Do good and evil exist?


In my view the best element of any Kubrick movie is how Kubrick presents questions, but not answers. Most films, even good ones, propose a question and then answer it, giving the perspective of the creator.
But Kubrick on the other hand simply proposed a concept and left it there, and in my opinion, 'A Clockwork Orange' asks us 'do good and evil exist?'
Are they real things that influence our actions? Or are they concepts we created to justify our choices?

At the beginning of the film Alex is an out-and-out villain, who can only be described as 'evil'. He's a foul, cruel, sick person with a twisted mind.
Then he undergoes the Ludovico Treatment, and emerges as a 'good' person... or is he simply mentally crippled? If he can't defend himself against the real evils of the world, how can he ever hope to survive?
When he meets the old man he abused earlier in the film, the old man takes him in and helps him, giving him food, a room, a shower, etc... but once he realises Alex wronged him in the past, he too becomes 'evil' and tortures Alex with music, tormenting him to the point Alex attempts to commit suicide.
After Alex recovers in hospital, we find he's back to his old ways. The ending is the most vague part of the film, like most of Kubrick's work, but I view this as the programming being undone, the treatment being reversed, and Alex returning to his old ways.

So the question raised is, are good and evil actual things that control our choices? Are we Jekyll and Hyde? Or are we Dorian Gray, perched on a sliding scale of grey, from light to dark but never in absolutes?
Do good and evil exist or are they concepts we impose on ourselves and others?

Food for thought.

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That's a very interesting take on the movie that I hadn't considered before. I agree with you about the asking questions rather than answering them and that is what make this and 2001 so great, but I had always thought the question being asked was 'is it better to be forced to be good or to choose to be evil?' Which is the most common interpretation of the film, but your interpretation about good and evil existing is just as relevant to the movie. Perhaps the point was to ask both questions at the same time. I will correct you in one place though, the man is already planning to make Alex kill himself for political reasons before he realizes he raped his wife, the people he's talking to on the phone right before he realizes are the people who come over later to help kidnap him.

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If Hitler had been forced to be good, rather than be granted the freedom to choose his own particular brand of evil: ----this , in my view, would have been preferable, as I am sure it would have been to his Millions of victims.


Freedom to choose is of course desirable, but what happens when the freedom to commit atrocities arises, as History teaches us?

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The ultimate moral question the movie asks is really this: if we condition someone to be good, are they really making moral choices at all? If they are not, then are they really human, or simply a clockwork orange - something that looks organic on the outside but is a machine inside?

So, if you ask me the movie does have a moral point of view. The movie does not present the violence as OK or equivalent to good behavior - it simply brings up the moral dilemma posed by forcing people to be good. By conditioning people to always make the right choice, we take away what makes them truly human - their free will.

My real name is Jeff

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How do you feel that in action movies and in fairy tales, we have so many scenarios where good guys defeat bad guys and good ones live happily ever after? And does it in any way disappoint, outrage and surprise you that in real life, it rarely happens?

And when it also comes to at least one matter, which was also portrayed in this movie, even though it is wrong and evil and considered highly unforgivable, we unfortunately have people and societies on the opposite extremes and the matter simply becomes a case of common tragedy in our life?

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Everything in life is also in a flux including the morality of the decisions that human beings make on a daily basis.

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