Any comparison of the two versions of THE RAZOR'S EDGE would be like the proverbial comparison of apples and oranges.
Bill Murray is woefully miscast in the remake. When I think of asceticism and mysticism, both essential qualities of the Larry Darrel character, I do not think of Bill Murray. Mr. Murray's acting in the movie did nothing to change that.
Granted, in the original, Tyrone Power came off as two-dimensional while the role called for a remote austerity. But this was more than compensated for by the stunning beauty of Gene Tierney.
The other posters are right, the remake suffers from the lack of the Somerset Maugham character and the narrative voice it provides.
The one saving grace of the remake was Denholm Elliott as Elliott Templeton. His role as the crypto-gay Elliott Templeton compares well with Clifton Webb in the same part. It could be argued, since both actors were gay in real life, they brought a certain verisimilitude to their role.
Tyrone Power's recitation of Keats' "The Day Is Gone, and All Its Sweets Are Gone" always brings a tear to my eye. It is one of the great poems on profound loss:
The day is gone, and all its sweets are gone!
Sweet voice, sweet lips, soft hand, and softer breast,
Warm breath, light whisper, tender semitone,
Bright eyes, accomplished shape, and lang'rous waist!
Faded the flower and all its budded charms,
Faded the sight of beauty from my eyes,
Faded the shape of beauty from my arms,
Faded the voice, warmth, whiteness, paradise—
If anyone cries over the remake, it's probably for a decidedly different reason.
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