Clever Camera Tricks


Although ILL was shot in a basic three camera setup, the set designers did much to amplify the opportunity for obtaining tight shots.

For instance, the original wall between the kitchen and the living room was just that - a solid wall without shutters. But Desi and Jess O. realized they could shoot through the open shutters, creating a less claustrophobic look.

In the second apartmement, there was a square board just above the fireplace (usually covered by a vase of flowers). When super tight angles were needed of the opposite side, the board was removed and one of the cameras shot through that vacant square from the bedroom.

Example: when Lucy snuggles up to Ricky in the second scene of "The Camping Trip", she is seated on the sofa and he is seated in the adjoining chair. Ball's closeup is standard, while Desi's is tightly angled from the "bedroom wall."

They didn't utilize this angle often, but when they did so it was effective.

My fave is the set for Caroline's apartment in "Baby Pictures." We see Caroline take the babies in and out of the hallway door. When she returns to the living room, she closes the door. But once the main camera follows her back to the sofa, a stagehand has quietly opened it, so Caroline's closeup camera can get her nasty lines/expressions with a much tighter angle by shooting THROUGH the door.

Dozens of other three camera sitcoms adopted these tricks through the decades (I used to observe these little tricks when I attended several tapings of The Golden Girls).

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I didn't know that about the camera behind the wall! Very interesting. And you attended Golden Girls tapings!? That's amazing. How was that experience, did they film it all the way through like Lucy or did they do multiple takes like many sitcoms of today?

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They would try and go all the way through, but mistakes would happen every other scene or so. If Betty blew a line, she would say, "That was Bea's fault!". The audience would cheer and laugh. Bea, however, never joked. She was very serious, as was Estelle. Rue was sort of in between.

After the taping, the women would sometimes change for a pickup shot from an episode completed weeks before. I remember Rue opening the kitchen cabinet and saying, " Damn! We're out of Chips Ahoy!" I had seen that taping, and wondered, "what was wrong with the way she said that two weeks ago?"

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That's interesting stuff. I've never attended a taping.

But over the years I picked up on the fact that the sitcoms performed before studio audiences did several tapings of the same episode. They combine the best takes and sometimes the takes don't match. For instance, a character would be holding a glass and when the camera cut back to him, the glass was gone, then it would reappear, etc.

I read that Bea Arthur would get upset with Betty White. Between takes, Miss White would joke and have fun with the audience. Bea Arthur would never step out of character. She was all business.

As far as different camera angles, they sure are effective. But I've never considered the technical aspect of them. I guess I just take them for granted.

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That's amazing! And not surprised, Bea did seem like a serious person. The only taping I've ever attended was an episode of the short lived Murphy Brown reboot last summer here in NYC. Was very interesting. They did each scene about 2-3 times, I was there over 4 hours! But it was a great experience.

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Bea, however, never joked. She was very serious, as was Estelle.

I've read that Estelle (who gained success later in life) suffered terrible stage fright on the set of this show. Did you ever see any indication of such?

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No, but she would always rest on that living room sofa between takes. She was very quiet.

We know now, of course, that Bea hated Betty, and grew quite impatient when Estelle began to forget her lines in those last years. (I never witnessed this, as I only attended about seven tapings, the last being in December of '88. Funny episode, BTW - Blanche finds out her brother is gay. And oddly, it aired just two weeks later).

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