MovieChat Forums > Ladri di biciclette (1949) Discussion > Am I the only person that didn't think i...

Am I the only person that didn't think it was too great?


I found that the film had a powerful message, and I was actually deeply saddened by the ending, but I honestly think the film was extremely drawn out; and thats saying a lot for a 90 minute film.

I felt that a lot of the scenes were just trying to paint the portrait of the promise of hapiness that was robbed from this man, but it did so in a completely arduous way.

I think it might be more powerful if it was shorter/more cohesive.

I would probably give it around a 7.8. Not top 10 material by far.

Thoughts?

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I think you are missing the point. The story about the bycicle is just a justification to describe the lives of ordinary working class people in post WW2 Italy. Rome is another character in this movie, and understanding her places is important in order to understand the people in the movie. So, I think the urban images are substantial to the film, even when there seems to be nothing happening in them.

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I'm totally with you, tuyog. This movie takes you to another place, namely post-war Rome. The plot doesn't matter and don't look for symbolism. It is what it is and that is beautiful. B&W. low budget. And beautifully written and crafted.

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Very nicely put. I agree.


"David Lindhagen cuckolded me, he made a cuckold out of me!"

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I never rally thought it that way (as just lives of people), but I did love the film, even if the bicycle plot is one of the most idiotic ones ever (seriously, when your carrying ladders, glue jars, brushes and posters, bicycle is the last thing you need :-)

Bicycle Thief along with Vertigo, are best examples to show, plot is only an excuse for action.

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You do realize that a bicycle was a common form of transportation for the poor at that time and there were a lot of poor people because of the war. The job required a bicycle as the boss had stated and was needed to meet the quota of posters per day. Sure it would be nice to have a car or truck but that would have been overkill for what the job was.

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I'm with your opinion, Unknown. I was expecting a lot more from the movie after seeing the Iranian movie "Children of Heaven" and seeing some people posting notes about the director paying homage to "The Bicycle Thief". I guess I'm not that sophisticated of a movie watcher to appreciate all the symbolism and other stuff that is hidden in the movie.

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The Bicycle Thief doesn't have a whole lot of symbolism: it's neorealism, which generally means "depressing and literal."

It doesn't take a literary analysis to understand this movie, so it's absurd to think anybody could "miss the point." People who are more interested in subtlety, emotion, and beautiful cinematography will love this movie. People who think that careful plotting is essential for a movie will likely hate it.

I loved it.

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Don't worry, I saw it at a cinematic cultures class for uni and the whole class couldn't believe it's supposed to be up there as one of the best films of all time.

It was well shot but other than that I can't really see the film's merits, for the archetypical 'neorealist' film it seemed so not real, the actors are very obviously amateurs who do a half decent job. I loved Bruno but even he was far too repetitive, there were also major plotholes (even the general premise is stodgy - how are we expected to invest everything into this one man's stolen bike when every other person in the environment is suffering just as badly if not worse and are getting on with life because they have no choice). Also the film was too contrived and hackneyed to be emotional (plus it had one of the most annoying protagonists in film history).

Sorry, I wanted to like the film and appreciate the director's vision but when something's as hyped as this, it's a huge letdown when its actually subpar and honestly laughable. But i did love Bruno poor bugger.

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That's interesting. Because as one of my favorite films the cinematography was actually one of the last reasons I love this movie. The actors weren't even actors, the protagonist was a factory worker. And the extras were just a part of the the common rabble, also with absolutely no experience. So yes they were amateurs. But that is of little relevance as it is not the intended objective of every movie to attain perfection in every quality.

Your criticism regarding that plot hole makes little sense. I don't quantify the extent of my empathy by the relative suffering of a person. We measure suffering by the standards of our own existence. We place ourselves in their shoes. We don't imagine how their peers would feel if they were place into their shoes.

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I didn't think it was half as great as my prof that made me watch it. I didn't "miss the point"; I just didn't think it was that great. Good, but not great.

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I was expecting more from this one. It's not bad, but I wouldn't put it top ten like some have suggested. Fellini didn't do much for me either. The neorealism of Italian cinema I think comes up short versus the French of the same period. Once again, it's okay but not like wow!

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I have always felt that it doesn´t make any sense to judge a film or any art form based on your personal taste. If you ask me which movie is my favorite I would undoubtedly say " THE WILD BUNCH";however, I must say that the Italians filmakers are gifted and unique. The bicycle thief is great film, if not why it has influenced so many film directors and people are still talking about it 59 years after its original release.

