MovieChat Forums > The Lion in Winter (1968) Discussion > WHich is your FAVORITE line?

WHich is your FAVORITE line?


Every sentence of this masterpiece is either wity, funny, sarcasitic, poetic, dramatic, or just plane awesome. Anyway - their all top notch! Thank god they got actors worthy of them! Post your favorites. This might help: http://www.imdb.com/title/tt0063227/quotes

My favorite are:

Prince Geoffrey: I know. You know I know. I know you know I know. We know Henry knows, and Henry knows we know it.
[smiles]
We're a knowledgeable family.

[Upon seeing his wife after she arrives for Christmas Court]
Henry II: HA! What shall we hang... the holly, or each other?

Eleanor: In a world where carpenters get resurrected, everything is possible.

[first lines]
Henry II: Come for me!

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1) Eleanor's implied dismissal of conversation with Richard:

"Departure's a simple act. First it's the right foot, then the left."

2) And Richard's first outrage at John getting the throne:

"...that walking PUSTULE!"

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Elanor: "Dear, dear...whatever shall we do with Mother?". My absolute favorite.

Elanor: "Hush dear, mommy's fighting."

Elanor: "Mother's tired. Come stick pins tomorrow morning; I'll be more responsive."

Eleanor: I love you.
Prince Richard: You love nothing. You're incomplete. The human parts of you are missing. You're as dead as you are deadly.

Eleanor: Henry?
Henry II: Hmmm?
Eleanor: I have a confession.
Henry II: Yes?
Eleanor: I don't much like our children!

Elanor: "Of course he has a knife, he always has a knife, we all have knives! It's 1183 and we're barbarians! How clear we make it. Oh, my piglets..." LOL! I love it when she calls them piglets.

Eleanor: Just what you want, a king for a son. You can make more, I can't. You think I want to disappear? One son is all I've got, and you can blot him out and call me cruel? For these ten years you've lived with everything I've lost, and loved another woman through it all, and I am cruel? I could peel you like a pear and God himself would call it justice!

Henry II: My life, when it is written, will read better than it lived. Henry Fitz-Empress, first Plantagenet, a king at twenty-one, the ablest soldier of an able time. He led men well, he cared for justice when he could and ruled, for thirty years, a state as great as Charlemagne's. He married out of love, a woman out of legend. Not in Alexandria, or Rome, or Camelot has there been such a queen. She bore him many children. But no sons. King Henry had no sons. He had three whiskered things but he disowned them
Henry II: [to his sons] You're not mine! We're not connected! I deny you! None of you will get my crown, I leave you nothing and I wish you plague! May all your children breach and die!
Henry II: [storms out the corridor, turns and looks back] My Boys are gone
Henry II: [he starts unsteadily down the corridor] I've lost my boys
Henry II: [he stops, glares towards the Deity] You dare to damn me, do You? Well, I damn you back
Henry II: [like a biblical figure, shaking his fist to the sky] GODDAMN YOU!
Henry II: [moving blindly down the corridor again] My boys are gone. I've lost my boys. Oh, Jesus, all my boys...
[collapses, weeping on the stairs]

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This script was a triumph throughout. I sooo enjoy reading ALL of them.

Another great script was The Prime of Miss Jean Brodie - unforgettable quotes.

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I could not agree more, Lion in Winter and The Prime of Miss Jean Brodie are 2 of the best quotable movies ever, especially the ones we heard from the indomitable Maggie Smith...

But back to LiW when I first saw it I was about 11 and only had a vague idea of what they were saying half the time, but I knew I liked the way they said it.

Have enjoyed reading all the quotes here they are all such gems, but I don't think this one has been added here yet:
After the debacle in the dungeon Eleanor genuinely upset begins to cry and holding on to Henry says, "I want to die Henry."
Henry (trying to comfort her) "No you don't Eleanor."
Eleanor (still crying) "Yes I do Henry I want to die."
Henry (feeling obviously uncomfortable) "Just wait long enough and it will happen."
Eleanor gives us a small laugh.

He was so pragmatic.






