No way - period.


This was a steaming pile of _____ compared to "A Bridge Too Far" and "The Longest Day" - neither of which even made the list for the war genre. Who voted for this crap?

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If all you want to consider is the depiction of war action, then I would agree with you, at least as concerns The Longest Day. As a war movie, it is about one much ignored aspect of war which most of the soldiers of WW2 experienced - the tedium of war outside of the battle lines.

However, you miss what this movie is really about. It is about the personal courage, honor and integrity of a man (Henry Fonda) in the face of vindictive, tyranical and unreasonable hatred (James Cagney). It is about the making of a boy into a man (Jack Lemmon). It is about the bond men form under extremely adverse circumstances (the crew towards Mr Roberts). And it does it all with a wonderful sense of wit and humor.

This movie just happens to be in a wartime setting. It could have been just as effective in a coal mine or an office building. Watch it again - but don't think of it as a war movie.

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This is one of the best comedies and one of the best casts of all time. Jack Lemmon's Ensign Pulver is one of funniest screen debuts ever, and his Oscar was well deserved. Henry Fonda and Wiliam Powell are both terrific in their low key comedic roles. James Cagney is the ignorant and bully boss everyone has had to work for at one time or another and is funny too. I think the message in this movie is that some really great people die in war and some real scumbags will always survive. Pulver becomes a man and is ready to step up and take care of his men at the end of the film. One of the best movies ever!

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I've always been a big William Powell fan, so I decided to get "Mister Roberts" (his final film appearance) to add to my DVD library. One would think by all the self-stroking hype of this movie that it would be a wise choice.

I found it mildly entertaining, but sitting 2 hours in anticipation of something truly inspirational to happen wasn't inspired by academy award characteristics!

The familiar faces were fun, but with a movie that was too long in a boardroom plot that was too improbable, I was left feeling glad it was over, so I agree ... it's just another star-studded Lemmon. I only wish I could return it in trade for another title, but do yourself a favor, and buy "The Caine Mutiny" instead.

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Yes I was a little underwhelmed too. It's the first time I've seen it and having read so much about it, perhaps my expectations were a bit high. With the exception of James Cagney (somewhat over the top and appeared to have no redeeming features or reasons for his behaviour) I thought the other 3 leads were very good. Fonda was great; quietly dignified and firm in his convictions.

The crew though seemed to be the stereotypical bunch of knuckleheads we always seem to have served up in these sort of films...the template for McHale's Navy et al. The setting on the supply ship was great; it kind of made for a 50's version of Jarhead.

The film's stage origins revealed themselves too overtly in some of the cabin scenes which just seemed to go on interminably...the "scotch - making" for example, which we never see used with the women anyway. So what was the point? The several liberty episodes ...understandable since they hadn't had any for a year, but kind of predictable and repetitive.

Ultimately despite a good ending, I found the whole thing pretty uneven and I can't see myself racing back for a second viewing any time in the near future.

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Why would you compare it to those two films? They are battle films, this is about camaraderie, friendship, honour and having a good time. Personally I think the mix of farcical humour and serious drama fails, but its likeable at times. James Cagney is unwatchable.

"I don't believe in cinema. I only believe in the audience"

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MATRIX you obviously have no clue what you are talking about.

RE: Cagney's role of Captain Morton. All of the action either directly or indirectly revolves around him. The fact that he won't sign Doug Roberts' transfer request approved. The "deal" that Doug makes with him to get the crew some liberty. The reaction of the crew when they think that Doug has sold out to Morton when he stops being insubordinate to the Captain. The fact that Ens. Pulver does anything to avoid Morton and in the end after he finds out that Doug has been killed, in that instant he does what he had been bragging about for the whole movie to Doug, and Doug's telling him that when he stands up to the Captain that then and only then will Doug consider him an equal, and blasts his way into Morton's office and proclaims that it is him and that he "threw your stinking palm tree overboard, and what is this crud about no movie tonight!" Cagney's perfomance is one of his best of all time. Morton is a man that you have to hate, but that you have to also feel sorry for. Cagney bring these emotions out in a grand style!

Name one, just one actor of today that could play the role of Morton, go ahead, I need a good laugh!!!!!!

You notice that the admin deleted matrix's post.

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Well, DUH!! This was not supposed to be a gritty, tense, war/action/drama film. That's like comparing Porky's to Braveheart .. you can't!

If there were true peace on Earth, there would be no one alive to enjoy it.

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I agree with the first comment. This movie is way over-rated. The priniciples are all good especially Powell but all the navy guys are way over the top hamming it up like a broadway musical chorus. Also it's incredibly stage bound. When the crew is ripping the town apart we only see Fonda sitting on the dock waiting for his leave. Later during the Lemmon firecracker in the laundry scene we see soap suds emerge from the laundry and Lemmon enter the cabin covered in them . The direction is like something out of Three's Company ( I read John Ford quit the project early on). Also what happened with the nurse and the fake scotch? Never mind the comparisons to serious war films this movie can't hold a candle to either Operation Petticoat or Father Goose both war-time comedies .

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Well, for one thing, this movie is not trying to be Operation Petticoat or Father Goose (both of which, I loved). It is its own movie. You could also argue that The Hollywood Knights was no American Graffiti or that Star Wars was no 2001 A Space Oddesy. They're not trying to be. Mister Roberts is what it is: a funny movie that can also have seriousness and depth. And, by the way, John Ford quit the movie because of health problems, not because he didn't like the film.

For it is the doom of men, that they forget.

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Both Operation Petticoat and Father Goose are two of my favorite movies of all time (see my review on this site of the former), but the fact is that neither of them can hold a candle to THIS one! All I can say is that it is regrettable that it seems there are just some folks that don't seem to have had the . . . life experience (?) to appreciate that. This movie is a much deeper comedy, embodying a lesson in real-life relationships and the concept of leadership.

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Obviously you were expecting a nice shoot em up, so I can understand your dissapointment. Just as obviously it is "A Bridge Too Far" that comes closer to your definition of a "steaming pile" and "The Longest Day" could be re-titled "The Longest".

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A Bridge Too Far and Longest Day, are interminably boring.

I'd pick Great Escape, They Were Expendable, etc. over them ANY day.

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Evidently neither Henry Fonda - who spent the war in real life as a signalman on a Destroyer Escort and then as an officer on a submarine tender (a support ship not entirely unlike the one in the movie) - nor Rear Admiral John Ford, USNR (retired) agreed with you. Jack Lemmon was also a real-life Navy ensign, so it seems he did not think so either.

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It was 1955. Americans had been through two wars with only a short breather between them. Most adults had been personally touched by one or both of them. They didn't want to see graphic violence-they lived it. Don't forget this flick was a film version of a very successful Broadway show. I love this movie and Ensign Pulmer as well. Way better than the sequel after sequel/remake of the second sequel, special effect loaded nonsense they make these days. These young un's wouldn't understand. We have blue aliens and remakes of (bad) '80's TV shows leading ticket sales at the box office. Nuff said!

Remember Rabbit Ears with tin foil?

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