Admired, but also disappointed.
Artistically and cinematically, this is the most unusual movie I have ever seen, one which I have tremendous respect for. I feel guilty in some ways for what I'm about to say, but I have to admit I allowed myself to become so emotionally involved with the movie that I actually feel greatly disappointed by the premise. Before I say what that is, I quote from Wikipedia on the movie's theme:
The cinematic experience itself is the main focus of the film, but there is also a central theme of emptiness. Noé describes the film's subject as "the sentimentality of mammals and the shimmering vacuity of the human experience."[2] The dramaturgy after Oscar has been shot is loosely based on The Tibetan Book of the Dead, and ends with the spirit's search for a way to reincarnate.[4] The director, who opposes all religious beliefs, says that "the whole movie is a dream of someone who read The Tibetan Book of the Dead, and heard about it before being [shot by a gun]. It's not the story of someone who dies, flies and is reincarnated, it's the story of someone who is stoned when he gets shot and who has an intonation of his own dream."[5] Noé describes the ending of the film as Oscar's recollection of "the most traumatic moment of his life ? his own birth".[6] The director also leaves open the possibility that Oscar's life starts over again in an endless loop, due to the human brain's perception of time.[3]
I admit to feeling somewhat stupid that I did not consider that the entire sequence of events in the movie might have been nothing more than a trip or a dream. I allowed myself the fancy of thinking that Oscar was really discorporate and was experiencing all of these events. To discover that the movie was not an affirmation of the spirit world and reincarnation but in fact a denial of it I admit is tremendously disappointing to me. As I stated above, I feel guilty for making that review because I am fully aware of what the director was actually saying and his bold and admirable use of the art form in saying so.
That said, Enter the Void was a truly unique and enigmatic look at the issue of suffering, dying, and the seeming need we all have to continue living after death. Frankly, and immaturely, I find myself wishing that Gaspar Noe would do a sequel and tell us exactly what actually happened to Oscar and the other characters.