But I have never in my life been so upset and aggravated after watching a film the way I was over this movie. I absolutely hated this and would rank it 2/10 at best! Katerine Hepburn was the most annoying character I have EVER seen on screen before and I think the script was the most terrible jumbled underdeveloped script and it's no wonder the two writers never did anything big afterwards.
This movie was just redundant, bland, and filled with plot holes and unlikable characters. I thank God that when this movie came out people realized how terrible it was. It just worries me that the "high brow" critics and film snobs of today really considers this a "masterpiece."
RIP Paul Newman 1925-2008. Words can't express how much you will be missed.
This film has been one of my favorites for a long time and not too long ago I showed it to a friend of mine who had never seen a Katharine Hepburn film. (By the way, like you, one of his favorite films is Requiem for a Dream.) He laughed himself silly (as did I once again) and afterward he told me it was the funniest movie he had ever seen. I find all the characters endearing in their zaniness (except for Gogarty, who I admit is rather annoying), and in this kind of silly comedy "plot holes" hardly matter. If it bothers you that there are no leopards in Brazil, you're just watching the wrong movie.
I'm sorry you found no joy in this riotous, beautifully timed and imaginative movie. However, if you think that Oscar winning screenwriter Dudley Nichols never did "anything big" after 1938, you need a crash course in film history that includes Gunga Din, Stagecoach, The Long Voyage Home, Man Hunt, For Whom the Bell Tolls, It Happened Tomorrow, And Then There Were None, Sister Kenny, The Bells of St. Mary's, Scarlet Street, The Fugitive, Mourning Becomes Electra and Pinky, all of them either excellent or "big" or both.
I've been married to one Marxist and one Fascist, and neither one would take the garbage out.
I appreciate your opinion, however I personally just still found no humor in the film what so ever. I adore Katherine, not so much Carey Grant but had high hopes that it would on par with The Philadelphia Story or It Happened One Night or any great comedy from the golden age but I just found this movie horribly done and written and not likable at all. But again I appreciate the opinion.
RIP Paul Newman 1925-2008. Words can't express how much you will be missed.
I can understand Hepburn can be annoying in this unless your open to it. I love this movie and I am far from a rich critic. Personally, I think Hepburn's behaviour makes this movie what it is. Which is great to me.
Okay, I watched it yesterday and could not get into it. The comedy seemed slapstick and forced, especially on Hepburn's part but the phrentic pace made it hard to follow on first watch. I re-watched it today with the Peter Bogdanovich commentary and enjoyed it more. Understanding life and film in that time helped a lot plus Bog referenced conversations he had with the director, comically imitiating his voice when quoting him. By watching again, I was able to pick up more of the comedy and appreciate the performance of Grant and even Hepburn more although I am not a huge fan of hers. In the end, I see why people like this film and I am left in amazement of how the scenes with the leopards and the dog were done. Most of the animal shots are quite impressive. It was a comedy suited for 1938.
This film is pure genius, and one of the funniest films ever made. Those who donnot get the humor are more used to The Hangover and frat boy comedy to really understand the skill it takes to compose screwball film. But this is 2011, so what can you expect?
Personally I do not understand the negative comments made on this board about the film, in particular the hatred of Hepburn's character. I found the character of Susan hilarious due to her eccentric personality. Some posters on this board have criticised Susan because of her actions but this film is not meant to be a serious character study.
"I'd rather be hated for who I am, than loved for who I am not".
OP, it didn't affect me that strongly, lol, but movies generally don't affect me quite that strongly. But I don't like it at all, and find it annoying, and I like Grant, Hepburn, and screwball comedy just fine. Those elements just don't gel for me in this one. I think there needed to be a character, like Lombard's elder sister in "My Man Godfrey", to prick Hepburn's bubble of utter self-regard, to make her a bit more sympathetic and less annoying. Also, in MMG, Lombard's character, by the end, shows some signs of awareness of the world outside herself and her own world-actually those signs were scattered through the film, and Godfrey himself was obviously going to be a help to her there, as he'd learned the hard way for himself in coming back to the world after dissappointments in his own life had made him drop out of that world of wealth and frivolity. I don't say that every movie needs to have a "message" (I believe it was Samuel Goldwyn, known for his "Golwynisms" who said "If you want to send a message, use Western Union", and I completely agree with the sentiment), but somebody in the movie needs to be relateable, if not sympathetic, or at least one of the unlikeable characters, if none are sympathetic, needs to be able to burst the bubble of pomposity, cluelessness, or whatever grating characteristic, of another character, and I imagine that was especially true during the Depression. People loved seeing the world of wealth and privilege then (consider the popularity of Fred's and Ginger's Art Deco splendors in many of their films, besides the otherworldly dancing, the romance, Ginger's accessability and Fred's self-deprecating characters), but they also needed assurance that their own values mattered, or else those movies would have been unbearable.
BUB is unbearable, for me. Hepburn's character's self-regard is never really tested, which makes it unbearable, for me, and Grant's cluelessness makes his naivete absolutely painful, with no relief.
The word I see most often in negative opinions of this film is "forced", and somehow, without further expansion, it fits.
I've never seen an Adam Sandler performance of any kind in my life, don't like most contemporary films much less comedies, but love studio-era films, including comedies, including screwball. I like Grant and Hepburn in other films, including comedies, including fast-paced ones (ie His Girl Friday), and I live in the suburbs. I just don't like BUB, that's all.
What we're dealing with here... is a complete lack of respect for the law.