Same thing happened to The Hateful Eight and Death Proof. I did not enjoy them very much at first but i have come around to highly appreciate them.
This one I saw in theatres and found to be pretty boring. People driving around for 15 minutes and talking about movies and music from 1969. People watching old TV shows for 10 minutes. We get it, QT, you fucking love the late 60's. But now I think it's one of the best period piece movies ever made. Never seen a movie that genuinely transported me back to a time period like this one. It's just an immaculately made work of art with a really slow build to one of the most insane climaxes ever put to the screen. Great movie.
I don't know what to make of this when it happens. It's happened to me before.
Is it even a good movie or did you just become climatized to it?
Sometimes I think first impressions are important as watching a movie over and over again lends to it's familiarity, making it a cozy and safe anxious-free watch. I think a lot of people can make themselves like a movie by repeated exposure. It's why nostalgic movies, which one watched a lot growing up, retain a powerful hold over the viewer. It's blinding.
However first impressions can be affected by expectations and hype. A second watch, when you know what'll happen and embrace the movie for what it is instead of what you hope it will be, can be viewed as the more important viewing session.
LOL i became able to appreciate how well made the film is. QT really is a masterful director. His cinematography, editing, and ability to build an atmosphere is unlike any other. The late 60's look is really groovy too. But yeah this film transports its audience back to another time better than nearly any movie I've ever seen.
I thought it was a brilliant film the first time I watched it. I was so wary about the subject matter, though, that it's the first Tarantino movie I skipped seeing in a movie theater since Reservoir Dogs.
One of the key things in the movie -- perhaps only noticeable after a rewatch or two -- was the incredible detail that QT put into the "rooms of the two leads."
For instance, Rick Dalton has on one shelf three "Hopalong Cassidy" glass cups of different colors, and late in the film, we see his hand put a fourth cup alongside them -- in a NEW color.
Meanwhile, Cliff Booth in his trailer living room has a poster of actress Anne Francis (in a bathing suit) on his wall. Francis had a TV show called "Honey West" on in 1965-1966 -- she played a sexy private eye with karate skills who beat up bad guys -- and I kind of figured if Cliff had her poster on the wall -- he must have stunted on the show and they had an affair.
There is a perfect "Mad" magazine spoof cover of Rick on Bounty Law that mercilessly mocks Leo's rather weird face in real life; and I think Cliff has a copy of TV Guide with Mission Impossible on the cover.
Details, details, details. Everywhere.
And how about that montage of "places turning on their lights" all over Los Angeles as dusk turns to night on the night that Sharon Tate is to die?
We get the Cinerama Dome(now the Arclight) on Sunset Boulevard playing the 1969 "non classic" Krakatoa, East of Java (critics noted that Krakatoa is WEST of Java.) And we get a Taco Bell opening -- a Taco Bell in the "Mexican adobe" style long ago abandoned(racial issues?)
Posters on bus stop benches advertise local LA newsman George Putnam, and the syndicated series from network "Combat" and "The Invaders."
I certainly did not notice all of those details, but I picked up some of them. I'm sure there are many more that further watches will reveal. It is bravura filmmaking in every sense of the word.