Why the crap wouldn't he just shoot his hand? Or simply his index finger, it would give him time to run to crazy old Joe and change something...
I've watched this movie 3 times and this is my only problem with it haha
It does get better with repeat viewings. The look and feel of the lead-in, including the trippy, convertible miata montage.
All the red herrings. All the homage.
The diner-double scene. "Diagram out of straws..." (which I've made*.)
Now, as per your problem... I have problems:
a. Temporal Update Latency. How much time before shooting off the finger or the hand catches up with OLD? If there's any "lag**," OLD has time to get a shot off -or- just catch the falling gun with the 2nd hand and fire shots. This also applies to YOUNG's "suicide," but one might argue that OLD JOE is caught completely off-guard by YOUNG's strange decision (clearly not a decision OLD would have made). Too baffled to get his shot off before vanishing. Keynote: OLD JOE's gun and all material wardrobe should not have vanished -- editor confirmed this production gaff on Twitter.
b. Amputations and Scars. How pristine is the wound when it's Updated to OLD? We know a hand or finger wouldn't grow back. But what if shooting your own hand only creates a round bullet-scar on your OLD? And he fires shots.
Long story shot, Act III has some problems. See: Cinema (in general).
(** There would most certainly be Update Latency. Sawing off a hand takes time, if not completely sawed off, the hand/bone might heal (partially) and therefor NOT vanish. The "self consistency" that governs the [vanishing limbs] during Looper's "magic" updates must wait for the Information to change. A flux in the stream of Information (hand==1/0/n; n==partially dismembered but healed later. The arrival of the Update(Wound) cannot predate the Event(Wound)). There would be lag; however micro.)
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I'm sorry but even with a modern shotgun at close range nothing will remain if you shot your hand. And the "micro" lag wouldn't matter, he would still be baffled (if we are assuming that the "pause" we see is him being baffled and not simply a very slow motion before he dissapears instantly).
Also, if OLD joe couldn't get that one shot Cid would go inside the crops and OLD joe would never shoot the mom (which would be the major cause for cid to become the rainmaker acording to new joe)
I'm sorry but even with a modern shotgun at close range nothing will remain if you shot your hand.
Assuming you hit your mark of [Own hand] firing a shotgun with [Other hand]. Have you any field experience with this? Is this easy? I mean people miss small objects at close range using both hands. [One Hand] firing of the shotty seems risky and random.
And the "micro" lag wouldn't matter, he would still be baffled (if we are assuming that the "pause" we see is him being baffled and not simply a very slow motion before he dissapears instantly).
Wait. There could be enough lag for OLD to squeeze off a shot in response to the perfect [One Hand] shooting the [Other hand] before OLD hand/arm vanishes, but forget that because a member of IMDB posted, "the lag wouldn't matter."
Everything in a gun-fight matters. Including which way the wind is blowing that day.
Also, if OLD joe couldn't get that one shot Cid would go inside the crops and OLD joe would never shoot the mom (which would be the major cause for cid to become the rainmaker acording to new joe)
I agree. But I don't see how that helps support your solution. I'll cede you this point; SUICIDE wasn't necessary and a touch cowardly. "I didn't like my future, so I changed it. Waaaaaah!"
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OK, so young Joe shoots his hand and old Joe's wrist immediately disappears completely. But old Joe is holding the revolver with 2 hands, assuming he drops it, it would take him 3-5 seconds to pick it up and aim, he's a professional killer after all. The woman stood tall in one place, because she was covering for the kid who ran more than 10 seconds before he hid in the crops. What does young Joe do in the meantime (he's too far away)? Take his shoe off and shoot his other hand, pulling the trigger with his foot's fingers? :D If he shoots his foot/lower leg (you want him to survive and not die of blood loss), old Joe could still make the shot from the ground/or standing on one leg... Please don't make young Joe poke his eyes out, please.
Looper, like all time-travel films, is full of visual clues. The prime task on first rewatch is to try to spot any temporal doubles in background scenes. "Coherence," while not exactly time-travel, per se, is splendid for "tracking temporal doubles." Think Where's Waldo, only Waldo keeps changing his clothes to blend in with the crowd.
That in mind, some of these will be false leads. Just something we mistook for a clue. And some of these will be legitimate red herrings, designed to intentionally trick us. The prime task on second rewatch is to catalog the red herrings.
Homage happens regardless, and might be the most subjective task of all. Meaning some WANT to see homage so they invent it in their minds. The sex scene between Sara and YoungJoe is homage to Terminator.
"Diagram out of straws" was brilliant writing. It encouraged many viewers to actually make one themselves... Here is mine:
Well stated, Rain Man. I've done approx. 50 2nd re-watches of Looper and it seems I see a new Waldo each time. In the two versions of Old showing up and punching out Young, Young is shown waking up face-up the first time, then he is shown falling face-down the second time. At first I attributed this to bad continuity. Not so much any longer because they ARE two separate scenes which could have minor differences like that occurring in real life. Tons of other Waldos keep revealing themselves which is why I know I'll watch it another 50 times.