David Morhaim

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I'll agree good film but not great, I was saddened and did understand the struggles but it would never be on my top ten, it just draws things out a little too much. I almost fell asleep and I'm not saying that I need constant action for a movie, I'm a big fan of Lost in Translation in which we just have drawn shots of Japan and constant small talk. But the bicycle theif was just too bleak for me, reminded me of All Quiet on the Western Front, not a bad film but just too drawn for me to really be interested in.

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this film has been built up so much by so many people that i was expecting to see the best movie ever made. i definitely would not say that having seen the bicycle thief now but i can see why so many people love it. the ending is so powerful and this movie is obviously influential that even if for that reason alone it is a great film. i enjoyed it.

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yellowmonkie25, i could not have said that better.

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I think that the only point that anyone is missing is the importance of depicting reality to the filmmakers of the Italian Neorealist movement. You have to understand that these directors were coming out of a period of strict Fascist-funded "heroic" style filmmaking in Italy, and they wanted to break away from these forced rules of filmmaking. Mussolini used film as a service to the state through propoganda, and the filmmaking that came out of his subsidies were melodramatic adaptations of late-nineteenth and early twentieth-century literature.

Neorealism came after this period and embraced the rejection of professional actors, contrived plot, and the inauthentic quality that had prevailed for the twenty-some previous years. The filmmakers of the Italian Neorealist movement were looking for a better way to depict reality, and so the films tend to be less action and more life, much like OUR real lives.

If you notice in "Bicycle Thieves", there are parts that are included that would not be included in many films we watch today, for example, the scene where Bruno has to pee, or when they have to wait for the rain to stop. These scenes would, in a more traditional Hollywood film, be cut out in editing because they do not necessarily move the story along. This is precisely why they are included in "Bicycle Thieves"; because it is life, and in life, you DO sometimes have to go to the bathroom and you DO sometimes have to wait for rain to stop, there is no editing in real life to speed the process up.

I think that "Bicycle Thieves" is important to understanding how film has developed today, as well as understanding the history of Italy in the postwar period. I hope this helps.

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What wklaudem said!

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Very insightful. Thank you.

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[deleted]

Self-defeating arguments:

"There is no such thing as 'objective opinion'".

I love when post-modernists assertively state the impossibility of objectivity as an objective reality.



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[deleted]

Even if you didn't like this film for whatever reason, you have to appreciate it for what it is.

Bicycle Thieves IS a representation of reality in postwar Italy and how difficult it was for people to survive. The very notion of the main character being crushed by not recovering his bicycle is the crux of the entire film...life was hard, and a little went a long way.

This film IS about the human condition, and what desperate people will go through to provide for their families. It turned a well-intentioned man into a thief. The transformation is emotional and real, and that is what people identify with.

I can see why people say this film dragged or wasn't entertaining, but there are several "great" films that are like this. In my opinion, this is one of the best films I have seen in awhile because it is simple...simple characters with simple lives. I think Hollywood has a tendency to dramatize everything to keep our ADD society at attention. But I would like to see Armageddon have the staying power of Bicycle Thieves, and I can guarantee not one important director of the next 20 years will cite The Rock as a major influence...but I'd bet my life that just as many will be watching Bicycle Thieves and taking notes.

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...It's supposed to be simple, and to an extent dull, because it's neo-realism. If there were gunfights and explosions, it would be representative of fantasy, not reality.

Vote for: http://www.imdb.com/title/tt0047445/ NEARLY IN TOP 250!

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Am I the only person that didn't think it was too great?


No, 2,427 people gave it a similar rating.

Last film seen: Bicycle Thieves 9/10

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I think many people missed the point of the film. It is a morality tale. All about ethics. He was the victim of theft, could not right the wrong, fell victim to envy and self-pity, which caused him to steal in kind. For revenge. Only he got caught. His accuser spared him of the punishment he did not spare his robber. Notice how they both stole the bike that same way, with the same gestures. He became the very thief he hated. But walked a mile in his shoes, as it were, both immediately before and after the theft.

The lesson is to be merciful on the crook. If he stole something, chances are he needs it more than you do. So don't poison life with revenge, which can lead to ruin. That's the moral to the story.

