Marian and Shane?


Does anyone else here think that the unspoken and uncomnsumated sensuality/lust/love between Marian and Shane is simply one of the most sexy elements to hit the screen? I mean in a creative, subtle way like the old directors had -- which they had to develope to get around "The Code."

Not that I'm in favor of reinstituting the code, mind you. I'm not. But when the code was gone, I think directors lost some of that subtlety, that creativity. Nowdays, bare bodies doing the nasty in full light is about as subtle as it gets.

I think it was Alfred Hitchcock, but I could be wrong, who said something like, "The sexiest scene sometimes is a closed bedroom door."

If Shane were remade today, Hollywood would probably have Joey walk in on Marian and Shane in action in the barn. Or worse, he'd walk in on Joe and Shane...

I love this movie and I hope it never gets remade.

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I've only read the book. And I too have always thought Marian and Shane had something going on. I thought that made the story even better.

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In the 1987 TV film of 'The Quick and the Dead', which has a theme quite similar to that of 'Shane' - "A mysterious stranger rides into a homesteading family's life when they are attacked by a ruthless gang", the sexual chemistry between the tough gunfighter (Sam Elliott) and the demure homesteader's wife (Kate Capshaw) is made more plain, perhaps because of the change in movie style between '53 and '87.

When the cowboy, on his horse, surprises the wife bathing in a pool, long intense meaningful looks pass between them, speaking volumes in a few moments without any dialogue.

I imagine that the same was implied in 'Shane' in its day: they felt a strong mutual attraction, but their consciences won the day, just as right defeated wrong in the main plot.

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I am haunted by this movie and I think that there is something that is there that has not been told.

I am sure that you would think that I have an over-active imagination but there were a lot of things that made me think.

A the first scene of the movie, Marian is in the house and makes direct eye contact with Shane. Now someone that is steeped in movie romance better than I might say that it was a gaze of a woman that she finds overwhelming attractive and is overcome by him. I didn't see it that way. I had a strong feeling that she recognized him and knew who he was, even if he wasn't quite sure if he recognized her.

Then you had the scene where it was very conspicuous about pointing out when Joe and Marian had gotten married. The same day you had Marian and Shane dancing together (even though there was nothing suggestive in the scene)

Then there was the scene were Marian told Shane that she wanted no guns in the valley, including his, she said it with a such a familiar tone that seem to imply that she knew more about the past of a man that barely talks and sleeps in the barn by himself than what she was willing to let on to her husband.

Wasn't it she that insisted that he stay for supper the first night?


Here is my theory. Mind you this is only a theory and I have no facts to back it up, only the feeling that the movie.

Marian and Shane had been involved many years before and were probably engaged. However he got involved in a gunfight, maybe over her, and out of shame ran away. However she was pregnant when he left. She meets Joe and they get married and she gives birth to Shane's son but he is named after her husband and only she (and maybe Shane knows the truth)

Of course it looks like Joey is too young to her to have been pregnant when she was married ten years earlier but that may have been an oversight in editing or casting.

Humor me for one minute and think about how the movie would be much richer and brighter if Joey were actually Shane's son.


The scene were Joey tells his mom that he loves Shane almost as much as his father, would be infinitely stronger if the fact were that Shane really IS his father.

The scene at the end of the movie where he is noncommittal when Marian asks if she will see him again. That could imply she has seen him leave before and never expected to see him again only to have him reappear ten years later in a different state (probably)

His "father" never has time so Shane (his real father?) tries to teach to shoot.

The comment that Ryker makes about Starett's "pretty wife" that set Shane off.

Can you imagine how much more meaning there would be in the last scene when Joey yells "Shane Come Back", if in fact it was his father that he was trying to call back and he does even know it?


Even though he knows that he had left her before and lost his chance forever to be her loving husband, you have Shane sleeping in the barn working to take care of the woman that he loved and his son even when she is married to another man. And it ads to his lonliness and his devotion to the Starett's (even his delay in leaving the first day when he had already opened the gate).


Look, I am not trying to re-write the movie in any way. All that I am saying that there were a lot of words, lines and scenes that seemed rather gratuitous for the storyline by and large and the inclusion of these scenes left me with a strange, that just seem to imply that Shane is Joey's real father.


Think about it

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OK...maybe you have a point and perhaps what you read into it can be perceived as an interesting twist on this classic western.

