ENDING- Real or Fantasy?
I know there is another thread on this site regarding the question of whether or not some the final scene is real or not- but I'd like to put forward another theses- the entire end sequence (news footage and performance after prison term) is a fantasy- or at least Scorsese was wanting to raise this question by what he does with the final shot and sound effect.
Is Scorsese challenging us to consider whether the end is real or not?
I think he is. Like at the end of Inception. He reuses a technique / theme that he has already introduced- the rising audience sfx and De Niro staring off for too long- implying the end was in his head.
Thoughts?