Simon - many thanks for your elaborate post. I do not agree with all your points but posts like yours here make IMDB such a great place!
You are right: I always interpret films on a literal level first and then (where possible) on a metaphorical / allegorical / theoretical (however you want to put it) level. The issue is - I can't just brush away all the glaring flaws, plot holes or weaknesses on the literal level and pretend all that is shown on screen is just a metaphor or symbolism for a wider, more intricate philosophical point. The two levels have to work together.
You say:
[I] see it as a symbolic movie where the biotech firm's motives are less important, they just represent the way we people build almost psychopathic-like corporations, that destroy everything in it's path.
I can see where you're coming from but that is exactly what I criticise: I find it lazy to use yet again the cliché of that nasty biotech company (because they do those nasty things to fluffy animals). First, on the "literal" level, it doesn't make sense at all; it's ridiculous. If you accept that, why couldn't they have used something else if the important point really was a more theoretical / metaphorical one? Why not use an individual's greed or jealousy or guilt or lust to tell a story about how such motives can have a devastating effect on "everything in its path"?
And, let's go one stage further. You also say:
He kills, burns and scatters the ashes of the tiger to be rid of it. This way the animal will 'stay pure' by giving it's life to a hunter and not to a lab that has unholy things in mind.
What if the "unholy thing" was a cure to cancer? Or Alzheimers? Or something that would rid the world of hunger? Again, you fall for the cliché that the company, by definition and convention of every screenwriter on the planet, has to be shady, greedy, evil. Why?
And why is killing an animal in cold blood helping that animal to "stay pure"? Doesn't it deserve to take its chances? If we believe the film (well, the literal level), that species has avoided human contact for eight decades. Against that background, killing it just seems cruel, selfish and completely unnecessary.
And, with all due respect, I am not American and I watch a lot of films from all over the world. So please spare me the predictable lecture on "depth (or lack thereof) in American vs foreign films". As mentioned above, I can see why you took away your own interpretation from this film. You stated you reasons for doing so and that's great. But my point is that - absent a generous, adventurous "no holds barred" interpretation on a level that is detached from what is portrayed on screen - the film, in fact, lacks in depth or any sort of wider meaning or message because it is ultimately let down by an incoherent plot that leaves the viewer with more questions than anwers.
In other words: This is one of those films where some in the audience are tempted to believe that the film is a lot smarter than it actually is.
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