Why should we care when the hotel racists dance to Cold Sweat?
The scene when Allison Janey is complaining about sharing the hotel pool with ni$$ers, than later we see her and her husband grooving in the hotel bar as he rehearses Cold Sweat with the band (a much longer cut of their dance is on the DVD). Are we supposed to give a s$#@ that James reached these creeps with his music? If the director was trying to convey how Brown's music transcended race, he could have had a had a scene of white kids dancing in the audience at the Apollo, like my dad did in '67-'68 while attending Columbia law school. "Oh, he reached the racists, isn't that touching?" Barf.
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