Therefore, Hollywood should roll out a new 2007 Shane with Shane being played by Bruce Willis and Marian by I suppose Angelina Jolie. As soon as Shane gets off his horse in the first few minutes of the film he can have his way with Marian much to the displeasue of Joe (Kevin Costner). A few more gratuitous sex scenes should be thrown in for good measure even including Joey exploring his manhood with one of the younger girls in the movie. Shane can then ride into Graftons sans his gun (let's use dynamite) and blow it up using some of the best special effects money can buy. Joe Pesci should play the Wilson part. Spielberg should direct.

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Agreed. Especially with Spielberg directing. Excessive violence, gore and vulgarity are some of Spielberg's signatures.

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And the aliens! Where are the aliens?!




"Leave the gun, take the cannoli"

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one major problem with that theory -- it reduces dad Joe Starrett to an unnecessaty cipher, and he is so much more than that.

"Howdy, Bub"

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I distinctly remember that in the book,which I read many years ago,Joe Starret asks Marian whether or not she knew Shane before.If my memory serves me well she acknowledges.A bit before she asks her husband where Shane is coming from,Joe guesses somewhere from the South.
So I absolutely agree with you they met before her marriage to Starret.
Superb movie.

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I don't buy krp-7's fatherhood theory and love triangle, but I got the strong feeling that Marian and Shane knew each other, too. She also made a couple references to him "giving up" or "quitting" gunslinging, but he never said he was a gunslinger, much less said he was giving it up. That also leads me to believe that Marian knew him previously.

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Basically it has been remade - as Pale Rider

When you call me that, smile!

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Precisely! Some insignificant differences in "Pale Rider" but Clint borrowed heavily from "Shane". I must read the book - Shane has been my favourite movie since I saw it in the theatre in the mid-1950s. Sometimes I don't want to read the spoilers about how tall Ladd was or someone else twirled the gun. The feel of this movie never leaves me. The characterizations are perfect. Sorry to see all the major actors have passed on... but I'm going to read the book now!

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I guess I just don't understand what's so attractive about a borderline-unfaithful wife who has a husband prepared to die defending her. What's so wholesome about that?

Do people love this movie because of its juicy subtext? Because it's fun wondering 'what if'? Because it flirted with cinematic danger?

I think Marion's character taints an otherwise straightforward story. Interesting, sure, but unnecessary.



Last seen:
The Mortal Storm - 9/10

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The attraction between Shane and Marion isn't wholesome -- but Shane's leaving because of that attraction and their never acting on their attraction is certainly wholesome. I think this whole subplot adds to the story, rather than tainting it.

Shane, the hero, is very human. He succumbs to his old bloodthirsty ways, although he does it to save the homesteaders. He does rise above lustfulness, however, and leaves before he might end up wrecking a marriage and family.

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I could tell watching the movie that Marian had feelings for Shane. I'm not sure how exactly she felt though. But Marian and Joey were quite taken in by Shane.

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I think one of the more salient points is that Joe seemed almost willing to give up his wife to Shane. It was certain that if he had gone into town that he would have been ambushed and killed. There is no way that I would risk certain death knowing that another man was staying in my house with his eye on my wife. And worse yet, she was eyeing him, too! Besides, Joe still has a son to raise.

It would have make much more sense for Joe and Shane to go into town alone or with several of the other townsmen to face Ryker and his bunch since there were only about 4 or five of them. There was no law to speak of and Ryker was burning homes, trampling farms and killing objectors. Killing Ryker is therefore a simple act of self defense that the men of the town should have carried out together.

Putting one man against many made for exciting action, but how practical is that and how reflective is it of actual old west? Shane is a good movie and some call it a great movie but I think it raises more questions in the mind of the viewer than it is prepared to answer.

As a man thinketh in his heart, so is he. - Proverbs 23:7

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Caper, you wrote "I think one of the more salient points is that Joe seemed almost willing to give up his wife to Shane. It was certain that if he had gone into town that he would have been ambushed and killed. There is no way that I would risk certain death knowing that another man was staying in my house with his eye on my wife. And worse yet, she was eyeing him, too!"

In the novel, the whole reason he IS willing to ride into town and face certain death is because he knew that there was another man staying in his house with 'his eye' on his wife.