"Après moi, le deluge."

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There are so many lines that I love in this film, and they have already been mentioned in this post.

I want to call attention to the music, which was as brilliant as the screenplay.

There are two scenes in which the music makes me shiver with delight:

The first is the scene of Eleanor sitting regally in her boat as her oarsman smoothly sail it towards the shore where Henry waits for her. I love the way that he voices of the chorus accentuate the majesty of that scene !

The second is the farewell scene at the end of the movie. Henry is on shore, and Eleanor is in her boat.

Eleanor: "I hope we never die !"

Henry: "Do you think there's a chance of it ?"

Eleanor, beaming at Henry, raises her right hand as a salute and farewell to him, and Henry, laughing heartily, replies with his arms outstretched as a last embrace. Their smiles and gestures convey their enduring affection for each other, in spite of everything. All the while the orchestra and the chorus build up to a crescendo

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Am in 100% agreement.

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Prince John: Poor John. Who says poor John? Don't everybody sob at once! My God, if I went up in flames there's not a living soul who'd pee on me to put the fire out!
Prince Richard: Let's strike a flint and see.

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I have so many favorites - but amongst the higher listed is this one from Henry:

"How many husbands do you know who dungeon up their wives? I haven't kept the great bitch in the keep for ten years out of passionate attachment."


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There are great lines tendered from all characters, but seeing the film is The Lion in Winter:

Henry II: I've snapped and plotted all my life. There's no other way to be alive, king, and fifty all at once

And: I'm villifying you for God's sake - pay attention!

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For me there's actually only one possible answer:

Henry: She bore him many children. But no sons.

Honestly, I think that's the only quotable bit from the entire script and the only line that would really work in every context.

I like "Lion" overall, but reading this thread actually cemented my opinion that it's terribly written. If you just read them, these lines sound extremely annoying for all their self-indulgent witticism. The "it's 1183 and we're barbarians, we have all knives!" joke certainly qualifies as an example of meta-reference. I think that the top-notch performances of O'Toole and Hepburn are the key to the movie's success: the brilliant way they deliver these lines, they lead you to think that the dialogue is much more than it actually is. Had the movie boosted a mediocre cast, I don't think Goldman would have even come close to be nominated for a writing Oscar, let alone win it.

I just don't think Goldman has ever been a very good writer. The script of "Nicholas and Alexandra" is also very uneven, particularly the scenes featuring the stupid zarevič.

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I think that the top-notch performances of O'Toole and Hepburn are the key to the movie's success:

I don't think I would disagree with that contention.

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If you just read them, these lines sound extremely annoying for all their self-indulgent witticism. The "it's 1183 and we're barbarians, we have all knives!" joke certainly qualifies as an example of meta-reference.

Well, yes, that line is a cross-the-proscenium moment of unrequired self-consciousness.

But they're not all like that.

--

Non-sequiturs are delicious.

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A few of my favorites are:

Eleanor: You can give the bride away. I want to watch you do it.
Henry: Alais--- I can live without her.
Eleanor: I thought you loved her.
Henry: So I do.
Eleanor: Thank God. You frightened me. I was afraid this wouldn't hurt.


Eleanor: I wonder--- do you ever wonder... if I slept with your father?
Henry: My father?
Eleanor: It's a lie. But there are rumors. Don't you ever wonder?
Henry: Is it rich despising me? Is it rewarding?
Eleanor: No.
Henry: Then stop!
Eleanor: How? It's what I live for!


Alais: Henry, I can't be your mistress if I'm married to your son.
Henry: Why can't you? Johnny wouldn't mind.


Eleanor: Henry?
Henry: Hmmm?
Eleanor: I have a confession to make.
Henry: Yeah?
Eleanor:I don't much like our children.


Eleanor: Henry was 18 when we met and I was Queen of France. He came down from the north to Paris with a mind like Aristotle's and a form like mortal sin. We shattered the Commandments on the spot.


Eleanor: I love you.
Richard: You love nothing. You're incomplete. The human parts of you are missing. You're as dead as you are deadly.


