MovieChat Forums > Tinker Tailor Soldier Spy (2012) Discussion > This movie just isn't that good.

This movie just isn't that good.


It was boring, the plot made no sense and was impossible to follow, nothing really happens and they do nothing to get the audience to care about any of it. Very disappointing.


"I like simple pleasures like butter in my ass and lollipops in my mouth." - Floyd Gondolli

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I just want to say that I totally agree. This film was an unmitigated disaster. I say that as a huge le Carré fan. I've read TTSS at least three times, watched the BBC adaption several times, read and loved all the other cold war novels, read A Perfect Spy twice and watched the BBC adaptation of that too.

I just didn't like this film. And some of the divergences from the world of the novels ... Smiley setting up shop in front of two huge open windows? Control leaving his work out in plain sight in his flat? Two absurdities, completely contrary to the highly secretive nature of the characters. Renaming Sam Collins to Westerby? Why?

The only thing this film did that was brilliant and new was having the British secret service drunkenly sing the Russian national anthem led by Santa Claus in a Lenin mask. That was perfect. Everything else about this movie is wrong.

There's a scene at the end where Smiley is debriefing Haydon; and Haydon, trying to mitigate his own evil, says, "I did get him back," referring to Prideaux. This is after Haydon has betrayed his former best friend and lover and sent Prideaux to the most horrible physical torture. And Smiley responds, "Yes, that was good of you." In the BBC adaptation, Alec Guinness delivers that line with powerful acid sarcasm, damning Haydon. In this film, Oldman just steps over the line and says it without emotion or meaning. It's one of the most powerful lines in the book and BBC version, just wasted in the film.

In the book, Prideaux kills Haydon with his bare hands. A far more suitable killing, considering the extremely personal nature of Haydon's betrayal. A long-distance rifle shot? Takes all the meaning out of that death.

Many other things in the book make no sense. Why kill Irina in front of Prideaux, he doesn't know her and has no idea who she is. Why does Karla have Tufty Thesinger killed? Makes no sense. Alleline played as a Scottish bulldog? The whole point of his character is that he's a classic upper class British twit, not one tenth as clever as he thinks he is.

The interrogation of Esterhase in front of that ridiculous airplane? Nonsense. Compare the corresponding BBC scene, in which that interrogation beautifully and clearly explains the entire plot to the audience. Of course explaining the plot to the audience is simply not a priority for the filmmakers. Le Carré always keeps you confused for a few hundred pages, and then pays you off with a perfect explanation that satisfies. This movie doesn't care enough about its audience to do that.

Honestly I could go on. I just hated the hell out of this movie.

Finally, not to put too fine a point on it, but Smiley is fat. From Call for the Dead: "Short, fat, and of a quiet disposition, he appeared to spend a lot of money on really bad clothes, which hung about his squat frame like skin on a shrunken toad." When I heard that Gary Oldman was playing Smiley, I knew this production was doomed.

Ok well that's my two cents. This movie really frosts my butt.

ps -- Why does it matter that Smiley is fat? Because his character parallels that of Roach. Without that, the existence of Roach makes no sense. And Prideaux angrily chastising Roach? Could never happen. Prideaux would break Haydon's neck with his bare hands; but he'd never be anything but gentle with Roach.

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This film was an unmitigated disaster.
That was a commercial and critical success.
This movie really frosts my butt.
We're all friends here. What else are you aiming to talk about?🐭

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> > This film was an unmitigated disaster.

That was a commercial and critical success.


I think he meant that it was an unmitigated disaster fromthe perspective of the viewer. But yes, it is true that a number of people saw it, and after they saw it, the studio had their hard-earned money. So the cloud has a silver lining ... for the studio. Whether it actually amounted to a profit or not, I have no way of knowing.

As for critics, they just praise what they don't understand, for fear of being thought stupid. There's a certain elitism in praising an incomprehensible film.

They were in no hurry to bring the actors back for "Smiley's People" or some other such sequel. Which is no surprise. Few people who saw this were eager for more of the same. So even if it earned a profit, it seems the Studio did not expect the same from a sequel. As the saying goes: Fool me once, shame on you. Fool me twice, shame on me.

