g_dekok does not do justice to the point raised. By taking short cuts with the accents because his -John Ford's - mother was Irish does not address the question at all, that is merely a researched observation on g_dekok's part. Considering the film's budget,Ford's professionalism AND the obvious care taken in portaying accurately other aspects of the welsh valleys (e.g. the music, the mine, the streets, the chapel and general location) it is right for film fans like myself, from Wales, to wonder why the heck didn't they make a bit more effort with the accents.
If you lived in Welsh valleys in Victorian times it was a fact that irish immigrants were seen as different by the local Welsh natives,and there was infact an 'immigration issue'(stealing our jobs etc) as there are today with other peoples...that is one reason why lack of accuracy is in this case is relevant.
I can say that and also say at the same time that I like the film a lot...it made me cry. And I think this is, at the end of the day, down to Ford's direction, plus the script is full of little touches that highlight the emotions of these poor but proud people.e.g. the game of communication between the mother and young Huw using their walking sticks, whilst both are bedridden, banging on the floor/ceiling of their respective rooms. The simple happiness of this family is conveyed elegantly.
But, i think, more than anything, it's the protrayal of the father that Donald Crisp gets just right, and his accent is pretty good, and the love that's conveyed by him towards his family ESPECIALLY young Huw. Roddy Mcdowell, while not having a great accent, is such an amzing film presence, visually and emotionally.
The final scene, down the mine, is absolutely brilliant...and heartbreaking. I think all these great things overall do make it a great film, and just about outride the annoying use of irish accents.
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