MovieChat Forums > The Quiet Man (1952) Discussion > A Strong Word Against This Film

A Strong Word Against This Film


Okay. First of all ... should you see this film? Is it entertaining?

Yeah. Its quality is there, and others here will tell you it is a film with lots of marital comedy and clever jokes and a good story. Classic Hollywood.

Now that that is out of the way ...

A short story -- this movie was based on a short story. I was made to read the short story while in school.

[Warning: spoilers for short story] A man returns to rural Ireland after having spent a decade or so in America. He buys a place, falls in love with a girl and marries her, but makes an enemy of her brother, a jerk who acts like a bully, and who not only refuses to pay all her dowry, but hounds the guy and shames him in front of the people of the town. The guy's response ... is not to physically fight back. He's had enough of fighting, is a kind of pacifist, and prefers to just ignore the insults. Naturally, everyone in town (including his new bride) suspects he is a coward. After all, the bullying brother is a much bigger man. But, eventually, the guy DOES have to fight, and he surprises everyone by skillfully, professionally, and quickly beating the brother unconscious. Only then does the reader find out that this returning Irishman had been a professional prizefighter in America, under the name of "Tiger Kelvin". He had never been afraid of this bully, knowing all the time that he could clean up the floor with him, but really and truly had become a gentle peace-loving "Quiet Man" because he really was tired of fighting.

This story ... it helped shape me. I saw that real men were not so because they could beat people up. Real "strength" would result in gentleness, not bluster. And a good fighter might be so out of skill, even if he was not the biggest man in the room.

Okay? Now ....

A movie -- this short story became a movie.

[Warning: movie spoilers] A big man, Sean, returns to rural Ireland, buys a place, falls in love and marries, but her brother is a bully and hates him and refuses to pay the dowry. Sean prefers to let it all roll off his back, having gotten the girl he wanted, but the girl, the bully, and the rest of the town, sees it differently. Pretty soon in the movie, we find out why he feels this way -- he killed a man, accidentally, while fighting in the ring in America, and he gave up his career and came home to put all that behind him. In the end, he finds that he DOES have to fight the bullying brother, just because that's the Irish way. So he does so -- it's an even match, since they're both big guys, and with the town cheering, and with enough alcohol, the fight is a fun and comic way to spend a big chunk of the movie. Even the clergy and the bishop think this all is great. And, guess what, the brother and Sean start to like each other, and Sean's wife loves them both dearly, now that they've been fighting. After the fight is over, well, all the bad blood is gone and everyone is friends! The brother actually is not a bully, and now he's going to marry the woman that didn't like him before!

Okay? Or not okay?

I remember lots of movies in which the "hero" solves all the problems with his fists. And it helped that the hero was a big guy with powerful right jabs and left hooks. And it turned out that enemies would always feel friendly about each other after they'd fought it out.

After all, that's the way it is in real life? Right? Hey. Right? . . . Look, not 'right'. When I was growing up, fights were only sometimes like that. The biggest kid in the area would rule, simply because he could beat any kids around. He did not turn noble, he did not become everyone's friend simply because he had nothing to fear from anyone. Instead, he would be the town jerk.

Score one for the original short story. While the movie is entertaining, it's a bad object lesson for youngsters in that respect.

The original short story said "Fighting should be avoided, although it is sometimes necessary." The movie said "Fighting is a fun and quick way to make friends out of your enemies." The first saying makes sense, now that I've lived a good chunk of my life. The second saying is idiotic.

Score another one for the original short story.

I liked the short story; the hero returned to Ireland because that's where he wanted to be, and kept his prizefighting to himself because he didn't need to talk about it. In this movie, he changed careers and countries because he could not face what he had done, running from a past he wanted to forget. (And it is strange that, after giving up fighting because of his fear that he hadn't known his own strength and might kill someone else, he quickly decided to fight again and enjoyed going all-out with his brother-in-law. Did he think his killing days were over, or did he no longer care if he killed again?)

