MovieChat Forums > All Good Things (2010) Discussion > Good performances can't save it

Good performances can't save it


I was at a screening of this over the weekend, and for everyone talking about Oscar buzz, save your breath.

Kirstin Dunst gives what is probably the best performance of her career. While that could be considered faint praise, I thought she was genuinely good in her role. Maybe not Oscar good, but she wasn't a detriment to the film.

The film itself is a mess. Poorly written, horribly paced. Gosling, who I have loved in everything I have seen him in, just doesn't have anything to work with here, which I think can be blamed on the writers and directors. They include two framing devices, one of which never adds anything to the movie and is a pathetic attempt at a fakeout, and the other doesn't become the least bit interesting until the last 10 minutes. Frank Langella gets a stock character and does as much as he can with it, but there isn't much there.

The script underscores every point it is trying to make in the most blatant, ham-fisted way possible.

For those who know the story this is based on and think that it is too fascinating not to make a good movie, keep in mind that the things that make it such a great real-life story don't become relevant in this film until the last 20 minutes or so.

Far too much time on a mediocre story presented in a way that shows no talent for narrative, subtlety or tone. It will get savaged when it comes out, and that will negate any chance of nominations for the actors.

Beware the According To Jim-ization of America. "Good enough" is not the same thing as "Good"

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I don't think this film is by any means Oscar material. However, I found it to be well-made, and shot a bit differently from many other murder-mysteries. I liked it, and I wouldn't be surprised if Dunst gets some sort of recognition for it. She was very good.

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Maybe an MTV Movie Award nomination, but don't expect anything from any award show that matters. Not trying to be a contrarian. That's just how this stuff works. She isn't in the conversation yet, and if she isn't anointed by now, she won't be. Oscar front runners (and, by extension, the front runners for everything in awards season) are usually pretty solidified by the end of September.

Also keep in mind that there is a lot of bias in Oscar voting. Part of why Meryl Streep and Kate Winslet keep getting nominated all the time is because they are Meryl Streep and Kate Winslet. Kirsten Dunst has a reputation as a mediocre actress. While this was a strong performance from her, it wasn't the sort of show-stopper that overcomes the stigma (like Mo'Nique in "Precious" or Charlize Theron in "Monster.")

If the movie around her was better, she might have had a chance. But it's not, so she doesn't.

Beware the According To Jim-ization of America. "Good enough" is not the same thing as "Good"

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It's not the whole thing. "The Lovely Bones" was released last year and that film was not very good. Stanley Tucci was nominated for an Oscar for his performance. Sorry, but no. It's not the whole movie that counts. It's always a plus if you do have a good film, but it's not always the case when actors are nominated. The performances are definitely singled out and put into consideration.


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Couldn't agree more !!
I think Gosling was an awful casting choice and I don't understand how he's being so high praised in other boards for his performance.
Also the movie kept jumping back and forward to the point of dizziness.
But I have to confess: not being from the US and having never heard of this story, I felt so perplexed and intrigued as the facts were being unfolded that I couldn't stop watching this movie !!
Weird how reality sometimes can be stranger than fiction ...

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she is good in this, yep.



A day without sunshine is like, you know, night.

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I just saw it on Netflix. Never heard of it before. Not a huge fan of Gosling, altho I think he's a good actor and very handsome. Anyway, I thought it was a really good movie. I'm familiar with the Galveston facts, but had forgotten about the missing wife part. I guess you're referring to the Galveston part of the story when you say the relevant part doesn't occur until the end of the movie. But I disagree with that. Everyone knows this guy killed the old man (there were other parts to that story that weren't in this movie...irrelevant), but the mystery is the missing wife long before. That's what the movie was about because that's the mystery, and that's the puzzlement. It seems clear that he did it, or had it done, and that his family protected him. I'm unclear how much of the Deborah part of the story is fact or is hypothesis in the movie. I didn't remember that part of the real story. Since she wrote a book about a murder mystery similar to the Marks wife, it's possible the family had her taken care of, since they are powerful.

Anyway, good movie. Gosling did an excellent job transitioning from near normal to deeply disturbed, and from handsome young and energetic to bizarre older and odd looking. Dunst was great and probably was a coup she got that part. She's not known for being beautiful, and I would've thought they'd have chosen a beauty. But they went with smart, dimpled, cute, and pretty with a good bod and good acting chops. She did a great job.

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Its a well acted film but did not get me much involved.


Its that man again!!

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I agree with the OP in that while most of the performances were good (especially Kirsten Dunst), the film fails in that it was TOO ambiguous.
Its one thing to not spoon-feed the audience, its another to reveal NOTHING.


"I'd say this cloud is Cumulo Nimbus."
"Didn't he discover America?"
"Penfold, shush."

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