In the two versions of Old showing up and punching out Young, Young is shown waking up face-up the first time, then he is shown falling face-down the second time. At first I attributed this to bad continuity.
I, too, think this is intentional. I think its purpose is to shake up "audience perspective" and free us from our linear thought process. Or at least try to.
There's that jump-cut when YOUNGJOE falls and is knocked unconscious. It's been speculated before that this represents a fourth and fifth JOE! (OLD OLD (killed), YOUNG-1 (knocked out), OLD-1, YOUNG-2 (knocked out differently), and OLD-2 (vanishes at the end of the film).) But it could be bad continuity as well, as there is little supporting evidence that OLD-1 was closed(loop) via the Mutilation Contingency -or- supplanted YOUNG-1 and seeded OLD-2 in order to "get it right this time."
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And this "brilliant writing" diagram of straws. Has something to do with terminator with a search, Ill check that out. The looper one I figured the same way in my head after watching it, but thank you for the explanation and diagram.
Both Sara(s) have sex within a running Temporal Loop. And we may draw the conclusion that JOE() is the Rainmaker's father. However unsupported by the script.
Homage and Red Herring at the same time.
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I see. But I tink it's pretty evident Sid is already the Rainmaker. However, it very well could be he got her pregnant and he fathered a different rainmaker, but that would not support the whole seeing his mother get shot and synthetic jaw comments made before the future. So you are relying on a completely different person ending up becoming the rainmaker in the same chain of events where even a "butterfly" flying in a different direction on an off day could have catastrophic consequences and changes.
I see. But I tink it's pretty evident Sid is already the Rainmaker. However, it very well could be he got her pregnant and he fathered a different rainmaker, but that would not support the whole seeing his mother get shot and synthetic jaw comments made before the future. So you are relying on a completely different person ending up becoming the rainmaker in the same chain of events where even a "butterfly" flying in a different direction on an off day could have catastrophic consequences and changes.
I do see the homage now though, thanks.
True. Remember that we see the sex-scene before we see Cid shot in the jaw. So it's anyone's guess as to whether a time-traveler (front end of loop) impregnates a woman who already knows about Loopers.
Did you enjoy Predestination?
Very much. Read ByYourBootstraps and All-You-Zombies over 20 years ago and they still hold up today. Predestination makes some interesting decisions in terms of focus and pacing. It really sets up the twist nicely... whereas the book sorta denies you any twists.
the problem is not this, the problem is that when he realize that he should end this, his future self should too and not kill the mother. but of course that would spoil the only good scene in the movie, joe killing himself. so the only good point is based on the most stupid one.
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excuse my crappy english, through out the movie, bruce willis was able to follow his old self by remembering what he did. so he knew he will meet hisold self in the last farm, when his old self had a gun shot, he get a scar. so when his old self realized that what made the rain maker killing loopers is the death of his mother, bruce willis should have realized that at the moment and stop following the mother and the child. his old self also should have realized that and know that he doesn't need to kill himself to stop his future self, bruce, from killing the rainmaker mother. but of course this logical happy ending wouldn't be as strong as the stupid emotional ending that the crappy director choose.
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excuse my crappy english, through out the movie, bruce willis was able to follow his old self by remembering what he did. so he knew he will meet hisold self in the last farm, when his old self had a gun shot, he get a scar. so when his old self realized that what made the rain maker killing loopers is the death of his mother, bruce willis should have realized that at the moment and stop following the mother and the child. his old self also should have realized that and know that he doesn't need to kill himself to stop his future self, bruce, from killing the rainmaker mother. but of course this logical happy ending wouldn't be as strong as the stupid emotional ending that the crappy director choose.
English is my 2nd language, as well. Looper does a fantastic job of detailing Motive(Intent; Pre-active) and Catalyst(Active; Re-Active) within an ever-changing, permeable Past.
Point 1: It is never OLD JOE's intent to "stop" the Rainmaker from killing his wife, for OLD JOE knows the trip-in-time is one-way. The true motive is Revenge. Payback. Retribution. Closure. In OLD JOE's mind, this Closure (under the framework of Revenge) outweighs the atrocious act of "child murder," including the innocents that weren't named Cid.
Point 2: It is never YOUNG JOE's intent to "stop" OLD JOE, for YOUNG JOE knows the time-traveler is privy to pain/knowledge unobtainable once OLD JOE escapes death-as-planned(closed loop). The true motive is Erasure. Self-loathing. Fear. And yes, Closure. In YOUNG JOE's mind, this Closure (under the framework of Erasure) outweighs the fear of death.
In short: OLD JOE doesn't want the rainmaker to kill YOUNG JOE's future "anything." And YOUNG JOE doesn't want a Future if it means he becomes a child-murderer.