There's more I could say, but it all boils down to Hollywood, having to beef a short story into movie length AND produce a happy ending for all involved, actually turning a good story's premise upside down and backwards.

So, "Fighting good!" according to this movie, and "Giant", and "Fight Club". But not according to the original "The Quiet Man".

My advice: Enjoy the film, but keep the above in mind. Let your kids see it, but make sure they understand that a film is a film.

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An old joke says, "It takes three to enjoy a good joke: one to tell it, one to laugh out loud, and one to go, 'Whaaah?'" Personally I think it takes a fourth, as a really good joke needs someone to walk out.

The Irish have an expression, "Catch yourself on!" Basically this means that since something so absurdly contradictory as Life deserves to be laughed at, people need not to take it so seriously. We need to reign-in our indignance.

For a start, The Quiet Man is a product of its age, as well as of the age intrinsic to the period in which the film is set. (I've always taken that setting, btw, to be circa the 1930's. Comments?) Curiously and for the past forty years, people have been saying that modern Ireland is no longer like that. Outwardly, perhaps and to a degree, they're right; and yet, just below the surface the Irish remain more like the characters in The Quiet Man than perhaps they might care to admit. I know. I've lived in Ireland for more than those forty years. It‘s that very ability of the Irish, however, to take, such as is the style of The Quiet Man, all aspects of life just that tad askew, which continues to make them and their culture so widely enjoyable. They're certainly not dull; nor would they ever wish to be.)

Like Tomtac, I'm no advocate, either, of the typical gratuitous violence generally foisted upon the public by the film industry. I think that churning out gratuitous blood and gore is one of the most appallingly immoral ways to make a buck. I do, however, accept that violence has its place—in humour, as in history. However whimsical a look one may take at how life was in rural Ireland in and around the 1930's—to include in that image also something of how those who lived there and then felt about that—The Quiet Man is in just that way a type of historical document. Historically, people everywhere—for sure, the Irish—were just like that.

Or perhaps you, Tomtac, (Let me guess; you're not Irish. Right?), would re-write history to suit your uber-Liberal-PC agenda? It was people like you who, because they were so certain they "knew better" than the great Renassaince artists later considered it their right and so, who painted ludicrous linen underpants over all the "embarrassing bits." (When the man the world knows as Christ was crucified, he was crucified naked!) By your definition of what is an acceptable level of violence, would you forbid the showing of films about the World Wars, or films about ancient Rome? Putting aside its gratuitous desecration of and in its own case, history, what about Paramount’s The Ten Commandments? Now there's violence for you. Would you shackle it? If you teach your kids that the people of past ages were saintly powder puffs you’ll do your kids far more harm than good. Instead, give your kids some credit for the intelligence to discern humour from actual violence. They can, you know; just as long as and as you say, you explain to them the difference.
Violence? If a parent is not there to regulate things, even chocolate is unhealthy. Would you bad-mouth chocolate?

The Quiet Man: a classically funny film, in a style all its own—and which, I suspect, spawned many a TV family sitcom, such as (another of my great favourites) Everybody Loves Raymond. I’ve watched TQM twenty times, and, if I live long enough will likely see it another twenty.

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Don't read too much into the fight. This movie, while entertaining, is a catalogue of cliches about Ireland and Irish people. One such stereotype - Irish men love to fight. They do it for fun, not because they really want to hurt each other. It's just the way they are. Old movies featured plenty of drunken Irishmen beating the crap out of each other one minute, then singing "Danny Boy" and weeping on each other' shoulders the next. "She Wore a Yellow Ribbon" includes a canteen brawl performed by half the cast of "The Quiet Man."

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Just about everyone in this film and involved in it were Irish or of Irish descent. This was Fords labor of love, far from being a cliche or stereotype, it shows and tells a story of Ireland and the Irish of the time. It compresses time and events and highlights the realities of the time, and to a larger extent it is an idealized version of Ireland, showing it's breathtaking beauty and it's culture without the abject poverty of country life that drove it's people to emigrate in droves.

