It should have been a 5-way tie. All the nominees deserved the award. It was a great year for actresses.
And for just this once, I disagree with you, HaroldRobbins. The film Baby Jane was legitimized when it won five Oscar nominations. Bette Davis and her performance in Baby Jane were taken seriously by her peers because they nominated her for Best Actress.
Bette Davis post-Baby Jane didn't do too badly, but of course, her film credits pale when compared to what Hepburn did in the late 1960s. But between 1962 and 1967 -- a five year span-- Hepburn didn't work in films, which was her choice. No other actress their age did anything spectacular. Yet Bette Davis continued to work and what she did weren't bad at all. Hush, Hush Sweet Charlotte won seven Oscar nominations, the most for any thriller to that date.Her other credits were vastly superior to such Z-grade schlock like The Witches, Strait-Jacket, Die, Die, My Darling, Lady in a Cage, I Know What You Did, and Night Walker.
Davis was also considered for lead roles in projects like The Visit, Who's Afraid of Virginia Woolf and The Killing of Sister George. Prior to Baby Jane, she did A Pocketful of Miracles and was actually in the running for Suddenly, Last Summer. Hepburn got the latter film because the producer wanted an actress audiences could never suspect of being the true villain. (Sort of like Olivia de Havilland in Hush, Hush Sweet Charlotte.) As the famous producer said, "Bette has done it before. With Hepburn, you don't see it coming."
And Hepburn got Guess Who's Coming to Dinner? because the casting capitalized on the Tracy and Hepburn team. Its success paved the way for Hepburn's comeback. That's just too bad for the other actressess who were not part of a legendary team and were just known to carry a movie by themselves.
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