I think the ending is deeper than you give it credit for...
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no way, there is nothing to indicate old joe's goal being revenge, on the contrary, he show wisdom and lecture his younger self about being dump, as for going around killing children, that go after the classic question on time travel about killing hitler, and sacrifice for greater good.
young joe didn't want to have a future, period, since he signed the contract and despised getting old. but it's possible that emily blunt was the salvation for young joe as the chinese woman for old joe. the story was much deeper than the stupid writer/director could understand, that's why it went over his head.
..and why wouldn't joe be able to live as a child murderer, he lived his life killing random people he didn't know, and finally killed his own self, which could seem like suicide but it's not when yourself is outside yourself, it's more like killing his own father, which is more terrible than killing children. actually a character in the movie told his people to look for young joe and his father, referring to older joe.
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on the contrary, old joe was expecting himself to disappear after killing the rain make, hence to live happily ever after with his lover. young joe suggested that he shouldn't go to china to save her life, it's clear that old joe aim was love not revenge, finding the best way to save her life without leaving her. but i guess blunt will make it more complicated, if young joe decide to stay in the farm and not go to china. but would that mean that old joe should statr falling in love with emily too, so why would he shoot her!
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on the contrary, old joe was expecting himself to disappear after killing the rain make, hence to live happily ever after with his lover.
OLD JOE doesn't care about anything other than killing the rainmaker. His wife is dead. He knows YOUNG JOE *might* have a chance at finding her; but he also knows that he killed OLD OLD JOE and then met the chinese wife. So all bets are off.
Revenge can be had. However.
young joe suggested that he shouldn't go to china to save her life, it's clear that old joe aim was love not revenge, finding the best way to save her life without leaving her. but i guess blunt will make it more complicated, if young joe decide to stay in the farm and not go to china. but would that mean that old joe should statr falling in love with emily too, so why would he shoot her!
No, you misunderstand. YOUNG JOE says "show me her face! that way I never fall in love with her." [OLD JOE doesn't show.] "OK, how about I don't go to China, and I never meet her. That saves her life."
This is YOUNG JOE trying to talk some sense into OLD JOE. But Revenge can be had. And OLD JOE has nothing else to live for...
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you contradict yourself, what's the need for revenge if he can save her life! i can't find any indication for revenge, it's a matter of changing history.
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you contradict yourself, what's the need for revenge if he can save her life!
No, Im just failing to make the point. YOUNG JOE wants to eliminate any chance of meeting "Chinese Wife." YOUNG JOE is reminding OLD JOE that one way to "save her" is by removing any JOE() from her timeline. So OLD JOE does the next best thing. Revenge slaying. Malice Aforethought.
And suicide accomplishes "saving her." So OLD JOE wins, amirite?
Point is; OLD JOE is fueled by revenge.
YOUNG JOE has seen "the future" and wants off the Merry-Go-Round.
YOUNG ABE is somewhere, approaching a point where he'll travel back and (re)reboot the Looper Program.
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When I saw this movie, my roommates voiced this same concern, and I offered this rebuttal.
If he shot his hand off, the future self would instantly lose whatever had was shot off, but would also suddenly carry the memory of it getting shot off, so in the time between when the younger version of himself shot the hand off and the time he became old Bruce Willis, he would have learned to shoot with the other hand. So shooting off his hand would buy maybe a moment at best, and that wouldn't be enough for a freaked out kid to run from a guy hell bent on killing him.
Killing himself was the only real way to ensure Bruce Willis wouldn't be there.
Not to tear your post down, as you're on the right track in correcting your buddies... but... A minor correction:
so in the time between when the younger version of himself shot the hand off and the time he became old Bruce Willis, he would have learned to shoot with the other hand.
The "updates (missing limbs)" are unique to the Running Loop. They do not exist in the previous Timeline(the one OLD left behind) and they are not "updates" at all from YOUNG's frame-of-reference; they are a normal part of this Timeline wherein 1/many Loopers run their loop; moving forward.
If OLD had time to adjust to "updates" retrospectively, all Loopers would exit the fold in space/time with prosthetic limbs as they have 30 years to get nifty robotics installed.
So shooting off his hand would buy maybe a moment at best, and that wouldn't be enough for a freaked out kid to run from a guy hell bent on killing him.
It's at this point that Young Joe doesn't give a damn about anything except "getting off the merry-go-round." He doesn't know with any measurable certainty that suicide would save Cid.
He finally clocks out of the Looper job. Tragic would be the event of Young Abe (alive because we see Old Abe's corpse) growing up as Old Abe and making the trip back in time only to (re)recruit New Young Joe (who shouldn't be tethered to either Joe we see in the film).
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Because it's a much more powerful ending with him killing himself. He sacrifices his life to protect the Rainmaker and all the Rainmaker's future victims.