The fight was tame and done for comedic value, the OP in this thread and some of the namby pamby PC replies are just laughable if it weren't so sad that some can't see the message of the film, or the REASONS Ford scupted the scenes the way he did. There is absolutely no gratuitous violence in the film, it all serves a purpose and tells the story. It's extremely tame compared to what's seen on the big and small screen these days, those seeing it through PC glasses will never see past their prejudices when it comes to films like this.


Happiness is a belt-fed weapon.

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I can now throw in my 2cents.......or two Euros. I just returned from Ireland a couple of days ago and now, of course, I'm an expert...LOL.....The worst part of my trip was the last day, when I had to leave! The best, and everything was the best, was our trip to Cong and having a "Quiet Man" tour. It was included in our overall tour. If it weren't, it wouldn't be all that expensive, as someone above, remarked.
As much as we have watched this movie, over the years, and loved it, it is now just a little more special having seen some of the same places as are in the movie.
It was a movie of its time, with the basis being the "Taming of the Shrew." Someone above remarked about the violence against women.....jeez....give me a break!
Today's video games, rap music, reality TV is disgusting and obscene. The Quiet Man is a love story and a comedy. As our QM guide told us, it brought tourism to Ireland and am I glad.
I'm not Irish, but the Irish people make you feel at home, are friendly and helpful. There is not a bar on every corner, there are several on every street and yes, there is alot of beer and whiskey consumed (by the tourists as well as the locals) but we didn't see any drunks on the streets or in the pubs....just lots of happy people.
The Irish will say with ten words, what the rest of us might say with one word. They love to sing and tell stories.
OK, is this everyone?? Of course not, but enough to make us feel at home in a foreign country.
I want to return.......everyone on my tour felt the same way!

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Some people get WAY too politically correct about a film made in the early Fifties and set around the 1920s (half the characters are in the IRA), and was meant for entertainment only. The following REALLY don't quite pass the smell test for today's standards: M*A*S*H (TV version: sanctimonious liberal doctor undermines the war effort against a brutal Communist invasion to the point where in the real world some of his "let's stick it to the War Machine" efforts could conceivably get him shot for treason), MISSING IN ACTION (know it all complete dick antagonizes murderous Communist totalitarians to the point where he almost doesn't get the opportunity to prove the existence of M.I.As in Vietnam because his stupidity has resulted in numerous attempts on his life), DANCES WITH WOLVES (A Union officer hangs out with the Lakota Sioux, which is damned funny because said Lakota had no reason to love bluecoats even in the Civil War period), THE LAST EMPEROR (it can be read two ways, as a hapless man swept along on the tides of history, or useless Imperialist parasite turned into a useful gardener by enlightened, pre Cultural Revolution Chinese Communism), JFK (The CIA, Cubans, the Pentagon, and a cast of thousands kill Kennedy and set up Lee Harvey Oswald as a patsy, and crusading D.A Jim Garrison doesn't quite prove it). RAMBO: FIRST BLOOD PART TWO (borderline psycho is sent to take pictures of a camp holding M.I.As, exceeds his orders, finds he's set up to fail in the first place, escapes, goes ape when his galpal is murdered, rescues the M.I.As after waging a one man war). All of these have political agendas, whether liberal or conservative, and at least two really are well meaning, but they're either dull and dated or mindless action films.

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When I was a kid The Jungle Book was my favorite book. I wanted so bad to escape my life and be like Mowgli living with the wolves, like you, the book made a huge impact in my life and I LOVED it. So, when my Grandfather took me to see the Disney Movie ...I hated it. I mean HATED it. It took the dignity the seriousness of the book and made it what I thought was a joke. If a book makes a BIG impact on your life, you are quite likely not going to enjoy the movie.

That doesn't mean the movie is bad, or even wrong in its interpretation. Millions of people have enjoyed both movies. I didn't take from The Quiet Man the lesson you saw, that fighting makes friends of your enemies - fighting good. But I DO understand the way you feel.