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*Spoilers*

His accuser spared him of the punishment he did not spare his robber.

Ah, but he did not press charges against his 'robber', and did end up sparing him. The only moral, if any, is that life is unjust sometimes (most of the time?).

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I actually think that it even could have been longer. Not to expand on scenes but to increase the impact. I think the more dranw out a scene or a series of scenes are, without being too dull, can make the films message more powerful.





Who the *beep* is Creighton Duke?

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I though the movie was pretty boring while I watched it, but when I was through, i didn't regret watching it. I don't know what to compare it with, maybe with excercise. While your jogging it sucks, but when your through, you feel better than ever

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(previous poster said:)
====================================
"I though the movie was pretty boring while I watched it, but when I was through, i didn't regret watching it. I don't know what to compare it with, maybe with excercise. While your jogging it sucks, but when your through, you feel better than ever"
=====================================

Oh, Man....I just busted out laughing when I read your comment.
It made so much sense with how you felt....and I've never heard it put quite like that.

I know sometimes, when not being sure where a movie or story of any media is going...
the viewer may feel the need to try and be patient and open,,,and that feels like an investment of time and concentration.

I think that is what made me LOL after reading your comment...thanks for that!

(*I did like the movie very much...and do have to be in the right mood for this very real and wrenching genre...to fully enjoy it)

Peace

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I thought it was good, but I'm not a major fan... It's not my favorite... But it wasn't terrible, either...
Mostly I hate that I have to write a report on it in one night (we were only given 1 night, I didn't just put it off).

http://www.freewebs.com/sophia-bush

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It is great but personally I didn't find it to be a pleasant viewing since it strucks too much a cord with an everyday that is not actually that far away, if you replace the setting, landscape, the job and the bicycle. The main theme of broken people trying to pick up their old lives or creating a new life out of what is left to their disposal in an uncaring world only to become another piece of the background and having his chance of exceeding his small life crushed by circumstances was not as inspiring as it was downbeat. Still a fantastic film but I'm not going to re-watch it anytime soon.

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I caught a brand new print of this years ago at a revival cinema. I HATED it! Like you I felt it was needlessly drawn out and was thoroughly depressed at the end when the guy is humiliated in front of his own child. Really--what was the point of this? It's was just negative, depressing and dull.

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Based on what you wrote, I think you clearly, clearly missed the point of the film. First of all, the guy being humiliated in front of his own child is fairly integral to the film's depiction of Post-war Italy. It represents the fact that things were so harsh, that a father often failed at providing for his child. Second, it's surprising that you didn't feel anything from the drawn out sequences. They're drawn out so the audience can feel scraped along, just as the family is scraping along, trying to survive. That's just what you mentioned in your post.

If you thought it was dull, you obviously failed to connect to some of the most realistic characters in cinema. If you can't connect with real people, then I don't know what to say. You know, I don't know why I'm bothering going through this. It's not like this film was all that discreet; it was actually quite blatant in what it was saying. So if you missed the point of the film--which, based on your post, you clearly did--then my guess is you simply weren't paying attention.

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Wow. I've never been insulted in such an "intelligent" manner. So--there's something wrong with me because I can't identify with some people in post-war Italy who can barely survive? I'd like to hear from anyone who can! A good film can make you identify and understand what the characters are feeling and going through--this film failed to do that. As for my supposedly not "understanding" that the film is supposed to feel drawn and dragged out--words fail me. Yeah, the film WAS quite blatant it what it was saying. It just wasn't anything very interesting and it did it in a very dull way. As for the "realistic" characters...I suppose they were that. It doesn't mean they were interesting though.
You love the film--good for you. But taking pot shots and directly insulting someone who doesn't agree with you is pretty immature. Also--ever hear of freedom of speech? You don't have to agree with my opinion but you should at least respect it.

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Now you're just being silly but don't take that the wrong way.

Freedom of speech? That would depend on topics and where you're from but I don't even think you have to worry about not having the freedom to write what you want on a forum about cinema and films.

The other poster didn't say you couldn't have your opinion but his comment did sound a little pompous. It wasn't necessarily meant as an insult but a clarification that you didn't find the aspects you complained about to be integral in understanding the meaning of the film. At the same time that poster did not point out to you that what you wrote was about right and that the only thing you didn't get was that you perceived the film correctly but confused your own opinion with not being provoked by the film.