"Things could be worse. It helps a man to know that if anything happens to him, his family will be in better hands than his own." - Joe Starrett

I believe that Joe had such a bond with Shane, one based on trust and honor between men, that he had faith that Shane would have never under any circumstances done wrong by the Starrett family. And he knew that Shane had a soft spot for Mrs. Starrett... and she for him. Not unlike Arthur being aware of Guiniviere's (sp!) love for Lancelot, if you will. He was willing to face death because honor protected his family, embodied in Shane and in their relationship.

I bet Wilma is a swell girl.

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corsi, I understand the point that you made and it is true that Joe had a strong friendship bond with Shane. However, as a man, I can attest that the idea of trust and honor between men is a very tenuous construct where women and money are concerned.

I can only speak for myself but I like what the good book says in 1Cor. 7:2; "..let each man have his own wife, and let each woman have her own husband." I can't imagine ever having that kind of faith in another man that I would trust him with my wife, my child and my house. If he is honorable, he will want to get his own rather than covet mine. I don't think there are any hands better than mine to take care of my household. If that sounds arrogant to you, then you probably haven't lived long enough. Life is a good teacher.

The reality of the situation is that Shane had everything to gain and little or nothing to lose while Joe had everything to lose and nothing to gain. Joe's wife understood that better than anybody. I think that Joe's naivete got the best of him in this film and his heroism was misplaced. Shane also understood this point because he fought Joe to stop him from sacrificing himself and leaving his family to carry on without him.

The fact that we are able to discuss these characters on this level is a testament to the quality of this screenplay.


As a man thinketh in his heart, so is he. - Proverbs 23:7

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Caper, you don't sound arrogent, but you do sound rather sanctimonious. And to suggest out of hand that if I don't conform to your viewpoint that I am immature suggests quite a bit more about your maturity than my own.

If I need to point out to you that the characters are archtypes, then we need not continue this chat. Likewise, I do not need you to point out to me that real life blood & bone humans are rarely as honorable or noble (or as evil or wretched or any other of a million attributes) as they are portrayed in a movie or book. The whole point of the novel was these larger than life embodiments as seen through the eyes of a ten year old boy. Read the book if you haven't; it is wonderful. Shane and Joe talk both to Bob and Marion about setting good examples, being honorable, and the nature of being a man.

As to Joe's heroism being misplaced, I think that is a sadly cynical viewpoint. Joe was doing exactly as a man should do, in the grand philosophical sense. It is the whole thrust of the story, on one level: the clash between opposing ideals. The old vs. the new. The farmers and settlers vs. the cowboys and ranchers. Fences vs. the Open Range. Joe's pragmatism vs. his sense of duty. And yes, for Marion, the classic tall dark stranger (as Shane is portrayed in the novel) vs. the plain-talking honest upright Working Man.

I do not see Joe being willing to face what he sees as a man's responsibility to be naive. Or if it is, it is in not fully accepting that most other men would not hold themselves to the standard of manhood that he does, and perhaps once all men did. (Remember, in the barfight, his rage was not in that Shane was attacked, but that the odds weren't fair.) But even if Joe knew full well that these were cowardly men, he had a responsibility to his son to behave in a brave manly honorable fashion. It was more important, he believed, to be that honorable man and die for it than it was to 'live to tell the tale'. That he knew Shane was there to continue on after him was a comfort to him. This was not a man throwing his life away and casting his family into the arms of a repentant gunslinger. This was a man willing to to what he believed was Right with a capital R, and dying in the wake of it was a price he was willing to pay. Whether this is wise or acceptable is not for you to say; it is his moral compass to follow and not yours.

As for Shane stepping in, I do not at all see it as his "understanding" that Joe's "heroism was misplaced", as you put it. Shane knew that these were dishonest evil men who would win at any cost, and he knew he was more able to face them than Joe. He also felt that Joe was more deserving of life than he was. Try to imagine how Shane longed, not to take Joe's place and raise Joe's family, but to have made the choices Joe made and live an honest life like Joe had. It was this desire that led him to Marion, not just simple wanting to nail the frontier chick. He was honoring Joe's heroism, and ready to face the ugly side of a killing to keep his friend (and his hero) alive. Yes, hero. It will help to look at Joe as Shane's hero as much as Shane was Bob's.

It will also help perhaps to view the story as a classic morality play for a new nation. Try not to put your own disparaging view of humanity onto archtypes of the New World. No, in real life you might not want to put your family into the hands of an Arkansas gambler and gunfighter who you met some few weeks before. But try to remember that this is a story, and the moral of the story is that the choices we make follow us forever, that men do what is right because they are men, that good triumphs over evil, and that nobility and sacrifice exist, even on the borders of a new nation.

