Interesting post, AndreeaMariaVlasceanu. Thank you.
It’s not about love, compassion as the priest tries to convince etc.
Well yes, I think it is, but not exclusively, nor for everyone. Isn't the whole point of the play how all parties see the issue through the prism of their own doubt and suspicions? Sister Aloysius sees everyone as suspect and flawed and having to be diverted from their own true nature. She creates bleakness, but believes she's pruning the dead branches that are at risk of falling. It's notable tht she never questions her own. Father Flynn, conversely, sees his role as filling the gaps in people's lives, and trying to encourage new growth. The conversation about the Christmas Pageant demonstrates their fundamental differences in attitude very clearly. I think Sister James is right in her comment on Sister Aloysius simply not liking Father Flynn, and distrusting him because of the things about him that irked her. The point is, we simply can't know whether Father Flynn was guilty or not.
From what I know Hoffman was told from the beginning the priest was a pedophile while Streep and Adams didn't know it. It was good for the dramatic energy of the movie.
That doesn't mean he actually
was a paedophile. The important thing is that those who want to read it that way need to be able to see validation for that point of view in the performance. Shanley's comment on the Blu-ray is interesting, where he says that really the last act of the play (or film) happens after it actually ends, when the people in the audience discover that those they watched the play/film with didn't actually see the same play or film that they did.
I do think that anyone who wants to demand that people reach the same conclusion they did have actually missed the point of it. It's not about certainty.
You might very well think that. I couldn't possibly comment.
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