They kill all Loopers in order to erade all tracks back to them (with all the costs and risks which go along with it - including fleeing Loopers, what is the issue of this [good/entertaining] movie), but a mere woman on a run-down farm, neraly broken, knows what a Looper is...
There are two specific red herrings disguised as plotholes in this film:
a) How Do They Kill the Chinese Wife if it is Nearly Impossible to Get Away With Murder In That Future?
b) How Can So Many Know About Loopers in the Past if Their Purpose is to Erase Data From the Future?
The brilliance of writing a time-travel film is to trick the audience up until the point they'll be rewarded on rewatch. You do this by hiding clues and red herrings that only make sense on rewatch. However, Rian Johnson (the writer/director) does this in several of his films anyway, so it was naturally applied to his temporal wobbler, "Looper."
a) Is simple, send the husband(looper) back in time and frame him for the wife's gut-shot. Or, if that doesn't work, (1) henchman does the time. It's not what you can prove; instead how well you can prove it.
b) Is simple, ERASURE from the Future has no bearing on "loose" DISCLOSURE in the Past. That is... in 30 years, "talk" of Loopers, Abe(), and/or Sara is difficult to prove. See a).
There's something else at play here... The nested truth that there are many many iterations of Abe() traveling back to make sure it all goes smoothly and to seed Future Young Abe. If this were the 1,000,000th iteration, then it would be ODD if Sara didn't know about Loopers. Given how intimately connected she is to their world.
Something/someone is seeding OLD JOE before his trip back, and his actions seed SARA and CID moving forward in any given iteration. And we know ABE() is seeding nearly everyone (Trust me, go to China). Informational accretion.
I get it, it is needed for the movie, and the movie is more playing with a specific idea than to create an entire and plausible universe.
Anyway: I enjoyed the movie.
Nothing should be plausible about a story wherein TIME TRAVEL is the driving motivator for all action.
I enjoyed it too. Time-travel is my favorite subgenre. Have you seen Timecrimes? Such a good flick.
Enjoy these words, for one day they'll be gone... All of them.
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