I'll tell you why it wasn't an insult. You didn't actually write anything that one could insult you for until you wrote your second post.

I will not go on about that but this film was part of the neo-realism that came during post-WW2 and portrayed the European depression. This showed what had happened after the war. In the United States of America the situation was different, the main land was never bombed and instead had a time of prosperity while a large part of the world and especially parts of Europe lay in ruin.

This film was made at a time (1948) when the story had something important to say about the situation in Italy. That a viewer fifty or sixty years later find it not to be appealing doesn't mean that the film would be bad but it doesn't state that it is entertaining to watch. I would assume that it feels like a history lesson about a part of history we usually wouldn't want to here about.

We would rather listen to the stories about battles being won and the victory being claimed by the good guys but what did happen afterwards?

Like in Italy that had been ruled by the fascists and Mussolini that was allied with the Nazi-regime of Hitler's Germany.

No heroic portrayals of homecoming sons that fought in the war.

No economical and social prosperity.

This film shows one of the common people that might not have been directly involved or hurt by the war but would have to live in the aftermath of what had happened.

Personally I did not have such a different reaction to the film than you did and I was wondering about what it meant but than again I was still not thinking about it as if I had actually seen it back in '48 when I had not even been born.

I can't say that you have to like it because I didn't like it but I find it to be a very good film none the less. It is drawn out as you say, many films are and it is also very depressing and the characters might be hard to find interest in because they're down on their luck and the lead's hopes are crushed in the end.

You don't have to like this film and you're probably not supposed to.

This isn't escapism, inspiring fiction and it isn't trying to make you feel better about yourself or a post 80's spirit of americana and the idea of individualism.

There was a time when people's lifes didn't mean anything and around the world there's still societies where people's individual freedom don't mean much.

When a movie has such a theme there isn't much more you can do than to speak your mind. You did watch the film. Now that you've seen it perhaps you wouldn't want to experience it again and you don't have to. You gave it a try.

There are other films that might not be as depressing but they're not always as thought-provoking or good.

Then again there's probably movies that can give you an easier version of some of these themes.

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Thank you. You clarified things for me. When I did see it, in the late 1990s, it had been built up to be some classic piece of cinema. Realistically no film could have been that good. I'm also not a fan of the British "kitchen-sink" dramas of the 1960s. Some of them are great (like "Darling" or "Loneliness of the Long Distance Runner") but I find most of them boring and obvious. BUT I think what you're saying we have to look at some of these as a product of their times. That's true. I can usually do that...but I couldn't with "The Bicycle Thief". It was TOO negative. Then again I never liked "Casablanca" and that's considered a classic so what do I know? LOL
Again--thanks for your post. Very well-written and intelligent.

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Yes, you're more or less correct about the comment about "a product of [its] time" but I also meant that this was an important subject and might still be though we don't perceive it that way.

I would say that "The Bicycle Thief" is a very depressing film and that it will provoke most viewers to the degree that they turn away from it.

-British "kitchen-sink" dramas, are not that far away from the above.

"The Bicycle Thief" should probably still be seen as a classic film and "Casablanca" too but I have to say that I had problems with "Casablanca" also.

Bogart and Bergman felt right and there were scenes that light up like magic but as a whole I'm not too sure. What one remembers would probably be, "play it Sam, like you used to" and when they dance or perhaps Bogart concluding, "this is the beginning of a beautiful friendship". I'm not saying that that is all there was but there's probably other films that one would find more fascinating or intriguing and there are few that remember them as fondly.

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My problems with "Casablanca" were the plot. It was confusing at times and there were huge plotholes. Most people tend the ignore those faults but they bothered me. "Blue Velvet" was another one that had a confusing plot but is was so incredible visually u don't notice it.

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wow preppy-3. you're a dumass.
i never understood people who came in here and posted insults.. but now i do.

thank you. ps. it doesnt matter what you think. i didnt especially love this movie either but it was pretty good in what it did, which was, as Zavattini himself said, depict reality in the truest of forms, as truest to its essence as possible, by showing people, events and their dailiness and duration in the best approximation to reality, which is what contemporary cinemagoers sometimes cant stand.. which is why he names viewer impatience and indifference as a major problem in society today.

Looking at your post, i am amazed at how right he was. ppl like you exasperate me. seriously. think of something other than yourself and what 'interests' you. or rather, make yourself be intested in other things.

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