I love her, and when it comes to "The Women," I'm right in line with her biographer Gavin Lambert, regarding her approach to Mary Haines:
"...Norma gives an effectively spare performance. Warned by Cukor the character could easily become a worthy bore, she brings a minimum of weight to the pathos of betrayal and concentrates on the struggle not to betray her feelings. With impeccably restrained technique, she gains sympathy by never playing for it."
And this is true. Only when Mary is alone with her mother, or later alone with Miriam when she learns Stephen has married Crystal, does she give in to the pain. Otherwise, it's all about not letting Sylvia and Edith have the triumph of watching her suffer.
She imbues Mary with incredible breeding and good manners, a woman who says 'please and thank you' in sincere tones, even talking with shop clerks and her household help. And they love her in return too; Jane is fighting sobs herself as Mary packs up Stephen's things just before the trip to Reno.
Norma herself didn't have high regard of the movie or her work in it, and she was wrong. After the opulent excess of "Marie Antoinette" and the outrageous fakery of the countess in "Idiot's Delight," it was a perfect moment for Shearer to show the control and underplaying she was capable of, while still rendering a character you'd like to know personally.
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Truth is a hard master, and costly to serve, but it simplifies every problem.
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