If an actor is required by the script to shout angrily at another actor, can the other actor file a workplace harassment complaint? LOL, of course not.
Likewise, Baldwin was obliged to do his job by pointing a prop gun towards camera. It doesn't matter if he pulled trigger or not, it's not meant to be a real gun. Violence in movies is pretend violence.
The person responsible is the one who brought real bullets to a film set. And the film company's secondary responsibility for not meeting basic safety standards. Actors are not responsible for technical components of a film set.
Edit - I didn't realise Alec Baldwin owned the production company. My point stands, but I now see why he (his company) must pay the family of the victim for the breach in safety protocol.
And also, just out of principle, they should nail him for lying to investigators that he "never pulled the trigger". Well he either pulled the trigger or the hammer, because the gun fired, and he lied his pathetic ass off.
He probably didn't mean to fire it, but put enough pressure on trigger to make it fire. This happens a lot, many people have accidentally pulled trigger when playing with a gun, even shot themselves. Video footage of such incidents is common.
He probably didn't mean to fire it, but put enough pressure on trigger to make it fire.
I'm *sure* he didn't mean to fire the weapon, at least not a loaded one. Baldwin may be the very definition of human scum (he certainly fits my definition), but I can't in good conscience think this wasn't anything but a tragic accident as the result of several safety procedure failures.
I don't think so. Let's put it this way, if he did bang her, I'm unaware of that fact and therefore wouldn't be the reason I can't stand him. As far as his character, his reputation is well known and I don't think I have to rehash any of that out. Believe me when I say that I'm not alone in detesting this POS.
It's not his body of work that makes people detest him, it's the way he treats people including his own family. The Hunt for Red October is one of my favorite films and Baldwin did a great job in this.
I think as a performer he's very talented, but like a lot of entitled people from Hollywood, has a trainwreck of a personal life.
Thanks. I wish more chatters wouldn't get so freaking defensive and just lash out. I discuss topics on-line the same as I would if I was standing in front of people.
> Baldwin will be at least partly culpable as part of the film company.
Okay until now I didn't realise the production company El Dorado Pictures belonged to Alec Baldwin. This explains the payout his company or insurance must pay the family of shot crew member.
Yuuck!! Has Baldwin no shame? No sense of decency?
I can't imagine who'd want to watch the resulting mess, maybe the budget is low enough that it can eke out a tiny profit from the hate-watchers, ghouls, and "journalists" who are paid to complain about pop culture, who are the only ones who will see it.
While I never saw it, I understand that The Crow was released in some form even after its star --Bruce Lee's son -- was killed in a gunshot accident of a different sort.
But I DID see "The Twilight Zone" (1983) and what happened with that movie forecasts poorly for "Rust":
The Twilight Zone consisted of four separate segments -- three based on original 60's TV episodes and one written especially for the movie. A major director was assigned to each segment: Steven Spielberg, John Landis, Joe Dante and George Miller.
Spielberg was the King Bee, but all the directors were pretty successful -- and John Landis was coming off of the megahit Animal House and the big hit The Blues Brothers. Landis's segment was the one NOT from the show (written BY Landis, I think) and was pretty heavy handed, with Vic Morrow as a modern-day bigot "magiclally transported" through time and space to become a target of the KKK, the Nazis and ...US forces in Viet Nam?
We'll never know who the oppressors were in the Vietnam "sub-segment" of the larger segment of the film, because all of that material was removed for the final release of the film. Left in only was the KKK and Nazi stuff (as I recall.)
Because: night filming on a sequence of helicopters chasing Vic Morrow with two small Vietnamese children in his arms became tragic as an explosion sent the chopper down onto Morrow and the children, decapitating him and crushing the children. All three died.
With this material removed, The Twilight Zone movie was released about a year later in 1983. (Morrow and the children were killed in 1982.)
The John Landis/Vic Morrow "episode"(put up first in The Twilight Zone movie to "get it out of the way") was choppy and gutted and made only a modicum of sense. The Twilight Zone was gutshot as a movie from its first sequence on. Spielberg's segment was surprisingly bad(he reportedly dropped out mentally on his work after Landis' accident marred production.) Dante did a little better, and George Miller did the best of all, with his balls-to-the-wall remake of the TV episode about a mental patient on a plane in a storm who sees a gremlin on the wing. (William Shatner originally on TV; John Lithgow here.)
Unlike with Rust, everything was big budget on The Twilight Zone movie, so I guess Warners and Spielberg(producer) felt that the movie HAD to be released, but the tragedy lingered over the movie and the sequence that created it(with Vic Morrow, rather grateful for the comeback and thus performing his own stunts) was missing and the story was incoherent. None of the other three segments(not even Miller's) were good enough to overcome the Landis segment.
I predict the same thing will happen with Rust. The film may likely lose the "church scene" where the tragedy happened this time, but everybody will know what happened and the story won't play.
This is being done for financial reasons. The movie is already a loser.
I respectfully disagree that this situation is analogous to the posthumous release of "The Crow" or "The Twilight Zone", or "Saratoga" or "The Dark Knight", for that matter.
Those were all films in which an actor seen onscreen died before the film was released, they were NOT films where an actor killed someone on camera... and then expected the audience to forget all about the poor woman who died young and needlessly, and let him disappear into the character, and empathize with the character's struggles. No, I don't think anyone's ever released a film where an actor who's (accidentally) shot and killed someone goes around shooting and killing other characters onscreen.
No, I don't think anyone's ever released a film where an actor who's (accidentally) shot and killed someone goes around shooting and killing other characters onscreen.
---
I could not agree with you more, Otter. In fact, while I would say "we were in agreement from the get-go" (I DO say that the movie will be a "loser" up thread), you raise here something incredibly painful about the continuation of Rust versus those other movies:
Baldwin's character SHOOTS PEOPLE all the way through it. How can they avoid the painful memories?
Which brings these thoughts to mind:
ONE: You can't shame a movie star.
TWO: Money talks. Evidently, even to widowers.
THREE: In the words of the late screenwriter William Goldman, "Its a given that all movie stars are insane. What's amazing is that they are not EVEN MORE insane."
PS. I would suppose that The Twilight Zone and The Crow are akin to Rust in that negligent/substandard filming procedures caused the violent deaths of actors -- adult and child alike.