Eleanor: Where's Henry?
Richard: Upstairs with the family whore.




The most powerful weapon on Earth is the human soul on fire.--- Ferdinand Foch

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ELEANOR: What happens now?
HENRY: That's lively curiosity from such a dead cat.

Helga, I'm not mad at you; I'm mad at the dirt.

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Yes, for sure, msgemini. The entire script was one of the best ever out of Hollywood and like your quotes too.

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Yes, for sure, msgemini. The entire script was one of the best ever out of Hollywood and like your quotes too.


Thanks, ronfirv. I agree. The script is exceptional and all the actors did a wonderful job. I especially enjoy when Eleanor taunts Henry about possibly sleeping with his father. Hilarious!

The most powerful weapon on Earth is the human soul on fire.--- Ferdinand Foch

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Few movie scripts can match this one, and the actors, as you said, rose to it!

Have you seen Cat on a Hot Tin Roof with Liz Taylor and Paul Newman? Another exceptional film script, (IMO).

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Yes, I have! I'm a huge Paul Newman fan. That movie is just pure gold. Maggie and Brick are the stuff that legends are made of. Lol. I think Hud, His Girl Friday, and Bringing Up Baby are beautifully scripted as well.

The most powerful weapon on Earth is the human soul on fire.--- Ferdinand Foch

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Henry: There is no sense asking if the air is good when there is nothing else to breathe.

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When did he say that????

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You think he ought to

give me back the Aquitaine?







Henry: I can't see why he shouldn't. After

all, I've promised him the throne.



Elinor: The boy keeps wondering

if your promises are any good.





Henry: There's no sense asking if the air's

good when there's nothing else to breathe.

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Eleanor: what would you have me do? Give out? Give up? Give in?

Henry: Give me a little peace!

Eleanor: A little? Why so modest? How about eternal peace? Now, there's a thought.





"Strength and Muscle and Jungle Work "

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Henry: Give me a little peace.
Eleanor: A little? Why so modest? How about eternal peace, now there's a thought.

Eleanor: Henry was 18 when we met and I was queen of France. He came down from the north with a mind like Aristotle and a form like mortal sin. We shattered the Commandments on the spot. I spent three months annulling Louie, then in May, in spring, not far from here we were married. Young Count Henry and his Countess. But in three years time I was his queen, and he was King of England. Done at 21, five years your junior, general.


Henry: I thought that would appeal to you, you always fancied traveling.
Eleanor: Yes, I even made poor Louie take me on crusade. How's that for blasphemy? I dressed my maids as amazons, and rode bare-breasted half way to Damascus. Louie had a seizure and I damn near died of wind burn. ...But the troops were dazzled.


Eleanor: I don't have to stop you, I have only to delay you. Every enemy you have has friends in Rome, we'll cost you time.
Henry: What is this? I'm not moldering, my paint's not peeling off, I'm good for years.
Eleanor: How many years? Suppose I hold you back for one, I can, it's possible. Suppose your first son dies, ours did, it's possible. Suppose you're daughtered next, we were, that too is possible. How old is daddy then? What kind of spindly, ricket-ridden, milky, wizened, dim-eyed, gamy-handed, limpy line of things will you beget..?!


Henry: Eleanor, what do you want?
Eleanor: Just what you want, a king for a son. You can make more, I can't. You think I want to disappear? One son is all I've got, and you can block him out and call me cruel? For these ten years you've lived with everything I've lost, and loved another woman through it all, and I am cruel?! I could peel you like a pear and God Himself would call it justice!


- -
Truth is a hard master, and costly to serve, but it simplifies every problem.

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This script was indeed a triumph from beginning to end!
And to add to the triumph, Hepburn and O'Toole to deliver the lines - now there's a treat!

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Eleanor: But those were battles, not a knife behind the door.
Richard: I never heard a corpse ask how it got so cold.


- -
Truth is a hard master, and costly to serve, but it simplifies every problem.

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Fully agreed. Stewart & Close just could not rise to the challenge at all. Result - fail!

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