shit! It was painful she ended up with such a scumbag!

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I don't get the hype of this film. It's not bad, but completely overhyped.

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addressing the music points only:
1) thanks for identifying “We Are Not Alone” by Karla DeVito, i'd often wondered who that was
2) we rock fans never get our music into films much, simply becasue they want to appeal to wider audience , same goes for radio.

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I disagree. I love the movie. Hughes best.

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I'll go with Ferris Bueller's Day Off

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Good movie, but The Breakfast Club is more like a play and I love plays.

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"verbally rapes" - you don't seem to know what either of these words means.

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Raping someone in a verbal sense. It's pretty simple really.

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music wise they couldve used different styles to represent the personalities:
bender = maiden/acdc
brian = devo/kraftwerk
allison = joy division/the cure
andrew = van halen/springsteeen
claire = wham/madonna

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Lol. Good insight!

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I just saw this for the first time yesterday and was surprised at how few people were in it. I thought more people from the 80s were gonna be there. Where was Judge Reinhold? Where was Mare Winningham?

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ikr ? not even Steve guttenberg showed up!

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