Is that naive, caper? Sure. Is it silly and treacle? Indeed. And as a man and a father, I embrace it. This story is more powerful to me now than it was when I read it the first time some twenty five years ago. It is sad that your scripture quoting and sermon-esque tones have not led you to accept a morality play such as this, as familiar with them as I would assume you'd be. Your need to cast the characters in a negative light is rather unfortunate. Have a little faith in your fantasy heroes.

And remember, it's just a fairy tale.

I bet Wilma is a swell girl.

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Corsi, you have done a fine job of capturing the nuances of this story line and I don't disagree with much of your synopsis. I think our disagreement is mainly esoteric. Perhaps I internalized Joe's predicament more than most readers or viewers and perhaps I take myself too seriously at times; I'll grant you that. Every man has his faults and maybe that's one of mine. However, I am not sanctimonious nor do I wish to be. I merely quoted a bit of scripture to make a point but not to preach. If I can quote Shakespeare without being called haughty or Jefferson without being called a polemic, I should be able to quote scripture without fear of being called sanctimonious.

You saw the story as being told from the boy's viewpoint while I saw it as being told mainly from Joe's viewpoint. As I mentioned before, the plot is a fine and enduring one and I enjoyed it immensely. One of the signs of a fine plot is that there can be many interpretations. Yes, I have read the book and I think as in most cases, the book is better than the movie.

With due respect to your diatribe, my cynicism as alleged by you, and the glory of the archetypical frontiersman, I still think that (1) Joe made a conscious decision to put his pride ahead of his family and (2) Shane is basically an honorable man but also an opportunist whose better nature prevailed in the final analysis. Both of these situations are plausible in the context of American frontier life but less so today in my judgment. People must adapt to the situation at hand.

Rest assured that no offense is taken and none is offered; wherefore I leave you the final word.

Respectfully,

CaperGuy

As a man thinketh in his heart, so is he. - Proverbs 23:7

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Caper, my impression of the story being told from the son's perspective comes from my having read the book before having seen the movie. I must admit that I am much more familiar with the written work. There were a few things about the movie that I felt didn't serve the story or do the source material justice.

I find it interseting that you observed that Joe put his pride before his family. In my opinion, he put his pride before his life, and that in doing so was putting his family first. He was setting the proper example. I think it was Joe being pragmatic, in that he knew that he had the 'swinging room' to live up to such a high ideal because he had someone like Shane to see his family through once he was dead. And that is exactly what he treated himself as: a dead man. I could quote chapter & verse from the Hagakure on being as though one were already dead before a battle, but I digress. I think Joe was thankful that Shane offered him the chance to do the honorable noble thing without the pragmatic fear of abandoning his family. For what will it profit a man if he gains the whole world and forfeits his soul?{M16:26} Forgive me for my seeming hypocracy, and for what I feel fairly certain is a quote taken out of context. What would it have proffitted Joe if he kept his mortal life but lost his honor? He couldn't face the loss of honor and was saved from losing either that or his life only by Shane's forcing his hand to stand down. Really, the more I think on it, Shane is a Bushido epic. Perhaps it deserves the "Seven Samurai to Magnificent Seven" treatment in reverse. Hmmm....

As for Shane being opportunistic, I just don't see it that way. He was far too noble. Letting go with both hands to what he saw as the only possible road to redemption for the sake of a friend is a soul-shattering affirmation. Both men saw the other as both his equal and his better. I am still in awe of the act, fictional though it may be, and its implications.

As for our exchange, no offense was ever suggested or detected. I enjoy a challenging debate, and I appreciate the respect that came with it. I am glad you feel it was returned, as I never meant otherwise. Did not Thomas Jefferson opine that "Errors of opinion may be tolerated where reason is left free to combat it."?

As for the final word, it is farewell. The rest... is silence.

(Sorry, I couldn't help myself!)

I bet Wilma is a swell girl.

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one thing that strikes me about this little bit of discourse are what seems in my interpretation to be 2 perspectives on Joes pride. It seems theres a modernist context eg "take a pride in your work", where in this context Joe seems best to uphold whats supposedly brave and admirable etc and go fight these guys.

