thanks for taking the time to actually read my post, and comment intelligently (as opposed to just swearing at me, like so may do on these boards)
No problem. And you're so right.
But why exactly was the original post "stupid"? I mean, I'd agree that this film is not the kind that would require strict adherence to verisimilitude, but it's also not a farce. On the scale between those two extremes, IMHO it's a lot closer to a "real-world" feel than not, at the plot-and-story level, even though we know the larger context is a big wink to an audience who just wants to see these actors doing their thing as many times as they can, while they still can. So with that in mind, it seems a legitimate question to me to ask whether it was either right or necessary, or both, to treat rape in the storyline as if it really wasn't much of a deal. The "all movies contain fantasy elements" excuse really doesn't cut it, or you could use it as a defense for doing a WWII film with an Asian actor playing FDR and flying monkeys substituting for planes. Why not, if there are no structural or thematic conventions -- not conventions for the sake of conventions, but conventions that actually provide a context and meaning? "Because it would be stupid. Because it would detract from the effect the film is trying to have. Because it would be really, obviously unrealistic." Yup. Exactly.
Just one example: Shooting somebody in the face and exploding his head is not funny, generally. But in the context of something like Pulp Fiction, which is highly stylized and clearly not intended to be understood as realistic, a guy getting shot in the face accidentally is kind of hilarious as very dark humor.
Now, you can debate the differences between rape as humor (in an unrealistic or antirealistic film) versus accidental face-shooting. I would say there's a cruelty to rape that makes it very hard for it ever to be funny in any context, as opposed to the accidental shooting of a guy who, after all, had decided to be not only one of a group of drug dealers who, in stupidity and greed, had stolen from the kingpin supplier, making him (and them) stupid and crooked enough to be fair game in a film like Pulp Fiction. Actually, if you pay attention, you can see how even Tarantino feels the need to find a reason why they die, even in a filmed comic book like Pulp Fiction. Imagine that film, for instance, with Jules and Vincent as simple mass murderers, with the killings being pointless and unrelated to even a criminal's code of conduct. Then the killing's not so funny, maybe. Point is, there are rules, code, and structure underlying even something as unrealistic or antirealistic as Pulp Fiction. Even there, you see a "they had it coming" sort of ethic.
Of course, other people might see it differently, I guess, although I would have to wonder why (when it comes to the humor potential of rape, I mean). But from an artistic point of view, the point is that I just don't see Stand-Up Guys as being in that category of clear antirealism, in a way clear and extreme enough so that the average viewer could see rape as potentially "no big deal." It's at the very least not stupid to bring up the point.
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