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I think he meant that it was an unmitigated disaster fromthe perspective of the viewer.
Yes, but he didn't say that, so why suggest otherwise?
But yes, it is true that a number of people saw it ...
Spoken like a true advocate of the downplay. In fact a lot of people saw it, and as I stated it was very much a critical and commercial success.
As for critics, they just praise what they don't understand, for fear of being thought stupid.
LOL! Of course they all do! It's an almost universal conspiracy by them designed to upset pompous upstarts. You've just succeeded in validating my inherent mistrust of strangers.🐭

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Yes, but he didn't say that, so why suggest otherwise?


Steve did say that. He was expressing his own personal opinion. While his words, taken out of context, can be given another interpretation, just so you can tell him he's wrong, there is no particular reason to take his words out of context. He was expressing his own opinion of the film.

And I agree with Steve. The film sucks. It is an unmitigated disaster.

But, you object, it was not a disaster for the Studio. But how would I know, and why should I care? I can express no-one's opinion but my own.


Spoken like a true advocate of the downplay. In fact a lot of people saw it, and as I stated it was very much a critical and commercial success.


You could the same of almost any commercial release. Meanwhile, only the studio knows if it earned a profit.

Which brings me and Steve back to where we started ... trusting our own opinions after seeing it. We think it sucks, and we are not alone. And if it did turn a profit, it would only prove to me that films which suck absolutely sometimes do earn a profit.

But I doubt it was "very much" a commercial success. If it were, then they would have made "Smiley's People" or some other such sequel.


LOL! Of course they all do! It's an almost universal conspiracy by them designed to upset pompous upstarts.


I never called it a "conspiracy" and I never called it universal. Judging by "Rotten Tomatoes", 17% of their critics panned the film, and 83% praised it. Among the negative reviews you will find comments like:
"... near incomprehensibility ..." - Austin Trunick
"... like watching a large candle burn down to nothing ..." - Cameron Williams
"... virtually impenetrable ..." - Matt Soergel
"... dreary and incomprehensible ..." - Phill Hall
"... rushed incoherence ..." - Dana Stevens

Nor did I claim the "emperor's new clothes" factor was universal. After all, it cannot wholly explain the phenomenon of other awful films getting high critical ratings. Godzilla 2014, after all, got 74% on RT, and Mad Max Fury Road (which was perhaps not quite as bad as Godzilla 2014 or Tinker Tailor), got 97%. Neither of these films benefited from any particular level of incomprehensibility, but they may have benefited from other factors. I can name other awful films that have been critically praised, but that should not be necessary. The fact is, each of us can compose our own lists of awful films that were critical successes. And all it proves is that each of us has the right to our own opinion.

As for "conspiracy", there is none. But I have news for you. Commercial film reviewers do not work for us viewers. We do not pay them. They work for commercial venues that get paid for by studio advertising dollars.

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I agree, it was flat and turgid, like so many of today's films. Felt very made for tv at times.

~ I'm a 21st century man and I don't wanna be here.

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The plot got hard to follow in places but I liked the movie enough to want to read the book.

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I didn't think it was too bad, it could have been a lot worse. For a film, it stuck reasonably closely to the original,story as far as I could tell.

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I think a lot of the people in this thread need to stick to Bond and Bourne and leave the more complex films to the grown-ups.

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I think a lot of the people in this thread need to stick to Bond and Bourne and leave the more complex films to the grown-ups.


Hi, Mr. "grown-up". Was this comment really so mature and clever that you needed to say it twice in 2 different threads?

Anyhow, if you think you understood this "complex" film, I have some questions for you that no-one else on this forum has been able to help me with. Until then, I'm going with the simple explanation for this film, -- that it is a relatively mindless film that hides behind a veil of deliberate vagueness and obscurity. The marketing strategy for the film seems to be to bully viewers and potential viewers by insulting their intelligence and maturity, and accuse them of preferring Bond and Bourne. I've seen it 1000 times. Your comment is not original, and seems to be the standard marketing line.

BTW, I enjoyed and understood the book & BBC miniseries. But this film really is awful. Bourne and Bond really have nothing to do with it.

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Well the 1st 5 minutes I thought this might be an ok movie. The next 20 mins now im losing interest. 5 mins later now fast forward to the bird scene. 2 mins after bird scene, oh my it was just too boring, removing from list.

Most BBC or British movies are good, but I guess you get one rotten apple in the bunch, once in a while.

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