Again I make the point that one can refer to "realism" in different ways. There's "physical" realism, and, IMO often more importantly, "emotional" realism.
I generally dislike the notion of realism in cinema, as it's really a misnomer. In any case you have actors reading lines in front of a camera. It's not Jake, can't be Jake. You have to make up dialog, and often entire situations.
So the question a filmmaker needs to ask himself, when developing a project, especially one "based" (or, to use the contemporary parlance, "inspired by") is what kind of "realism" he's looking for. I feel that biopics, like Ray or Walk the Line, which make great efforts at the physical realism, often lose the greater truths about the character.
I'm enough of a boxing fan to know about Jake La Motta, and have seen films of his matches. Even if the film doesn't get a documentary reality of the fights, it does allow us to experience what Jake was going through.
As for your examples from other films, that's just that, OTHER FILMS. Scorsese is enough of an artist to know what he's looking for, and to be able to achieve it on film.
"Sometimes you have to take the bull by the tail, and face the truth" - G. Marx
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