It’s interesting historically as it interprets the Dracula story is such a way that is unaffected by the later Universal movie of the 1930s. Most people, when they think of Dracula tend to think of Bela Lugosi, or possibly Hammer’s Christopher Lee - but the stereotype is quite ubiquitous and flatly a little bit camp.
The Nosferatu image, however, is startlingly different and captures a lot more resonance of the themes and fears of the original Dracula story - the disease, the rat face, the fear of foreigners, and if you may be taken with the later romanticism of vampires in recent years (Twilight, Interview with the Vampire, etc) the sheer ugliness of the vampire is much more horrific in effect. Historically, there is also the look and feel of early 20th century easter Europe - shot entirely on location in real places - made in a period of post-war hardship and easy to see how the various vampire myths could still hold effect in these communities. Moreover, the images of the movie have since become iconic in themselves. They may be a bit scratchy to look at, but you do realise they had to be restored after it was feared they had all been destroyed after being sued by the Bram Stoker estate?
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