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Tomtac....your assertion that this is some sort of ultra-violent no lesson learned movie is ridiculous. Yes...one SHOULD have conversations with the laddies and lassies...when viewing ANY film. From my little pony to fight club. One of the things you explain to...CHILDREN (like yourself?) is that not only is this a period piece, but it's how some people act in real life. Not everything is roses and rainbows.

Also another thing you EXPLAIN to CHILDREN, is that almost ALWAYS, the films are not like the books or short stories. If you want the book, read the book. Shouldn't have to explain that to an adult.

John Wayne definitely had rough and tough characters, but it was almost always within the context of the character and the story- not violence for the sake of shocking violence. There may come a time you do have to fight. People say war never solved anything...but when we dropped the bombs on Nuremberg and Nagasaki...the Bllsht stopped- and...isn't it odd we became great allies to those two countries? Not like now... many years of war- with hundreds of thousands of dead and maimed and no peace in sight.

tomtac, I will explain to you like I would a child...a movie like this is what human do, have done and likely always will do. It doesn't make it right, it doesn't make it something to aspire to. It's a story of humans. You don't have to like all the characters or agree with their sensibilities- and that is one of the greatest lessons you could give a child. Or adult.

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Sean Thornton was a character of a different time and place. He was far more considerate and understanding than his contemporaries.

Kids today see far worse on the screen and especially in videos.

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That is an interesting point and some good discussion.

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Stop being so PC. This is one of my favorite movies. It has some of the most romantic scenes. This is one of my favorites.

https://www.youtube.com/watch?v=jreYChl7k10

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My question to the OP would be, "Have you ever been in a fight?"

The reason I ask is that the post reads like the comments of a bystander, or worse a victim.

If that is true then I think it is difficult to understand the adrenalin rush and the subsequent euphoria that it can produce or afterwards the sense of clarity that replaces the fear.

I'm not saying it's the go-to way to make friends, but what is at the core of conflict resolution? Confronting an individual with one's anger. Now a therapist wants one to use one's words, but a good dust-up gets to the same end- just taking a different route.


In the case of this film, Sean's problem is that he is traumatized by the results of one of his prize-fighting bouts. But what happened was an unfortunate accident. His reaction to it was pathological but by the end of the film he comes out of his funk.

Boxing does not equal killing. And I think in that respect the film is an improvement over the short story, because the story takes itself a bit too seriously.

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I remember reading the short story in High School many years ago--I am now 70. I never saw the movie, this was my first viewing. And I found a slightly discordant note between what I remember the story from way back when and what was depicted in the film I plan on re-reading the short story to get what I think I remembered from way back when and compare the two.

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It's been posted 1000+ times on IMDb but it. WRs repeating: books are one art form, films are another, AND NEVER THE TWAIN SHALL MEET

Books and films have completely different agendas, different purposes, different "faces". Reading is a cerebral exercise, I fobis read and computed/interpreted by the brain. Films are visual in nature, and as much as not, meant to be taken in that way. A fight in a story may be there to impart a lesson, while, in a film, a fight is more likely to be there for comedic purposes or, for the gratuitous enjoyment of the viewer. These are my opinions and thoughts and are not to be taken as gospel, and I wrote what I wrote to clarify my earlier points.

Many great novels have become films. Sometimes the film can equal the book in impact, but more often, the prior artwork is remembered more fondly.

Other contemporary or not-so-great books have become films. SomeTimes the film becomes great like The Godfather, far surpassing the book. Other times, a good story (The Body, Rita Hayworth and Shawshank Resemption) becomes an even better film, with both works retaining prestige, even if recognized as very different from each other. I've never read the story from which Yhe quiet Man sprang, but I get the impression it'd fall in with this last group. The point I'm trying to make is:

A story is ALWAYS simply a jumping-off point for a film, and sometimes the film retains the story's text and narrative, other times it becomes something completely different and new.

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