Sorry but I think that the BBC were correct on both counts. The first series of Psychoville had mystery because we were working out the motivations of the characters. Series 2 was too much in love with the same characters that it didn't have the same freshness.
Because of the BBC's courageous move, we have experienced the intriguing Inside No. 9.
When Rob Grant decided not to co-write any more Red Dwarf after series 6, Doug Naylor wanted to either do something entirely different or do a Red Dwarf movie. However 'Grant Naylor Productions' were already contracted by the BBC to make at least 2 more series. If anything, some of the fans showed far earlier diminishing interest in the direction of the show than the BBC did. Kochanski was unfairly given some of the blame- she was great for 2 or 3 of her episodes in series 7 and then the scripts seem to run out of steam as if starting to morph in to the soap opera that it was in series 8 and (literally) in Back to Earth and, whilst series 10 has some good bantering, the BBC's money or technical expertise or simply expectations no longer appear to be so much on the screen. I sometimes feel like a lot of the budget was spent on Cat's outfits. There are no longer any interesting new villains, no interesting planets like Rimmerworld /Terraform, no moments of high camp such as Demons and Angels. It's too settled in its own early history which Doug Naylor seems to have erroneously decided was where all its heydays were.
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