Personally I'm more with capers view which is perhaps unfashionably traditional (pride is a sin sort of context) but truly less individualist. Look at Joe if he had no pride - perhaps he would say ok chaps, lets ride in together and uphold our rights. Instead he seems to think his own reputation is whats most important, not the welfare of his family and neighbours.

perhaps joe would "gain the world and lose his soul" more so if he had ridden out to fight those guys - in the worlds eyes he would be a "hero" (of a martyred kind). But as far as family devotion and neighbourly pragmatic interests his soul would have abandoned.

As for Shane he is then true hero in this perspective - as I believe was intended in this 1950's (more traditional era) classic. The real underlying difference to me is a pride difference.

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Your comment is the only one based on the facts the book and movie portray. The rest are fantasizing and rewriting the story in their mines, so used to unfaithful distrustful people. No doubt while watching the film, they were fantasizing being left with Mrs. Starret, and jumping her bones as soon as Joe got out the gate! Some people can't just enjoy a movie as it is, for what it is. The modern day explicit movies have dulled their senses, and have them expecting only bad, or what used to be considered bad.

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Of course there was something there. A blonde, good looking man, dressed in buckskin with a low, calm voice and a history of being a "bad boy" riding into a woman's life...how irresistable is that? It's practically every woman's fantasy. There were a number of give aways. First was at the dinner table when Joe asked her what was wrong...and she said "nothing." There were a few other telling scenes. But the clincher was when she told little Joe not to become too fond of Shane. When Joey asked why, Marian's face became disturbed and said "He'll be moving on someday Joey...you'll be upset." Clearly she was referring to herself.



"I like Joe Starrett too. But I'll kill him if I have to." "You mean I'll kill him if you have to."

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Of course there was something there. A blonde, good looking man, dressed in buckskin with a low, calm voice and a history of being a "bad boy" riding into a woman's life...how irresistable is that? It's practically every woman's fantasy.
Shane and Marian's goodbye "handshake" at the end was fraught with sexual tension and desire. I love it when film can express deep love, desire, lust, sexual desire, what have you, without actually showing it or spelling it out.

Interesting. You're afraid of insects and women. Ladybugs must render you catatonic.

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The attraction between Shane and Marian is electric but never comsummated in either the book or the movie. While their attraction is played down in the movie, it does not go unnoticed. In a scene where Joe is getting ready to go to town to face Wilson et al, he tells Marian that he is not worried about her if anything happens to him, because he knows she will be well taken care of. While he never mentions Shane by name you don't have to be a genius to realize that, because of their attraction that he believes Shane will take good care of her and Joey. Heartbreaking stuff. You are right. If there is a remake they will probably have Shane *beep* Marian rather than have them develop a relationship and make love to each other. As for Joey, some people have left blogs that they think Shane and Joey should be in an homosexual pedophilic relationship. There are many sickos out there. Alas, romance has gone out of the movies and been replaced by peurile displays of sex. By the way, Hitchcock was right about love making on the screen, it's not what you see, it's what is implied - what you don't see.

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Imcvo - you are so right. The sexual tension between Shane and Marion is almost as thick as Joe's head. There are so many elements here. Look - this woman is stuck in the middle of nowhere, neighbors miles and miles away, just working her ass off for her husband and child, and a drop dead gorgeous hunk of man with a mysterious past that hints of his being a gunslinger shows up out of the blue. How could she NOT be attracted to him?? As for Shane, he is observing the life he has given up - a real home with a wife and child. The fact that Marion will never betray her husband and Shane could never really live the settled life of a farmer gives the movie its achingly bittersweet tone. I'm with you, this is one movie that should never be remade.

"Only the suppressed word is dangerous" -
Ludwig Börne

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The point is that EVERYONE was attracted to Shane, each in his or her own way.

Shane represented the freedom that the family and community gave up in living within the boundaries of the civilization. Shane is a symbolic figure, desired by all, but beyond reach.

I feel that one must see Marian's relationship with him, and desires for him, within that context.

"The world is not my home, I'm just a-passin' through"

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You got it.

In both the movie and the novel, big Joe sees Shane as the best friend he'll ever have. And Shane sees Joe as the friend he never had.

When Shane is getting beat up in the bar, Joe goes right in saying simply "Shane's in there". Together, back to back, they take on the cowboys. Notice that none of the farmers, who have known Starret for years, give Starret and Shane a hand.

Shane cannot betray Joe, even for Marian. Joe can live with the fact that if he died, Shane would be able to better care for Marian in every way.

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