I think that the only point that anyone is missing is the importance of depicting reality to the filmmakers of the Italian Neorealist movement. You have to understand that these directors were coming out of a period of strict Fascist-funded "heroic" style filmmaking in Italy, and they wanted to break away from these forced rules of filmmaking. Mussolini used film as a service to the state through propoganda, and the filmmaking that came out of his subsidies were melodramatic adaptations of late-nineteenth and early twentieth-century literature.
Neorealism came after this period and embraced the rejection of professional actors, contrived plot, and the inauthentic quality that had prevailed for the twenty-some previous years. The filmmakers of the Italian Neorealist movement were looking for a better way to depict reality, and so the films tend to be less action and more life, much like OUR real lives.
If you notice in "Bicycle Thieves", there are parts that are included that would not be included in many films we watch today, for example, the scene where Bruno has to pee, or when they have to wait for the rain to stop. These scenes would, in a more traditional Hollywood film, be cut out in editing because they do not necessarily move the story along. This is precisely why they are included in "Bicycle Thieves"; because it is life, and in life, you DO sometimes have to go to the bathroom and you DO sometimes have to wait for rain to stop, there is no editing in real life to speed the process up.
I think that "Bicycle Thieves" is important to understanding how film has developed today, as well as understanding the history of Italy in the postwar period. I hope this helps.
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