My thoughts on AVGN: The Movie.
First, a little backstory. I have been a fan of AVGN since 2008 when I first remember coming into contact with the Cinemassacre channel. James Rolfe and his short films/reviews have influenced countless other youtubers/internet personalities since the initial upload of Simon's Quest. Whether it be Doug Walker, or Angry Joe, there is no denying the influence James Rolfe's AVGN character has had on the internet gaming community. With decades of amateur filmmaking under his belt, the amount of success that Rolfe has had is quite impressive and endearing. With that said, what many people don't seem to understand is that AVGN: The Movie is the ultimate culmination of what James does best: the AVGN videos and low-budget, self-penned, self-directed, self-acted films in the spirit of classic horror films, Troma entertainment, and other underground independent movies, usually featuring off-the-wall plots, and questionable casting choices. I mentioned earlier the power of influence. AVGN: The Movie is, and should be viewed as a film among films of it's kind. The use of practical effects, the zany plot, the over-the-top characters, Nerd himself, are all classic tropes of 80's underground indie films, of which James and many others, including myself are fans of. When we, the fans, the onlookers, the outsiders, watch the AVGN movie, what we are seeing is not only the dream of one man's life's work fully realized, but his own interpretation and contribution to not only the internet, but the cult-like nature of the world of underground independent filmmaking.
I read a lot of comments saying that the the film was too bad for it's budget, comparing it to Paranormal Activity. Whoever has said that obviously has no idea how much more practical effects cost when compared to CGI. We can have films like Paranormal Activity "look" much better, because it is an orgy of CGI. This film was never about "looking cool," otherwise we would've seen much more CGI than practical effects. Sure, the practical effects aren't as "pretty" today as they would have been 30 years ago, but it was never about that. It was never about how cool or edgy he could make the film look, it was about using classic, time-tested filmmaking techniques to the best of one's ability. In short, this film is classic James Rolfe. It's James doing James, the way James knows how, and he deserves every ounce of recognition he has and will continue to receive for his work. Cheesy it may be, but awesome it will remain.