I like most of the John Ford westerns, and Robert Duvall is very charismatic in LDove, Open Range, Broken Trail
The Deadwood series was a lot of fun.
The Ox-bow Incident (1942) is a great illustration of mob and bias mentality, with Henry Fonda and Anthony Quinn.
A smaller, older film than Raimi's Quick and the Dead and shares the same title, released in 1987 w/ Sam Elliott is a nice, traditional Western in contrast to Raimi's somewhat silly effort. Same style as Quigley but serious.
Always gotta go with High Noon (1952). It being a rebuke of the anti-communist hysteria of the time I find fascinating, as well as building of tension while eschewing action - which we do finally get.
I got a big kick out of Kirk Douglas' Man Without a Star (1955) when I ran into it randomly a while back.
Warlock (1959) is more complex than one might expect, with Fonda and Quinn again, as well as Richard Widmark.
For fans of Tombstone, My Darling Clementine (1946 - Fonda again !) is an early telling of the Wyatt Earp tale. Probably better.
I'm in the minority liking Eastwood's Pale Rider more than Unforgiven. They aren't far apart, but I like the muddy, bad weather mysteriousness of PR, plus the odd love triangle gives it some sad poignancy. For me, Unforgiven has a paint-by-numbers quality to it, too many stars servicing a rather trite story. I'd probably like it more if everyone hadn't raved about it at the time, but maybe not.
Heck, The Misfits is an untraditional Western, and that's an interesting movie.
So I'm very intrigued and appreciative of Westerns as a genre, but also with a critical eye. Wish I had an actual list but I don't keep one. But there's lots of 'em. Don't want to recommend The White Buffalo (1977) but it's worth at least one viewing for how strange and cheap it is. Missouri Breaks (1976) should have a curiosity factor, with Brando and Nicholson. I'm sure I'm missing a ton, but others here are putting up nice choices as well.
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