I was slow to warm up to it, but in nine years as a regular viewer I found that most sitcoms on this channel need a good half-dozen episodes to find solid footing.
I am glad to see a strong family with two actively involved parents (Disney continues to emphasize two-parent families again, which started with Good Luck Charlie.) And not afraid to admit to having a religion-affiliation: the Diaz's are Roman Catholic. In the end family comes first, even for oldest-kid Rachel, despite being a vain, popularity and appearance-obsessed 17-year-old (or is she 16).
A note on the production companies: Not all live action DC shows are It's A Laugh. A couple sign off as Bon Mot productions. This one is International Donut Fund and Liv & Maddie is from another company with Donuts in its name. A production slide of "Dipfthong" or "Dipthong" (not sure of spelling) comes up at the end of Dog With A Blog (and another DC show, whose name escapes me).
TECHNICAL/MECHANICAL SELLING POINTS FOR ME:
1.) Single-camera filming like a movie, which allows for more outdoor location scenes. It never looks too brightly lighted, like most three-camera shows done in a television studio do.
2.) Faster paced editing amplifies the chaos of a household of seven children. (I'm the oldest of a six-kid family, three and three — also Roman Catholic — so I can relate to the chaotic energy.)
3.) The lack of a laugh track and a live audience. So nice to laugh because I find a line funny without artificial prompting.
4.) No goofy sound effects to indicate scene changes or "what the what?" moments like they used to insert in vintage single-camera shows such as Lizzie McGuire and Even Stevens. (Based on my seeing them when Disney Channel still had its Thursday wee-hours "Replay" block.)
5.) But, a deft use of a subtle, swooshy sound effect to bookend the inserts where Harley talks only to the audience (so subtle I didn't notice them until around episode 5.
It's turning into a fine show. It stands out from the rest by the way it is produced — despite all the chaos presented on screen it feels relatively quiet and low-key. This is how the Good Luck Charlie and Wizards of Waverly Place DCOM's were done and at the time I liked that low-key approach (compared to the regular shows) and wished I could see a half-hour series like that. Now I can. I hope they continue that in future seasons.
Yeah, I know filankey is not a word, but it's gonna catch on.
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